@Jean-Luc Pickguard Your track is a shimmering wonder. The percussive elements are fantastic. I like the production all round. Nice stereo and mix. It made me smile and I felt pretty calm afterwards.
@MoonBassAlpha Track goes together well, moves through and keeps interesting. Good sounds too. Bass came out well. I like the mid drive sound, it's live sounding and has even weight low and high. It's original too. Nice work.
@upside downer Good mix. The slury synth bass riff makes my head go funny, in a good way, and so does the arrangement and phrasing. It has good drive and evolves as it goes with some subtle surprises. I enjoyed it.
Great. Thank you everyone.
I was worried about gauge, now I'm also worried if I'll chose the right, gauge, tension, winding type, texture, core shape, material, coating, brand, and probably price?
Are flat wounds even legal on a Spector?
Finding the great all-round 'one bass does it all' setup is proving difficult
As I understand it, flats tend to have thicker cores than round wound, because there is more space to fill inside the coil? This would give them more tension. Does that sound right?
Experimenting looks expensive. How did you find out they were the strings that worked best?
Hi. When the cable you spent considerable time and money on lets you down much earlier than you'd expect, or feel it's failure is unproportionate considering the cost, even if postage was free.
Rather than burn energy writing to the manufacturers to provide productive feedback, restore the situation by fitting the elasticated clip tie to the instrument.
In addition to helping cables last longer, the elastication can prevent whiplash when other showbiz stakeholders become entangled.
Patent applied for 2025.
Hi. I finally got the battery into my Vernier and measured the strings on both guitars. They are the same.
The Spector definitely feel under less tension. Then I heard a reasonable explanation.
I hadn't considered that the core wires could be different thicknesses, and that's the part under tension.
The lower tension ones are more sensitive, good for widdling, but have to hold my breath to keep things even.
The high tension ones sound strong, but can only bend notes mid way up the strings.
Horses for courses and all that. Which ones to settle for. Probably thick cores, because they help to even the bumps.
I put up with it for a long time in the 80's. Then one day, on the counter of a music shop in Leeds city centre, there was a sweet jar with hand written label "strap locks".
It was full of these curious looking things. Have been using the same pair ever since.
I recently took them apart and cleaned them for the first time as they were getting stiff. They must be 40 years old. How wonderful.
Welcome and embrace the many boisterous allures from audience members struck by your sudden celebrity status.
As always, preparation is the key. Put a security lock on your phone, don't take your wallet, just keys, cash and condoms, cigs and lighter if needed.
@lurksalot Intense. I wasn't sure at first, but the sound is good so kept going. I did get drawn in. The intensity starts to lower and then picks us a bit harder. The drums are done well. They have a live energy about them, that must have taken a lot of fiddling. The performance is unique and holds it's own style. It left me feeling like I'd experienced something. Lots of points awarded for that alone.
A really good sound going on there. Really good sound. I listened all the way through and enjoyed it. I had it full volume and it was not rough on the ears at all, and sounds huge.
Great stuff. Bass guitar worth noting on here too. Solid sound, and unique. Angry, but clear and thumpy. I like it.