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deepbass5

⭐Supporting Member⭐
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Everything posted by deepbass5

  1. Are we heading for agreement on - Red guitars are louder conclusion to this topic
  2. I remember being surprised that Kubicki factor bass's had a ply constructed neck, which i guess is the next step on from a 5 or 7 laminate neck employed for stability, but with 30 -40 lamination's working against the relief. one would assume these lamination's are tone wood strips not just from 'construction site' shuttering ply ? 😦all those tones the lamination's add to the sound ! 😁 Or are you in the camp where some luthiers say glue actually detracts form the sound and resonance of the neck so should be minimized. Is the Carbon rod introduction. snake oil as well ?
  3. what would you call all the woods that bass makers reject? and have learnt to not use because they sound bad, (non tone woods) ? logic says hundreds of years of musical instrument making, using wood has led to some favorite woods now known as tone woods
  4. Why not buy an old bass that has been played for years , or better still practice more so your fingers make a difference, so when someone says its all in the fingers you can say I know. come and listen to me play my new £200 bass. Not aimed at you Maude but those he think a gadget would be more fun than playing to get a better sound and feel.
  5. The quality will be down to what they can get away with at the price ( well it was straight when it left the factory)
  6. how about Yamaha exposing their basses to hours of musical vibration in their factory to simulate years of playing, the aim to line up all the woods molecular structure to be in line and vibrate in harmony to those notes to be played on it. Just as an old violin or 60's P bass. Good wood selection helps with this, hence the term tone wood. electronics and string choice can ruin this but not enhance it. High mass bridge can help bring out what is there, along with expert set up.
  7. Nobody seems to have mentioned seasoning of the woods, most bespoke custom order basses from reputable luthiers will pride themselves on using older seasoned woods, Schack for example kiln dry there necks and have also pressure resin impregnate them to prevent them taking on moisture after manufacture. My custom shop P bass sounds great - only because I have paid a premium for them to select the best woods and a quarter sawn neck, its still has standard 60 year old designed pickups and a bent metal bridge. No fancy pre-amp. So I am in the camp for quality wood sounds good and will show out.
  8. 😮 £500 for a Bassline are you crazy I can ask a Moderator to get Samaritans to give you a call, five hundred pounds.
  9. Wow just read through all your replies, great experience and input, best i've seen on here for a while. I've join in after you have bought a five 😄 Echo all the above, I have just finished in our covers band after 30 years, I spend the first 5 years needing a five and playing a 4 string P bass. and an octave pedal. once i had bought a 5 string I used it all the time and now have lots of them, But Over the last 15 years I have not really needed one maybe the odd song in the set, But I was so ingrained in 5 strings because I had learnt all our sets on them. To the extent i couldn't play the songs on a four string because my muscle memory was on a five. So my advice is keep the four string and rehears on both don't allow yourself to loose the four string touch. I have now finally got my self back into a P bass. and the fives are gathering dust.
  10. I originally made it as volume tone - volume tone. I have since changed this to volume Pan, Tone Tone. It is easier when playing live . I also wish I had now gone with a Music-man control plate, for more flexibility to later tweeks, but wanted to keep that "double up" theme which the two Tele plates would portray. Just added this as you do need to have a good practical firm idea of what you want. sometimes being too different is not good and you realise the big boys have probably been there and now make basses to what works best.
  11. Then of course there is the video itself. too light, too dark the background, what you are wearing. and then facial expressions like you are chewing a wasp so the rest of the band know where to listen for the mistakes 😁
  12. Edit ? Edit? Not an option when its one take including video on your iPhone that is to be drop-boxed to your MD for scrutiny and hopeful inclusion. Edit - I wish 😂
  13. That's a revelation Bilbo, I feel better already. I tend to lean the other way happier to read, one of the first recordings we did back last May was ( Where or when). but with a chord chart for the bass, and even though I am sort of comfortable busking around chord charts in a concert or jam situation where any blunders are gone, never to be heard again. There is no way I could get through a four minute chart making split second decisions on note choice whilst recording. So I sat and worked out a bass line and wrote the whole thing out and then, just about got away with it.😅
  14. Hi Guys Did this course 3 years ago now, took early retirement so treated myself. I am hands on with most DIY, and working with wood ?? but I had never used a router either so that was my main fear. I did the 3 person course but it ended up with just two of us so was quite good for the individual attention we got during tricky bits. Jon had two body blanks previously glued ready for us. You then have to apply template and draw your body shape onto that, e.g P bass or Jazz but nothing stopping you bringing your own template design along. then yes to the band saw then the bench to file the contours. I wanted a 5 string reverse P bass with double pickups so there was an extra cost for the Pups. so you do have flexibility within the time restraints. I also requested body wood of Ash and padauk fingerboard, revers head stock The other guy did a straight 4 string jazz. in Alder with RW board It is pretty full on. we both stayed in the same B&B within walking distance. so 9 - 5 each day and Jon orders sandwich deliveries of your choice lunchtime and you can eat and work through etc. Mine turned out better than i could have wished very please with the neck which was a concern as I am fussy. I walked out with a playable bass so good result, cost wise course was then about £750 so with B&B extra pups evening meals in pub and fuel was about £1200. But it is the learning experience you are paying for. worth doing Great guys up there.
  15. Have to agree with a lot of these remarks Just done yet another lock down video for one of the big bands i play in, think this will be the 5th now. each was painful but a learning experience, firstly for recording techniques and then personal accuracy, as said above note length, speeding up in a bar, and your ear drawn away from the click track as you start to listen to brass line or vocal guide. and also the damping we do subliminally as Crawford13 said. This last one was Birdland. quite a tame arrangement so not overly taxing as you may expect but having probably played 3 or 4 different arrangements I have never really taken much notice of the phrasing and how it moves across the bar line with tide quavers, so your ear tells you you are out to the click. So after 20 takes to sort out some technical interference, I think Ive got this only to damp the final bass run four bars from the end. I keep saying yes to another because It improves my playing.
  16. Great Gear - I've been advertising my SM500 for more than this. A bargain. No one is making gear this good anymore.
  17. Its OK I've made arrangements, just head for the coast, Don't worry you'll only have to row half way and you'll be picked up and brought back to Dover PED will be waiting 😊
  18. Just pop down the corner shop, save us all the trouble
  19. whatever another 5 months practice at home, wont need a strap. let johnny foreigner have them ~#+-* mumble mumble *#~+.
  20. I am due for my Jab in May according to the App If i make it through till then, can you keep a set for me. I need something to look forward to
  21. With Fozza on the Richie Havens version of Here comes the sun, ever since Woodstock and release of his Alarm clock album. next would be Reba's If I fell the version we used to do in our band
  22. Russian Black Walnut Burr MBass and Simon's (oldgit) Camphor Burr Series II Shuker
  23. depending on your budget - if tight the ole Peavey 15" BW cab was the best I have owned. Big old box but that is the Physics of it, a really good driver with large vented voice coil, front ported etc etc. Dirt cheap second hand. But If you have some more cash and a bad back i would go with the Barefaced suggestions above.
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