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gazhowe

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Everything posted by gazhowe

  1. gazhowe
    Happy to help.
  2. gazhowe
    Trade options updated.
  3. gazhowe
    PM'd
  4. gazhowe
    MXR® ANALOG CHORUS (M234) - £70 including UK P&P SPECIFICATIONS Input Impedance: 1 MΩ Output Impedance: 1 kΩ Noise Floor: Effect On -96 dBV, Bypass -106 dBV Tone Controls: LOW 70 Hz to 800 Hz (12 dB/oct shelf), HIGH 660 Hz to flat (6 dB/oct shelf) Bypass: Buffered Current: Draw 13 mA Power Supply: 9 volts DC Please note: I don't have the original box however the pedal will be well packaged for delivery. Power supply not included
  5. gazhowe
    MXR M269SE Carbon Copy Bright Analog Delay pedal - £85 including UK P&P. Spec: Bright and Crisp Analog Delay Input: 1 x 1/4" Jack Output: 1 x 1/4" Jack Delay Type: Analog Delay Time: 20 ms to 600 ms Input Impedance: 1 M Ohms Output Impedance: 1 K Ohms Noise Reduction: 2:1 Ratio Bypass: True Hardwire Controls: Regen, Mix, Delay, MOD Housing: Robust Metal Finish: Bright Green Power Requirements: 9V DC Height: 4.75" Width: 2.75" Depth: 1.25" Weight: 0.38 Kg Please note: I don't have the original box however the pedal will be well packaged for delivery. Power supply not included.
  6. gazhowe
    I've just bought a MXR pedal from Lee. It arrived when promised and was well packaged. Great comms throughout made this an easy transaction. If you are considering buying from Lee you can do so with confidence.
  7. gazhowe
    Really enjoyed listening to those. Both tracks sound great. 😎
  8. gazhowe
    PM'd
  9. gazhowe
    Another vote for Boss Waza Air Bass. You can connect your bass and phone or iPad wirelessly. Great sound straight out of the box and so convenient. https://www.boss.info/global/products/waza-air_bass/
  10. gazhowe
    It must have been another one. I bought mine brand new from Bass Direct. One careful owner. 😊
  11. gazhowe
    I have two Bergantino cabs, an AE410 and an NXT212. I don't need multiple rigs but I've been so impressed with Bergantino since buying the AE410 then a B|Amp I bought a NXT212 when they came out as I was curious about trying a 212. I'd happily gig with either cab but the NXT212 is my part of my gig rig. Since I've started using iem's (with backline) for gigs and a Boss WAZA Air for home practice I can't envisage a situation where I'd need two cabs again, although it's currently nice to have them
  12. gazhowe
    Glad you've got sorted. I'm a Berg fan and only have this for sale as it's overkill for home use since I got my NXT212. I played thought the AE410 with my B|Amp today which reminded me how good this cab is. 😎
  13. gazhowe
    We use a couple of Behringer C2 condenser mics on a small stand positioned on top of one of our subs and pointed at the audience. Possibly not the best placement but it works well enough to provide an ambient feed to the three of use that use IEM's. They are pretty inexpensive (approx £42 for a pair of C2's on Amazon).
  14. gazhowe
    Thanks, that's much appreciated. 😎
  15. gazhowe
    @EBS_freak what are your thoughts on the Sennheiser G4 v Mipro MI-58, in particular sound quality and likelihood of dropouts and interference? I'm sure I read somewhere that Sennheiser will soon no longer support the G4. Unless they bring out a iem version of the EWD product there appears to be either the XSW (which I have) and their new (very expensive) iem system if buying a Sennheiser digital system. If I decide to move on from the XSW it's probably going to be a choice between the G4 and Mipro.
  16. gazhowe
    What frequency band was your XSW system? I'm asking as I have an XSW wireless and just wondering if the dropout issue could be in part due to this. BTW I have experienced some drop outs and interference with my band E unit.
  17. gazhowe
    The Damned at NX Newcastle on Wednesday night. My favourite line up (Dave Vanian, Captain Sensible, Paul Gray, Rat Scabies) playing a set largely of songs from my favourite Damned albums (The Black Album. Machine Gun Etiquette, Strawberries). The sound wasn't great but enjoyed the show.
  18. gazhowe
    If I recall correctly, they were definitely a step up from the UE6 in terms of definition but less than I expected. They weren't bad, but I found the A4s to provide better separation between different instruments when listening to the same sound source.
  19. gazhowe
    I've got the A4s. I demoed them v UE6's and UE11's before buying. Fit and sound quality are both excellent as you would expect. They have plenty of bottom end headroom but the low end is certainly not overpowering. The learning curve for me has been to lower the volume of my backline and apply a high pass filter to my bass in my IEM's. I'm happy with the results so far but feel that I can improve the sound of my bass in my IEM's with a little more experimenting, rather than any issue with the A4s.
  20. gazhowe
    Auralex Great Gramma isolation pad (v1) for sale. Great for reducing boomy sound on hollow stages and helping provide a consistent sound no matter what the floor surface. In very good condition as home use only. Dimensions: 765mm (W) x 490mm (D) x 45mm (H) I don't have the original box however this will be well packaged for shipping. Price: £65 includes UK postage, or £50 for collection from South Shields.
  21. gazhowe
    Bergantino AE410 cabinet for sale (trade options below considered) Great one cab solution in good condition. Specification 4 x 10" Custom Neodymium drivers with high frequency tweeter Power handling: 800 watts rms Frequency response: 40hz - 18khz Inputs: 2 x 1/4" jack and 2 x neutrik connectors Impedance: 4 ohms Dimensions: 57cm (W) x 65cm (H) x 39cm (D) Weight: 62lbs/28 Kgs Bergantino cover included in price (see pics) Price (£400) is based on collection from South Shields (NE34 7PX) or local meet. I'm not prepared to ship due to size and weight. Trade options considered (with cash your way); 1. Bergantino Super Pre 2. Fender Player Series Precision Please contact me via PM if interested.
  22. gazhowe
    Our FoH is mono and not panned. Stereo IEM's will usually require 2 Aux Out channels per IEM mix unless you send the signal via an Ethernet cable. Our Presonus desk has 6 Aux Out channels. Two are used to give the drummer a stereo IEM mix and one to give the singer a mono floor monitor feed. We use a Cat5 Ethernet cable from a separate out from the desk to a Presonus Earmix mini mixer for the guitarist. We then run another Ethernet cable from his Earmix to mine. Both Earmix's get the same stereo feed from the desk but we can then set volume and eq separately on each Earmix and output a different stereo mix to our IEM's from these.
  23. gazhowe
    I stand out front during the sound check to listen without my IEM's in and we adjust FoH sound accordingly. It doesn't get changed unless someone alerts us to an issue or we become aware ourselves. The key is staying disciplined and not tweaking FoH settings mid set.
  24. gazhowe
    Our guitarist used an Xvive U4s before switching to the Sennheiser to get a stereo iem feed, and because he was experiencing frequent momentary drop outs with the Xvive.
  25. gazhowe
    Our guitarist uses the same system and has the same experience. I've been wireless for my bass since the old Nady systems were around, so going wired for my IEM's would defeat the purpose of that. I'd be interested to see if Sennheiser release an IEM product for their EW-D series that might be better. The analog G4 and Shure psm900 systems are a bit too expensive to take a punt on for the amount of gigs I do.
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