basslondon

I dont see anyone telling this man that playing a five string would be a problem..... Id like to see a precision/jazz 4 with flatwounds sound that harmonically rich.... [url="http://www.youtube.com/watch?v=IBWY8oAnnww"]http://www.youtube.com/watch?v=IBWY8oAnnww[/url]

[quote name='bassman344' timestamp='1356931818' post='1915266'] Not quite a storm. Just wonderin if a gibson flyin V wud get the same response. ;-) [/quote] Nah, Unfortunately Lenny Kravitz has made them kinda cool with a certain set of people.................

[quote name='Dingus' timestamp='1356702034' post='1912598'] +1 on Phils selection here . I. For what its worth , with the benefit of hindsight I actually think the Aria SB1000 is a better designed bass than many of the more exotic boutique basses of that time , and it's sound is equal to anything out there even in the present day in my opinion . Providing you dont mind the weight , if you see one in reasonable condition at a good price I would say that they are the best bang for your buck if you want a bass from 1983 that encapsulates the sound and spirit of the age . I got a JV Series Squier in 1983 and it was a lovely bass , but what I really wanted was an Aria SB1000 so I could tell the girls at school that I had the same bass as John Taylor out of Duran Duran . Anyone who was in their early teens at the time will know the power of that association . [/quote] Having said that i sold my Squier JV for "Considerably more" last year than i bought my SB1000 for. So whilst i agree the SB 1000's are fab basses (I wont be getting rid of mine any time soon although i did have a moment of madness recently...cold flannel sorted that out!) the squiers are not too shabby. I think that was a tribute to the basses coming out of Japan in 1983 in general. Even the Westone thiunder series aquitted themselves well over the ensuing years.....

Try what i do. Turn up with a B-D tuned Tokai Jazz bass for the audition ( my stealth bass). After a short while, they get weird when your fingers "look wrong" when they shout out the chords to a new tune. If i survive that, i turn up with a five string bass to the next rehearsal which to them is strangely more palatable than a four string with its notes in the wrong place. I did get a weird reaction at a gig once from a sound engineer (at the Camden Barfly so it wasnt entirely unexpected.) She said " WOAH! Its a fusion trap. 5 string bass? Next your drummer will be coming out with a Dave Weckyl Signature Snare...". Being a Middle Aged Baldie helps though as i'm so far away from "Normal" that a 5 string bass is the last of their image concerns. But standing 6'2" and being 180KG means any bass looks like a banjo on MOI. I used to get all kinds of stick for playing the ARIA SB1000. Till they heard it. And when i pull out the Jaydee and DONT go clackity clack,... Im sure i actually feel the (prejudicial) walls come tumbling down. (I must admit they do ask for the Jazz on photo shoots). So with some people you have to play a little game. I find that when you mess around with their perceptions technically theyre less inclined to "Show" you the basslines , More over i get asked for production input. But one must bat away the twats "getting a deal,Man". Your'e on a hiding to nothing then . outdated ideas from a era time forgot. But thats a whole new topic.....