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Everything posted by Bassdude BE
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Unbiased review: Squier Classic Vibe Jaguar Bass, medium scale, 2020 model (made in the Samick factory, Indonesia) Hi, as many of you more experienced bass players may know the Squier classic vibe series has often offered incredible value for money in the past. Personally I´ve owned, modified, played and gigged quite a few of them, and I was always pleased and often even surprised by the craftsmanship and quality of these instruments, especially considering the price these go for. Having played a 2009 Made in China CV Precision bass for quite some time (the made in China 2008-2012 series of Squier CV basses are still considered by many of the pro-players, modders and collectors as the best Squier basses ever made, comparable in both fit and finish to the earlier JV series, which go for crazy amounts of money these days) I was very impressed by the playability and overall quality of these instruments. I´ve had the chance to compare my 2009 MIC CV Precision to several mid- to high-priced Fender equivalents and my CV Precision could easily compete with the Fender versions and it felt, played and sounded sometimes even better than some of it´s much more expensive counterparts. So, when I heard earlier this year that Squier was going to release a new Classic Vibe series medium scale (32") Jaguar bass I was definitely intrigued. I´ve always been a fan of medium scale basses due to their excellent playability, reduced weight and the fact that to me they offer the perfect middle ground between full scale (34") and short scale (30") basses. In my humble opinion they are the perfect compromise, keeping most of the attack and strong fundamental that you get out of full scale basses, combined with the thump, added perceived low end and superb playability that you get from short scale basses. These new CV Jaguar basses come with a Precision + Jazz pickup configuration and a stacked pot Vol/Tone, Vol/Tone control plate. I found this 60´s-style stacked pot control plate to be a nice touch as this configuration adds a lot more tonal versatility to the already very versatile P/J pickup combination compared to the more standard Volume/Volume/Tone control plates these basses usually come with. As I was on the lookout for a versatile, lightweight, medium scale bass to take some of the strain of my left arm during long gigs, this new Jaguar seemed to tick all the boxes. As always I did a fair amount of research before testing the bass and found out that this run of CV Jaguar basses is being made in the Samick factory in Indonesia. Having owned and played a few of the older, original Samick basses and guitars in my early days as a bassist, instrument enthusiast and modifier I seemed to remember that these instruments were well made and offered great value for money. Knowing all this I figured this new CV Jaguar might just be the perfect modding platform for the "Super-Squier" build that I was planning to use with my new rock band, so I contacted my friends at Thomann to see if they could send me one of these as soon as they came in to test and review. The CV Jaguar basses were meant to be released in March 2020, but due to many design changes combined with communication by the Fender company there was a lot of confusion about the scale length (First they were listed as 34", full scale basses, but later Fender changed that to a 32", medium scale length*) and some other design features of this bass and therefore the release date was postponed more than once. So I was very happy to see that this shiny new medium scale Jaguar bass had finally arrived at my doorstep earlier this week. *The neck on this particular model is exactly one inch shorter than a normal full scale bass neck, the bridge has been moved upwards by one inch as well (compared to a normal full scale bass) and as a result the total scale length from the nut to the bridge saddles is exactly 32". First Impressions: The neck: Straight out of the box I notice the excellent quality of the neck. The headstock and the back of the neck are coated with a vintage tint finish, which looks good, feels really smooth and isn´t sticky at all, on this particular example the quality of the paintwork on the neck is outstanding. The jazz width neck plays super fast and easy and the fretwork is excellent. The narrow, tall frets are all seated well in the fret board, and they are rounded at the fret board edges. There are no sharp fret ends. The block inlays look super classy and are completely level with the Indian Laurel fret board which adds to the quality look and feel of the neck. The Indian laurel fret board has a very nice grain to it with some Birdseye maple-like patterns all over the fret board and fret board edges, it has a much darker and nicer look to it than the recent made in Mexico Pau Ferro fret boards and it certainly gives you the feeling that you´re holding a much more expensive instrument. The body: The body is made out of Nato, a type of wood with a density and sound characteristic very similar to that of mahogany, weight wise it is a lot lighter than mahogany tho and the body is noticeably thinner than that of a regular Jazz or Precision bass. The total weight of this particular bass came in at just 3,53 kg. The Nato wood has a very nice grain to it which comes out beautifully through the transparent sunburst finish. Factory set-up: With the set-up from the factory the bass was playable, but the action and neck relief definitely needed some adjustment to make it feel and play good. After lowering the bridge saddles quite a bit, a quick turn of the truss rod to straighten the neck a little and setting up the intonation the bass really came to live and now it actually feels and plays very good. The shorter scale length certainly makes a difference, making it a lot easier to do those wider stretches and fast runs, thus reducing hand fatigue. Neck pocket, tuners, pots and knobs: The neck pocket is nice and tight with no noticeable gaps on either side. The tuners do their job, but are clearly not of the same quality compared to the ones on earlier classic vibe series basses. The stacked pots feel o.k. and turn smoothly, although I had to move the stacked knobs and tighten the screws a bit for optimal efficiency. The bridge: Now this is where the guys at the Samick factory dropped the ball a bit in my opinion. Possibly Fender´s decision to change the scale length of the bass at the last moment has something to do with this, but the bridge isn´t properly aligned with the neck and pickup routing. The bridge is placed +- 2 mm more towards the G-string side than it is to the E-string side and looking at it horizontally I noticed that the top of the bridge on the G-string side is also sticking out a fraction of a millimeter higher towards the neck when compared to the left side. It doesn´t really affect playability, but I found this surprising as I´ve never encountered such serious issues with other top of the line Squier basses. Amplified sound: Personally I was planning to equip this bass with a set of aftermarket Dimarzio pickups, so I didn´t expect much of the Fender Designed Alnico pickups. After a quick soundcheck I found them to sound quite strong in the upper mids, with an aggressive attack, but lacking some bass and low mids compared to my other basses. For a beginner I think these will probably do the job, but for more professional players and/or audiophiles like me a pickup swap would probably be advised as they tend to sound quite thin compared to most aftermarket pickups. Acoustic sound: Played unamplified, with the factory strings I found the bass to have plenty of acoustic volume, with lots of clarity, but again I felt like it was missing some lows and low mids compared to some of my other basses. I thought this might´ve been because of the extremely thin Nato body,but then again I usually use flat wound strings, so that might´ve had an impact on the overall sound as well. Pros: - Extremely well-made and easy to play neck, with a nice Jazz bass type nut width and profile, getting slightly wider than a normal jazz neck at the neck pocket. - Excellent fretwork - Lightweight - No noticeable neck dive when balancing on a strap. - The high quality Indian laurel that was used for the fret board combined with the block inlays and finish of both neck and body make the bass look a lot more classy and expensive than it actually is. Cons: - The hardware is of subpar quality compared to earlier Classic Vibe series basses, the tuners feel kind of flimsy and feel like they would definitely need replacement at some point if you plan to use this bass in a professional setting. - Samick´s quality control definitely dropped the ball when checking the bridge placement on these basses, the bridge plate itself also seems to be of lesser quality compared to earlier CV versions and looks like it would bend easily. - The Alnico pickups sound kinda weak and thin compared to earlier versions. - Price: Considering the fact that Fender definitely cut some costs when it comes to the quality of the hardware used on these basses the price is still quite high. Conclusion: I´m really impressed with the quality and craftsmanship of the neck on this bass and would love to keep the neck in order to combine it with another body and hardware. The quality of the pickups and hardware + the fact that they messed up the bridge alignment on this bass have left me with mixed feelings as to whether it is still worth the investment, especially when compared to the earlier Squier classic vibe series basses which went for the same amount of money, but offered a lot more value for money when it came to the hardware used on these basses. On the competitive market of today there might be better options out there in this price range. On the other hand medium scale basses are still quite a rarity these days, so if this is what you are looking for it definitely is a cheap way to add a medium scale bass to your arsenal and with a few upgrades it can probably become a solid instrument that is ready for both live and recording use as the neck offers superb playability and most flaws (subpar tuners, pickups and bridge placement) can be easily fixed by your local guitar tech, luthier or handyman. At the moment I´m still on the fence if I´m going to keep the neck and/or upgrade the body, pickups and hardware or look elsewhere for my short scale/medium scale needs, but I´ve just gotten notice that I have a Sire U5 short scale P/J bass** coming in to test and review next week, so I´ll have the opportunity to test them both side by side and compare them before making my decision. Average street price for the Squier CV Jaguar bass: 385Euro. **The review of the Sire U5 will be posted on my Facebook page sometime next week. Kind regards, @Bassdude'sBassment
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Fender Mustang PJ 2020 aged natural, (incl. Fender gigbag, Labella flatwounds and pro-set-up!) => 499GBP or best offer! Trade ins considered: Xotic Robotalk 2, set of 4L Hipshot Ultralites or Schaller BM lights in black, Hipshot Kickass bridge (4string) in black, TC Electronic Polytune pedal. This is an as new item, professionally set-up and equiped with a fresh set of La Bella 760FL-S Deep Talkin Bass Flatwound strings. The bass also comes with a Fender metro gigbag, which is a perfect fit for the Mustang. The pro set-up, Labella Flatwound strings and Fender gigbag would set you back another 150Euro on top of the price of the Mustang. Selling at a discount as the cliënt who ordered this isn't able to pay due to financial trouble. normal list price including the upgrades and pro set-up work would be around 845Euro, so grab yourself a bargain with this heavily discounted shortscale that plays and sounds superb. Body: Alder Bolt-on neck: Maple Fretboard: Pau Ferro White dot fretboard inlays Neck profile: C 19 Medium jumbo frets Scale: 762 mm (30") Fretboard radius: 241 mm (9.49") Nut width: 38.1 mm (1.5") Synthetic bone nut Pickups: 1 Vintage-Style Jazz Bass Single Coil (bridge) and 1 Vintage-Style Split P Bass Single Coil (neck) 1 x Master volume and 1 x master tone control 3-Way switch 4-Saddle standard bridge 4-Ply tortoiseshell pickguard Fender vintage style machine heads Nickel / chrome hardware Strings: La Bella 760FL-S Deep Talkin Bass Colour: Aged Natural Worldwide shipping available! Feel free to send me a PB if you have anymore questions. Thanks for watching, Kind regards!
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Purchased this a few months ago (last new model, released March 2019), but never actually used as I prefer to work with standalone recording equipment (without pc / software). Comes with software packages (access to download is on the audio card itself) + optional cables for connection to speakers / monitors. Comes complete, including original packaging and papers / stickers. Still has a + -1.5 year warranty at Thomann. New 89Euro (without cables), can go for 60Euro for the whole package. 24-Bit / 192 kHz 1x Microphone input (XLR) with 48V phantom power 1x Input for instruments or line signals (6.3 mm jack) 1x Stereo headphone output (6.3 mm jack) 1x Stereo line output (RCA) Volume and direct monitoring mix controls Power supply via USB Compatible with Win10 and Mac OS X 10.12 or higher Dimensions (W x D x H): 140 x 117.5 x 52 mm Weight: 360 g Includes Ableton Live 10 Lite, Machine Essentials, Monark, Replica, Phasis, Solid Bus Comp Interested in trades with a cheap envelope filter and/or TC Electronic Polytune.
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I understand, it looks like a great bass and if it was a medium scale I would probably be biting your arm of for it, alas I only play medium scale basses these days and I´m looking for some black quality hardware for a new medium scale build, so feel free to give me a shout in case you change your mind about parting out. GLWTS!
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There´s another manta for sale here on the forum without the hothand, maybe that would be a better option for you? I know, but as I am not planning to use the hothand with anything else than the Manta and they combine so well together (This combi is the ultimate Wobble/Dubstep/Drum&Bass generator if you ask me) and I would perferably have all the cash at once so I can invest in a new (more expensive) envelope filter I´d prefer to sell them as a set. Anyone looking to experiment with electronic music using just bass and fx pedals should look no further as the manta combined with the hothand opens a world of options in that genre.
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Still available. If you are interested in having a decent envelope filter that is also an amazing wobble generator, this is the pedal for you! Check this demo out. Hi Jake, sorry, I prefer to sell them as a set as I would have no use for the hothand without the Manta. I've bought the Manta and later the hothand 3 set for a drum&bass project that never got of the ground due to the pandemic breaking out and they are really meant to be used together. Selling the Manta seperately would leave me with an almost new hothand 3 set that I would probably never use, which would be a shame as it really is a fun tool to play around with. Check this Demo to see some of the capabilities of the manta + hothand 3 set. https://www.youtube.com/watch?v=NZDtX7nziRY
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Final Pricedrop => 500Euro/450£ + shipping (this includes the Mustang; a brand new fitting Fender shortscale gigbag, the Labella faltwounds, a pro- setup and the original strings and packaging, total value of the set was +-800Euro). Selling due to feeling more at home on a medium scale bass. Everything was bought new 4 weeks ago.
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Note that I replaced the normal rubber locking system of the hot hand ring with a much sturdier velcro replacement as the original plastic locking system was of such a crappy quality that it has broken within the first few months of use with almost every hothand user I've talked to. The velcro replacement allows for a much firmer grip and is made to last.
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Thinking of selling my SA Manta and Hothand ring + hothand hub, it also comes with an extra rubber casing for the hothand ring. I´m on holiday right now, so will post pictures when I´m back home after the weekend => PICTURES NOW ADDED IN THE THREAD BELOW! Pedal hasn´t been used a lot, so it´s still in very good condition and the hothand ring was a spare (the first one broke, hence the spare rubber) so it has only been used a couple of times. Feel free to give me a shout if you are interested. Kind regards, Don
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Very fun Indeed, it plays so fast and effortles that it makes me wonder why I've waited so long to start exploring the shortscale territory.. The amount of beefy low end that comes out of this little beast is amazing, I was playing some dub yesterday and all I had to do was select the P-pickup, dial back the tone knob and "boem!" there was that dub-sound I've always struggled to achieve with my other basses. ❤️
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Final Pricedrop => 500Euro + shipping (this includes the Mustang; a brand new fitting Fender shortscale gigbag, the Labella faltwounds, a pro- setup and the original strings and packaging, total value of the set was +-800Euro). Selling due to feeling more at home on a medium scale bass. Everything was bought new 4 weeks ago. Just got this from Andertons last week wanting to try out a shortscale. Long story short: I love it! Makes me wonder why I never tried a Mustang and/or a shortscale before. Alas I'm now regretting not going for a medium scale bass (32inch scale) as the 30"scale is just a tad too small for me at the higher frets, but I can't trade it in anymore as this was already an exchange for some other gear I bought, hence this feeler. The bass comes equipped with a fresh set of La Bella 760FL-S Deep Talkin Bass strings (43£) as they come recomended as the best strings for this type of bass and the bass also had a full pro set-up with medium low action which makes it play like a dream. I´ve also bought a Fender shortscale gigbag with the bass (Never used, brand new!) which is a perfect fit for the Mustang and I will include this in the sale/trade deal I still have all the original packaging (Both Fender & Andertons box) and the allen keys and other goodies it came with. The bass was only tested a couple of hours in my livingroom and she's less than a week old, so it's absolutely mint! New these go for 599£, the Labella's were another 43£, the pro setup and fret dress costed me another 50quid, the gigbag was another 35£ and the Mustang PJ in this colour is currently sold out in most places, so grab yourself a bargain and get this brand new bass and all the extra´s for 278£ less.
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NOTE: I will now incl. both a EU and UK power supply and will also ad a SA daisy chain cable (TRS mini) to the deal so you can connect your SA pedals together. This gives you the option to control more than one pedal at the time with your hothand or expression pedal. Hi, as I'm going back to a series of selected boutique fuzz pedals for my new pedalboard my SA OFD is up for grabs. It's a cracking little pedal with a build in noise gate and fully tweakable EQ, basically possibilities are endless with this thing.. The pedal comes with the original box and U.K. power supply. As a nice extra I will also ad a wireless HotHand receiver. Diverse Sound Palette — Featuring extremely natural modeling of 12 bass versions of classic overdrive, fuzz, and distortion tones. Compact, cast aluminum housing. 2 User Presets easily recalled via two footswitches. Clean and dirty MIX control to blend the effected tone with the original dry signal. Lo-Retain: Source Audio’s low-end retaining algorithm. 3-band tone control — select between “treble”, “mid”, and “bass” for precision tone sculpting. Noise Gate — easily activated 3-level noise gate. Universal Bypass — selectable buffered or true bypass. Multi-function In — use an expression pedal or the Hot Hand Motion Sensor to morph between presets or manipulate any of the six assignable parameters. MIDI Capable — the Multi-function In jack also allows MIDI access to presets and parameters when used with the Neuro Hub. State-of-the-art DSP — Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal clear 24-bit converters. 9V DC power supply included Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2.25 in./5.7cm (including knobs) https://www.sourceaudio.net/sb2-ofd-bass-micromodeler.html
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