[quote name='JTUK' timestamp='1454089471' post='2966395']
Yep... but I'd probably be glad about it as well...tbh.
If I quote a price and someone comes back way off that price... then you walk away, surely.
There will always be someone cheaper anyway... so to me, it is the same thing.
As for gear at an event, I'd bill for that.
There is minimum spec and I get the point about gear that has had a hard life, but this is all
about having dealings with people who are on the same page, IMO...and what is required/desired on the gig
As it happens, I'm looking for some high quality monitors..and by that I mean better than QSC..
so Martin, Turbosound or DB etc and I'll use them for vox out front or stage monitors
I'll either hire them to the band or I'll sub them to a P.A company as there are never enough
quality monitors to go around,I've found, and the local venue can't afford to have more than 6 of them.
I'd sub to them when a touring act comes through because their riders always specify DB model or Equivalent..
[/quote]
This post is just very odd.
You'll hire your monitors to a PA company? What sort of two bit PA companies are running round your way? Hiring stuff off you? Professional PA company? Nah. I just don't believe it... or don't believe you are dealing with a pro PA company.
Hire to another band? I can believe that one more... but most bands won't want to spend a penny... and will do without.
As for "affording more than 6 monitors"? I think you'll find it more to do with the fact that even high end analogue desks generally top out at 6 aux mixes. It's only when you get into the realms of digital that the aux count gets significantly higher.
And if you need more than 6 monitors with your band at The Tickled Trout, you are doing something very wrong. Having that many monitors and a number of open mics in an enclosed space is going to be feedback central, unless you are carrying around some serious 31 band eq stuff for each monitor - which of course, I guess you ask about also?
Am sorry to say this - but I think your posts are harmful and misleading to those embarking on their bass journey... because the reality is nothing like what you paint. The most hardened professionals I know, are out on tours playing stadiums, yes - REAL stadiums (not some figment of the imagination or some warped view on what their gig at the working men's club was) and are equally at home at the Tickled Trout - and they certainly make zero phone calls about anything. You just get on with the job and do it with whatever is available to them - if that's no monitoring, so be it.
I'm surprised that if your approach to gigging is like this, you do any gigs at all? Yes, by all means, carry around your own PA, lots of people do - but seriously... this expectation on gear and PA at the venues you are playing - it's ridiculous.