This topic is now closed to further replies.
Recently Browsing 0 members
No registered users viewing this page.
PRICE DROP £250
Surplus to requirements is my Genz Benz ShuttleMax 6.0. It’s been well looked after and is in very good condition.
FEATURES • Dual Channels -- FET and Tube Preamps
• Switchable or Blendable Preamps • Input Mute Circuit
• High and Low Gain Switch per Channel
• Active 4 Band EQ with Dual Parametric Mids
• High Current Class D Amplifier Design
• Adjustable 3 Band Signal Shape Circuits
• Limiter Circuit
• LED Status Indicators
• Speakon® Speaker Outputs
• Internal Fan Cooling
• Full XLR Direct Output Interface
• Aux. Input
• Headphone Jack
• Three Effects Loops
(FET Ch; Tube Ch; Master)
• 115/230 Volt Switchable
• 5 Position Footswitch Included
Power Output - 600W/4 ohm x 12
Preamp Type - FET/TUBE
Weight Lbs. - 6.75
Dimensions HxWxD - 3 1/2" x 13 1/2" x 13"
It comes with the original foot switch and a non original padded carry case. Any questions drop me a line.
I’m happy to meet up within a reasonable distance, or I’m happy to pack securely if you want to arrange a courier to collect.
Thanks for looking.
By Baloney Balderdash
Mine must be the SWR Triad I, 4 Ohm, 400W bass cab, equipped with 1x15" + 1x10" speaker units + high frequency tweeter horn.
The 15" speaker unit receiving the full range of the signal, and then a build in crossover making sure that the 10" unit mostly only receives the part of the signal that is between 100Hz and 5kHz, and that the high frequency tweeter horn then receives everything of the signal above 5kHz, with how much of this part of the signal is fed to the tweeter horn being adjustable via a build in tweeter attenuator.
Personally I have the attenuator set at noon, which according to the manual is the "normal setting", effectively meaning an about -4dB cut of the signal fed to the tweeter.
I use it for the musical project that has my main focus at the moment, a bass/vocals and drums duo, which music perhaps best can be categorized as a form of progressive psychedelic stoner rock, where I play a just 28,6" scale 4 string Ibanez GSRM20 Mikro bass, tuned G1 - C2 - F2 - A#2, as in G standard tuning, 3 half steps above regular 4 string E standard bass tuning, or 2 half steps bellow A standard baritone guitar tuning, and then beside other momentarily used effects (a heavy high gain distortion with a quite fuzz like quality, consisting of a Turbo Rat clone parallely mixed, via my Boss LS-2, with a Joyo Orange Juice overdrive stacked into a Boss MT-2 Metal Zone, having a big part to play), have the bass signal run through an always on TC Electronic Sub'N'Up Mini octaver, blending in an 1 octave above signal with the regular bass signal, using the default polyphonic octaver setting, but tweaking the EQ of the input signal of the octave engine as well as the EQ of the pitched signal via the Toneprint editor to make it sound more natural, giving an effect similar to that of playing an 8 string "octave" bass, with pairs of respectively bass and octave strings.
Here, beside my Mikro Bass, is my Peavey Solo Special 112, 160W guitar combo amp, having it's build in 12" guitar speaker disconnected and instead hooked up to my SWR Triad I bass cab, only using the poweramp section of the Peavey, having an EHX Black Finger, tube driven optical compressor, acting as much as a fairly light compression effect as as a tube preamp stage, placed at the end of my effect pedals chain, then going into a Zoom MS-70 CDR, exclusively using that as a multi band fully parametric equalizer, utilizing 6 of the multi effect pedal's 2 band parametric bass equalizer models, then finally going into a Behringer MIC100 Tube Ultragain tube preamp, before going into the Peavey's Effects Return effects loop input :
The SWR Triad I was one of the first real commercial attempts at making a full range bass cab, it's nowhere anywhere near flat response, but to me that doesn't really matter as I think it got just the right frequency balance as it is, with control of the upper frequency representation by the build in attenuator, as I mentioned previously, setting how much of the signal above 5kHz is fed to the tweeter horn.
The low end of the cab is tight and articulated as far as I am concerned, and I guess the cab is fairly mid-rangy, which I suppose makes sense with the part of the signal the build in 10" unit is responsible for, that is everything between 100Hz to 5kHz, and having the 15" unit, as said receiving the full range of the signal, overlap a great deal of those same frequencies, which by the way suits me fine too, as I like a rich mid-range presence.
Also, even with the tweeter horn completely off (since the 10" unit will still reproduce frequencies up to 5kHz without much roll off), but especially with the attenuator set at noon, which equals to an attenuation of about -4dB of the signal fed to the tweeter (5kHz and upwards), the extended upper frequency range, compared to say a regular 15" or even a 10" bass cab, gives the tone of the bass a certain light sense of openess or space to it, but seemingly without it causing any loss of sense of tightness, and without it ever sounding harsh in any way, even when using overdrive and distortion (mind though that the lack of perceived harshness may very well be due to me having sculpt the EQ so that it starts to roll off the top end from around 4kHz with a downward slope at about 9dB/Oct).
To me this cab reproduce the signal coming from my bass beautifully, couldn't imagine it any better, and even though I guess this type of cab is especially well suited for how I utilize it at the moment, I would not hesitate a moment using it in the context of a more traditional bass setup as well.
The´overall sensitivity of the Triad I cab is not really that impressive but still quite good with 98dB SPL @1W1M, and the frequency response spreads wide and deep with –6 db @ 37 Hz and 16 Khz.
Here's a link to the original manual:
https://www.manualslib.com/manual/621035/Swr-Goliath-Iii.html?page=17#manual (don't mind the link names the Goliath III cab, page 17, as is where the link leads, is the Triad I manual page)
Only downside to this cab really is that it weights half a ton (80lbs, or slightly above 36kg, to be exact).
Man it's heavy, and it's a bit unusual shape (it's deeper and a bit more boxy than it appears on the photo) makes transporting it even more cumbersome.
Selling my trusty Aguilar SL112. A change in direction means I no longer need it anymore. It's been extremely reliable for me and is an absolutely amazing and lightweight piece of kit.
Some marks and scratches on the exterior and on the corners from travel and use. Otherwise in perfect working condition!
Would rather collection or meetup but could organise a courier for an additional cost.
Message me with any questions!
£450 NOW £425! Bargain!!!
2 channel blendable class D amp 1200W in VGC and perfect working order. Comes with footswitch and original packaging. Collection in person or shipping at buyer's expense.
The SHUTTLEMAX dual preamp design offers an FET preamp for articulate, precise, immediate tone and a 12AX7 tube channel which provides a wide range of gain structure that produces smooth, clean tube warmth or can be dialed all the way up to the critical mass of aggressive overdrive.
This STL-MAX12.2 delivers over 1200 watts of output from an amp that weights only 6.75 lbs. Dual Class D amp modules produce full output into two 4 ohm loads (one per amplifier output). Our proprietary 3DPM power management circuitry provides increased headroom and a thicker dimension to the individual notes. The full output of the ShuttleMAX 12.2 is perfect for any venue and playing style.
The SHUTTLEMAX 12.2 dual power amp design offers a variety of available power output choices:
One 8 ohm load (either Amp A or Amp B driven)...............375 Watts
One 4 ohm load (either Amp A or Amp B driven)...............600 Watts
Two 8 ohm loads (Amp A and Amp B driven)....................750 Watts
One 4 ohm load (Amp A) and one 8 ohm load (Amp B)...........975 Watts
Two 4 ohm loads (Amp A and Amp B driven)....................1200 Watts
Dual Channels -- FET and 12AX7 Tube Preamps Switchable or Blendable Preamps 3DPM™ Power Management Circuitry Speakon® Speaker Outputs Internal Fan Cooling Full XLR Direct Output Interface High and Low Gain Switch per Channel Active 4 Band EQ with Dual Parametric Mids Three Effects Loops (FET Ch; Tube Ch; Master) High Current Class D Amplifier Design Adjustable 3 Band Signal Shape Circuits 5 Position Footswitch Included Weight Lbs. - 6.75 Dimensions HxWxD - 3 1/2" x 13 1/2" x 13"
By Deep End
Preloved Ashdown Bentley Limited Edition 4x10 Cabinet for SALE.
This badboy has been all over the UK with She Makes War and the last few years with me. It shifts huge air but is quite heavy (36KG in Specs)! As you can see it's been very well used, hence the relatively negligent price.
Can't courier - too heavy really, but it's up to you. Comes with branded and well used amp cover.
Obviously some aesthetics which is why so low a price, a little tlc and maybe removing/replacing the grate would be a thing if you're all about the look.
Original listings show specs but the pic has presumably a +15" speaker.
Ebay has various 4x10s from Ashdown between £105 - £550 depending on location./condition. For £75 and a collection near Bristol this is pretty much the only speaker cab you'll ever need.
Other pics here : https://drive.google.com/drive/folders/1xuWrJWqXUyztne3JeF4y2M7wRMRNn-BO?usp=sharing
Holler with any questions,