jay-syncro
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Everything posted by jay-syncro
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This is a lovely cab that is light, loud and has the glorious SWR sound. It's in great condition overall but does have a bit of carpet bobbling (?) as is common with carpet covered cabs. Manufacturers info: OVERVIEW This super-lightweight powerhouse is ready to roll. The SWR golight Junior 400W 2x10 bass speaker cabinet features 400W handling, custom SWR neodymium speakers, horn tweeter with attenuator, Speakon and 1/4" speaker jacks, as well as side handles, vibration-free shock-mounted grille, and front slot port. The SWR Goliath bass speakers created the modern standard for bass instrument sound reproduction. Now the same painstaking attention to detail has been applied to SWR's line of professional neodymium speaker enclosures”the golight series. These high-quality, lightweight enclosures are the result of a painstaking process in which every component of the SWR Goliath series was evaluated and, whenever possible, a lightweight high-performance component was selected for use in our golight enclosures. FEATURES Specially-tuned bottom front slot port for focused bass response Spring-loaded rubber grip handles Grey Ozite carpeting with stack-lock corners Black heavy-duty stamped steel shock-mounted vibration-free grill High-quality metal input panel with heavy-duty attenuator Two 1/4" and two Speakon speaker input/output jacks Horn protection circuit. SPECIFICATIONS Weight: 38 lb. Impedance: 8 Ohm Speakers: two 10" custom-designed SWR neodymium drivers manufactured by Eminence, P/N 0078014000; one Foster horn, P/N 0048847000 Controls: high-frequency attenuator Covering: Grey Ozite carpet covering with black-stamped steel vibration-free grille Dimensions: 15.75"H x 23"W x 16.5"D Power handling: 400W RMS Frequency response: 105 dB SPL @ 1W1M (-3dB @ 45Hz and 15KHz)
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Here's a couple of live recordings from a gig using the Atelier Z. Bass was DI'd straight to the desk. I occasionally play the correct notes, but don't like my bandmates to become complacent 😁 If function band song choices offend you, do not click the link! P.Y.T.mp3 Teardrops.mp3 -
It's 4kg with the vintage bridge and 4.1kg with the BAII. I have some recordings from a recent gig if that'll suffice?
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I should also add that I can refit the Badass II bridge that came as standard. I removed it as I'm not a fan!
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Due to unforeseen circumstances I'm having to let this beauty go. Atelier Z make some of the best super-jazz basses going, and this is no exception. It combines faultless Japanese build quality with great electronics and the result is pretty stunning. The bass plays beautifully with a low action, the neck feels great and is a beautiful piece of maple (see last pic). It was hand made in Japan and comes complete with an Atelier Z case. Spec: Nut width : 38.5 mm Finger board 20 fret width : 63.5 mm Fingerboard R : 240R Neck thickness : 1st fret 21.2 mm , 12th fret 23.8 mm 21 frets, 34" scale, Maple neck Ash top over an alder body Pickups - Atelier Z JBZ-4 Preamp - EQ-XXII Preamp with the following configuration: neck vol - bridge vol - treble - bass and adjustable trim pot inside for mids Badass II bridge Gotoh GB 528 tuners with a Detuner on the E string Atelier Z case Just set up with a new set of DR Hi-Beam strings and a new Duracell to ensure many trouble free hours of funk ahead 😎
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Great, thanks for that. I'll look into filing the saddles down. That's interesting about it potentially being a prototype. The control cavity (which is immaculately put together) has what looks like a hand-wired circuit board wrapped in a spongy material to protect it. All looks untouched and original. An early preamp prototype potentially? It definitely only has one volume control, one tone (of sorts) and then the two adjustable frequency (??) controls. I am a bit of a bass geek in general but now realise I know very little about Japanese Washburns, so will join the Facebook group and have a nose around. Thanks for the link.
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Thanks for the info. I think the mini toggle is indeed a passive switch in the middle position (as it works without the battery in this position), but then it has a further TWO options to select. I guess it offers preamp boost at different frequencies potentially? Ah yes, I've been able to get the wah type affect. So yours was a three knob variation? I think mine may be an expanded variant with two frequency sweep-able controls then potentially?
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I recently picked up this Japanese gem, and wonder if I can pick the brains of any Washburn aficionados out there. Preamp - What’s going on there? The large toggle is a pickup selector, the knob nearest the bridge pickup is master volume and the knob nearest the bridge itself I believe is some kind of tone control, but the other two knobs and three position mini switch have me stumped. The knobs almost seem to be a kind of Wal-like filter but I’m really not sure. Bridge - The action is currently quite high at the bridge (the strings at the nut are nice and low without buzz and the neck is true), even with the saddles at their lowest setting. The bridge looks a bit like the original Badass and is seriously hefty. Would it make sense to get the saddles professionally filed down, or would a replacement bridge be less sacrilegious considering the bass is original and in amazing condition? It’s an awesome bass that reminds me a lot of my Yamaha BB2000 in terms of the solidity of the construction, the high quality materials and the attention to detail, but unlike the BB, it doesn’t weigh as much as the moon. Which is nice.
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It has flat pole pieces. -
Forgot I had this bump
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Prince would approve type bump. -
May trade for an electric or acoustic guitar plus cash my way 👍
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To clarify, the body is Swamp Ash and the neck is Maple with a Wenge fretboard 👍
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I can imagine the B on a Dingwal is something to behold 🤯
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I could do with a straight sale but will consider trades if there’s some cash my way, mate. Feel free to PM me 👍
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Resistance is futile 😬
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Thanks chaps 👍 I depped with a function band last weekend and had to play a tune in drop D. The drummer and guitarist’s faces lit up when they heard the punch from the Dingwall. I can see why they are so popular with 5 string players.
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A phenomenal instrument that has really blown me away in terms of design, build quality and tonal variation. It was hand made in Canada on 9 Mar 2015 and weighs in at a flyweight 3.5kg/7.7lb. It balances perfectly on the strap and the offset frets take little/no getting used to. Just pick it up and play as normal 🕺🏾 It’s in excellent condition and has clearly been well cared for in its short existence. It still has the original strings fitted so I’ve included a brand new set of Dingwall strings, and of course it comes with the excellent Dingwall gig bag.
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I recently bought a bass from Mark and it arrived extremely well packaged the next day! Total Basschat hero, thanks Mark 👍
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I love the first three Jamiroquai albums and find it bizarre when fellow musicians don’t share my enthusiasm. I find Zenders playing inspirational, groovy as hell and effortlessly cool. By Zender’s own admission however it was often the case that JK would sing the bass melody to him, and he would then build upon it with his own ideas. The more recent albums sound rather generic in my opinion and aren’t what Jamiroquai were originally about. Here’s Zender on a P, Derrick McKenzie laying it down, and JK hitting the high notes after (I suspect) one or two fragrant roll-ups.
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I recently sold a Bergantino cab to Etienne and it was a textbook Basschat transaction. Thanks mate, enjoy the cab 👍
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£425 posted -
I recently purchased a bass from Pat and despite some courier issues out of our control, it was was an easy, hassle free deal. Thanks Pat 👍
