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Posted (edited)
11 hours ago, Bilbo said:

The opposite of the Holland track but I think I would prefer to have had this one on my CV. The complete bass performance (unknown - could have been one of 4 people - see the blurb on the website) of Joni Mitchells 2000 version of 'Both Sides Now'. Simple but perfect.

 

https://bilbosbassbites.co.uk/both-sides-now-2000-joni-mitchell/

I'm a recent convert to Joni Mitchell probably in last 10yrs. She has some beautiful songs including this one. I prefer her "Wild Things Run Fast" era but i'm sure i'll end up listening to more of her earlier albums too. So much talent.

With regards simple bass lines, your comment reminded me of my first bass lesson back in mid 70's.

Simple times Rob.

Dave

image.png.b2baee9eb19bd9c6bd6edc8e0b21187b.png

Edited by dmccombe7
Posted

More personal nostalgia, Phil Lynott's complete bass part to 'The Cowbody Song' from the classic 1978 Thin Lizzy album, 'Live And Dangerous'. There are two charts on there; they key I hear it in (Gb) and the key it was probably 'played' in (G major). I suspect the guitars were de-tuned a half step as, firstly, there is a low Eb in the introduction and throughout the tune and, secondly, because this recording predates the common use of 5 string basses.

 

https://bilbosbassbites.co.uk/the-cowboy-song-thin-lizzy/

  • Like 1
Posted
8 hours ago, Bilbo said:

More personal nostalgia, Phil Lynott's complete bass part to 'The Cowbody Song' from the classic 1978 Thin Lizzy album, 'Live And Dangerous'. There are two charts on there; they key I hear it in (Gb) and the key it was probably 'played' in (G major). I suspect the guitars were de-tuned a half step as, firstly, there is a low Eb in the introduction and throughout the tune and, secondly, because this recording predates the common use of 5 string basses.

 

https://bilbosbassbites.co.uk/the-cowboy-song-thin-lizzy/

No idea what they did here, but sometimes bands/musicians would slow down recordings. That's often the reason why a recording is 'between two keys'

Posted
41 minutes ago, ChrisDev said:

...sometimes bands/musicians would slow down or speed up recordings. 

An addition. 

 

Big orchestras love to tune higher for the sound. 415 - 445 Hz in just few centuries. 

Posted
2 hours ago, ChrisDev said:

No idea what they did here, but sometimes bands/musicians would slow down recordings. That's often the reason why a recording is 'between two keys'

I think it was well known that Lizzy tuned down to Eb. Or so everyone told me back in the day. No social media in them olden days 😂

Dave

Posted

A partial transcription today. The Hans Glawishnig bass part under the opening improvised piano solo on the tune 'Jibaro' from the 2006 Miguel Zenon album of the same name. I spent five days on this and still can't figure out where he goes after this bit. MOISES didn't help. There are moving bar lengths and the whole thing is shifting underneath you all of the time. This is where I got to. If anyone wants to pick it up from here, I would love to see it finished - I even had the lead chart but still can't figure it out!

 

https://bilbosbassbites.co.uk/jibaro-miguel-zenon/

  • Like 1
Posted

One I have loved since I got hold of the album in the 1980s. The tune is 'Blues For C.M.' from the 1987 Dave Holland Quintet album, 'The Razor's Edge'. Like any number of similar Mingus compositions, is it drenched in the Blues but is devoid of the normal BeBop cliches. Great stuff. Mostly playable but some challenging reading here and there. I went 4:4 not 12:8 and am not entirely convinced it was the right decision but, if you want a 12:8 version, the information is all here so you can do it yourself without any real difficulty.

 

https://bilbosbassbites.co.uk/blues-for-c-m-dave-holland-quintet/ 

  • Like 2
Posted

Another Holland performance and another Doug Hammond tune. The track is called 'World Protection Blues' and is from the 1985 Dave Holland Quintet recording, 'Seeds Of Time'. These are great lines to play as they are not just II V I sequences but something meatier. I have transcribed all the horn parts (not the solos) somewhere also. If I can find them, I will put them up here.

 

https://bilbosbassbites.co.uk/world-protection-blues-dave-holland-quintet/

Posted (edited)

I went looking for this one today for reading practice and it wasn't in the index of transcriptions so, even though it was there if you did a Google search for a transcription of the tune, you wouldn't have found it on here. So, here is an old transcription of the tune 'Down Time' from the 1999 Holland Quintet (although this tune is a trio of Holland, Robin Eubanks and drummer, Billy Kilson) album, 'Prime Directive'.

 

https://bilbosbassbites.co.uk/down-time-dave-holland/

Edited by Bilbo
  • Like 2
Posted

Nice one! I saw this quintet on this tour, as a broke musician around 1999 I think. I'd already bought my ticket to Chick Corea with his acoustic band because I'd just heard of this new player, Avishai Cohen. By luck I bumped my old bass tutor, Phil Smyth, who was going to see Dave Holland and couldn't believe I wasn't going. I didn't know of Dave Holland then and could only afford the one ticket, but on Phil's advice I dug deep and got my ticket for Dave Holland. It was soooooooo good. To stand about five feet in front of Billy Kilson and hear his kit, without any PA help, was a beauty to behold. Dave wasn't too shabby either. :)

Posted (edited)

I saw the Extension band with Kevin Eubanks, Steve Coleman and Marvin Smith at Bath but I have also seen DH with Kenny Wheeler Large Ensemble (Cardiff), the Metheny/Hancock/DeJohnette band (London), the Metheny/Haynes Trio (Brecon) and with an orchestra (London, I think)! Basically, if he is 'in town', I will try to get to there.

 

More Holland transcriptions to come.

Edited by Bilbo

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