WalMan

[quote name='ped' post='469839' date='Apr 22 2009, 06:35 PM']Different strokes :0) I did make a grindy patch called 'SVT grit' which many people, like Walman, liked. I will upload a sample of it EDIT - no I won't, can't find it! these were all recorded with a pod though, except the last one which was direct [url="http://www.freewebs.com/mrped/facethemusic.htm"]http://www.freewebs.com/mrped/facethemusic.htm[/url][/quote] Ped its on the tracks [url="http://basschat.co.uk/index.php?showtopic=45987"]HERE[/url] and [url="http://basschat.co.uk/index.php?showtopic=46386"]HERE[/url] if possibly a bit in the background

Hmmmm looks like I am playing every weekend in June, so can I get a pass for an early birthday bass bash?

[quote name='jonthebass' post='467399' date='Apr 20 2009, 12:57 PM']Surely it's a 'horses for courses' situation. There's nothing wrong with the POD and IEM setup, if there's enough P.A. at your gigs to cope. If not then having a powered monitor or power amp & speaker cab there to cover things would sort it. Good luck on your quest! BTW I always loved the idea of a backline and monitor free stage setup, with electronic drums, pods and IEM's instead. I think it was Garbage that toured like that some years ago. It must be wierd taking an earpiece out to hear...nothing![/quote] This was what I was after, but unless all the band use IEM's you hit a potential snag as above. And if you are using IEM's you need a good set of earphones - for example Shure E2C's And finally for a nice gritty rock sound, Ped's SVT Grit patch

[quote name='ARGH' post='467140' date='Apr 20 2009, 12:46 AM']Yes get a head..get a cab..... Pods..are not the way,if they were,the amp industry would have died..thay are made of plastic,plastic breaks onstage..dont do it.[/quote] My xt Pro hasn't broken yet and has been sat in a rack as the front end of my sound for 4 or 5 years now. As mentioned in your other thread it runs into the MB combo for stage monitoring as well as the PA for FoH. Don't do what I did initially, which was just run the BOD to the PA and rely on the PA monitors. It was OK for me but there were mutterings of a lack of presence (ie earth moving bass) on stage that led to my getting the MB combo. And make sure you check a BOD out with the powered monitor in a gig situation if at all possible because you may find that the monitor does not give you what you want being designed for something other than pure bass.

Oops this came out longer than I realised (as the bishop etc etc) Messing with a few clips found on my HD in the limited version of Live I have. Any good to you? E - 90BPM [attachment=23842:Reggae.mp3]

I used to run a 122H and was never entirely happy with the sound I got, but it was better when a 15 went underneath on occasion.. Then I got the Bass Pod and ran that straight to the PA. Finally added the MarkBass combo to the mix, plus the Epifani a little later that has added a bit of depth to the overall sound, and left me with a rig plenty loud enough for most pub gigs backed up with the BOD through the PA to allow a bit of variation (though I only really use 4 patches max). The MB is run pretty much flat and for me it's all in the pick (3mm big Stubby) 'cos my picking hand is messed up and fingers get on top of each other. For a while I ran the BOD into the effect in on the 122H. I should have thought a 15 rather than more 10's would help with depth

Might be worth adding links to the [url="http://basschat.co.uk/index.php?showforum=41"]Groove Library[/url]

Latest mix from the Fountain gig - cock ups & all. No fixing it in the mix here [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Wayward_Son.mp3"]Wayward Son[/url] Spent most of today tinkering with mixes to get the first set done & a copy burnt while the family slowly awoke from their slumbers. Ain't it strange how things change between the mix on the monitors used with the DAW and played back on the hi fi. Listening back to the CD the tracks got there and then, presumably as my ears got tired, became a bass players mix with the vocals slipping away a bit.

Now with added WPOD [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_WPOD.mp3"]White Punks[/url] It's v rough and ends with everything louder than everything else, but hey, r'n'r!! ....and the other two songs referenced in this version are.................? To continue, or not, hmmmmmmmmm? Probably needs a weekend to sleep on it and decide whether to chase down some of the level changes on certain channels from the original multitracks.

[quote name='johnnylager' post='457076' date='Apr 8 2009, 08:47 AM']Excellent mate. More bass in 'Ready To Rock' please! Are you putting WPOD up? [/quote] Cheers. I have found that my set up at home often leaves me with bass heavymixes elsewhere so obviously erred to far on the side of caution with R2R to start with WPOD will come later. For some reason I started with the second set!? I must have a go at normalising the first set tracks and then have a look at WPOD. Nothing on the box tonight so there's a job to be starting on

...and it is very rough at the mo [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Ready_To_Rock.mp3"]Ready to Rock - Thin Lizzy[/url] [url="http://www.the-alibi.org.uk/Alibi_Fountain_March09_Steal_Your_Fire.mp3"]Steal Your Fire - GUN[/url] Bass is the L2500 through the Bass Pod using Peds "SVT Grit" patch

[quote name='William James Easton' post='452551' date='Apr 2 2009, 04:30 PM']Free cd with all the 'licks' and 'tricks' on featured in said rag.[/quote] I think they are on the website - at least I'm sure they were once

Saturday. The sign of a good gig. 3 litres of water whilst playing & absolutely no need for a pee at the end of the night! Few alien abduction moments, but that'll be because the multitracker was in the rack under the mixer and the red light was on - even though no one was told for fear of jinxing it. Otherwise a blahdy good night. Guitarists teenage daughter was sneaked in with the managements full knowledge & was noticed looking aghast at the drunken rampaging being carried on by a select few laydees (?) a little nearer her fathers age during the evening

[quote name='Clockworkwar' post='446985' date='Mar 27 2009, 11:26 AM']You were on here at 1 in the morning [/quote] Aaaaaaaaand? Gig wind down

Depends what style you want. I have a load of round up DVD from Music Tech Magazine that have a load of free drum loops on them

Used to, but without the hassle of loads of cabs & amps, just a Peavy [url="http://www.peavey.com/assets/literature/manuals/80300567.pdf"]Megabass[/url] head & 1516 cab. Not sure I ever [i]really[/i] noticed the difference, but it still sounds good on some old cassettes of gigs I have

And another happy customer having relived him of the 2U rack in the current cunning plan to reorganise my rack into two that can go in the required places at gigs Great comms & superfast delivery. Cheers again

Shame. Basingstoke is probably just a bit too far for me from where I am on the south coast.

WPOD made it last Friday & will again at least Saturday as that is a mammoth gig that pretty much EVERYTHING gets played at. Loads of water and a decent warm up are the order of the day there!

Have you looked in the control cavity yet? There is often a bit of masking tape with some more details about the bass, woods etc.

So since the Admiral Drake we have had:[list=1] [*]The Half Brick, Worthing [*]Red Lion Stubbington [*]Cheers Bar, Bognor Regis [/list] Half Brick - hmmmmmmmm. Started quiet, and got quieter. Still a paid rehearsal. To be fair there were a few souls about who enjoyed themselves and took the time to say so after, and some of those coming out of the function room do behind us were dancing around. Got paid & offered a support to one of the name bands he is putting on a gig for to get us in front of a few more people so that [i]hopefully[/i] the next gig we get on our own there will be better attended Red Lion - not a bad night & a few other bands in to find out how it should be done Cheers last night - An OK night. The gaggle of girls on a birthday night out moved on to their next port of call in the break. Sound was good for me and now Max is mixing up the set to keep us on our toes it gets interesting when stuff we haven't done for a while gets put in. Found it funny that for a rock band (and a bunch of aging rockers at that!) there seemed to be mostly girlies up and dancing at the front pretty much all the evening - which was nice. Most enjoyable view from our side, it probably looked like a bunch of old lechers from the front The tour continues next week with The Royal Oak, Whitehill Friday & The Fountain, Chichester (our favourite gig) Saturday - mind you it does mean I shall be good for absolutely nothing but kipping & bathing my aching joints on Sunday

[quote name='Rich' post='439273' date='Mar 19 2009, 02:32 PM']Years ago I nearly bought a Shergold 8-string for £150... been kicking myself ever since for not grabbing it.[/quote] Blimey! If you were buying from an advert not a shop that might have been mine, in which case it would have been the silver burst one above. It was quite hard work as an 8 string. Not one to be used for a whole set!!

[quote name='josh3184' post='438831' date='Mar 19 2009, 12:43 AM']Sometimes when I see these old basses with these insane looks I get the feeling that we're missing out with the current crop of basses out there- it just [i]looks[/i] like its got all sorts of crazy features that I wouldn't understand [/quote] The Shergold Marathon (which is what mine were) came originally with a stereo jack, and later (as on my fretless) with a pair of jack outs. Both would operate with a normal jack, but if you used a stereo jack (or a pair of leads on the later ones) you would get E & A strings on one lead/side and D & G strings on the other. When I first got them I had an old Selmer Treble & Bass amp (or Tit & Bum as they were known in the band at the time) so I ran E&A to the bass channel & D&G to the treble - can't say I noticed any difference though As I recall the Shergold Modulater basses had a volume/tone section that you could pull out as a single unit and plug a different modules in - see [url="http://www.shergold.co.uk/modules.html"]HERE[/url]. Bizarre!! Is that crazy enough for you

I have to say I don't particularly find my Wal heavy, and certainly don't put my replacement shoulder down to playing it for 23 years. From all the other comments from Wal lovers it may be horses for courses, but as I said earlier, find the one for you and you'll never want to let it go, will guard it come hell & high water and love it forever

My old Shergolds and the Wal Pro1 Funnily enough a similar body shape. The Wal fitted the Shergold flightcases The Shergolds were my first proper basses and I gigged them for getting on for 10 years. The Wal has been my sole gigging bass for pretty much the last 23 years until the G&L came on board and the Wal was semi retired to recording & special occasions