Machines

1 hour ago, Downunderwonder said:

What's a good price?

In my opinion - under £700. They used to go for well under £500 but EVERYTHING is more expensive than it was. Rising prices of new gear definitely push up 2nd hand, e.g new USA Stingrays used to be about £1500 new circa 2016, now it's at least £2000 (with 2nd hand going from about £900 to £1200+)

21 minutes ago, jd56hawk said:

20 hours ago, Frank Blank said:

 

Yes, this is usual practice. I would suggest we start a gear list the other side of Xmas as people will have new stuff to add by then and that's when gear lists start getting difficult to manage. I am always surprised how few P basses are brought to Bashes.

I am likely to have changed gear 1-5 times between making the list and turning up 🙄.

Bought one just like this 2 weeks ago, amazing instrument. Glwts !

4 hours ago, Bolo said:

Absolutely not "as good". 

All things you read on the internet are subjective experiences. 

13 hours ago, ped said:

You'll have to go wired as there's too much latency on Bluetooth.

I tried the Ashdown Meters and had this issue, totally unusable for playing an instrument for me. I also had the issue wired, which I can only assume is down to processing and applying of an EQ.

2 hours ago, dclaassen said:

I don't understand the point...instruments are tools for creative expression.

For some people they are tools to pay their bills also.

On 27/10/2022 at 23:32, Frank Blank said:

Everyone brings any bass gear they have. You pay a tenner, set up your gear and then everyone plays each other's basses and talks bass ALL DAY. The money covers the hire of the venue and if there is money left over it goes to charity. Bass Bashes are great fun.

It is sensible nearer the time we make a list of 'stuff we're taking' to try and avoid everyone turning up with P basses. Something you want to try out ? Ask nicely if anyone has something like it.

The idea for me in the past was a chance to try rarer equipment in one spot that no shop would give you the opportunity for, as well as talk utter tripe for several hours.

Wow finally one I can make that isn't on my kid weekend !

Impossible to tell which ones he meant. but there is:

SUB USA: Mid 2000s, textured finish and metal pickguard, painted necks, go for £500-£700

Sterling SUB / Ray: Far east made, thinner nut profile and 'large' bridge. Sounds close enough but they do feel a lot cheaper.

Sterling Ray 34: Far east made but higher quality, full copies of USA instruments

If you can get a USA SUB for a good price they are just as good as a 'proper' Stingray.

Big Metallica fan in my teens. It's OK, but not something that sounds like they spent 5+ years on. Exact same rinse and repeat of previous 2 albums.

The value is in the headstock logo, and assurance you won't lose money on it if you get a fair price when you buy. Add in the ubiquitous usage in many people's favourite music, and you have a safe bet for people that may not be wanting something 'risky' or untraditional. 

Disclaimer: I have a MIM Precision bass that was a gift in 2013, I generally use it as a benchmark for comparing other basses to. It's a decent bass, but it doesn't inspire me to play.

Very nice sir.

6 hours ago, SumOne said:

Nice!

 

I'm starting to feel the GAS for a Dingwall again. I had owned a Combustion, but it was quite a heavy one and the Ibanez EHB 1005MS seemed a decent lighter and cheaper alternative...and it was good but but not quite as good as the Combustion which just felt like a better made instrument (albeit more expensive and bigger and heavier). 

 

If Dingwall make a headless purple sparkle Combustion or NG I'll be selling a kidney to get it.

I had the EHB1005 standard scale which was nice - but didn't feel like it would hold up well to stiff wind and would quickly look battered with that satin finish and soft top. Also the 1005MS is only 35" on the B which is not a comparable fanned fret to a Dingwall. I did suggest to Sheldon for more flake finishes and he gave me a raised eyebrow, so I think it is not impossible, can't guarantee you purple though sorry.

1 hour ago, MichaelDean said:

I saw that one come up - good score and an excellent price! I wish I could have convinced my wife I needed it, but I think a D-Roc to go with my Combustion would sate my Dingwall needs better. 

Yes, very different. The D-Roc is much fatter and has less attack, but don't think that means none. Having both is 100% not overlapping tones too much.

1 hour ago, Owen said:

I am glad I did not see that. I find it hard to say no to sparkly and matching headstocks. 

I spent a couple of days stalking it before messaging as the missing parts and aftermarket Les Paul knobs were a bit off putting, but I knew I could restore it.

As someone with 2 Dingwalls, I did not need a 3rd (or the 2nd but let's not digress). However thanks @MattParkerBass for pointing this out on Facebook Marketplace. The cons ? Missing the pickguard (apparently it was stolen at a gig ?!), as well as the magnetic battery cover oh and it's a 6 hour round trip. The seller was collection only but was willing to hold it for nearly a week for me, so off I and the wife trekked on Saturday morning to central Cardiff. Picked up the bass and had a nose around the city, and left before the Rugby finished to avoid the chaos that would likely ensue. n.b. to Cardiff city council, you need to sort your bin men contracts out.

According to the Dingwall FB Group, this is one of 66 in this finish globally, so that's pretty cool. I had a spare Combustion pickguard knocking about, so routed out the extra pickup gap much better than I expected to. Not sure the white will stay, but it's good for now, as is the pickguard off entirely. Dingwall are sending me a new battery box cover also, result. It's surprisingly different to the NG2 which is a bit lighter (fewer pickups aside) as well as a the NG3 being quite frankly louder with an identical setup.

I think this and the D-Roc need to be keepers (please don't laugh @AndyTravis) - as they do everything for me sonically, ergonomically and aesthetically. We're on nearly 8 months for the D-Roc and haven't had the itch yet, so fingers crossed.

10 minutes ago, mario_buoninfante said:

myself and other people on BC got ours from GuitarGuitar.
mine had few minor issues (see 1st comment) but tbh it's a great bass!
this not to say I'm OK with that. QC should be improved to allow instruments to be consistently good!

I think the theme here is that it's not that you have a bad bass, but if you'd bought the same thing several years ago, it would have been better.

Withdrawn.

1 minute ago, gjones said:

I notice a L2000 tribute is on Guitar Guitar website with a very big reduction. I wonder if it's a stinker?

 

By the way I own a G&L tribute L2500 and the QC is excellent.

 Looks like they have 2, one of which I tried in Birmingham, and yes it was not good.

Not an L-2000, but further fuel to support that G&L Tribute QC has gone down the pan

Yes, I thought it was called that too.

Ashdown - RM sized ABM, or at least an RM in ABM colours. Also standard variable fan that's only on when it's getting warm to allow it to be used at home without it sounding like someone is vacuuming in the next room.

Yamaha - Something modern that isn't a very slight variation on a previous model. Fanned fret RBX style I would probably go for as long as it isn't in a dull colour.

Dingwall - On/off Pickup selector switches rather than a 4 way which doesn't allow every pickup option. Not sure if this is viable wiring wise however.

Not the most glowing of reviews:

233

Ironically Birmingham PMT are building extra demo booths and moving stuff about to accommodate Yamaha taking the entire mezzanine floor. It's not done yet but it was looking a bit cramped and it is not a small shop.

Use mine regularly - sometimes alone sometimes with a 210 as well (or vice versa). Not flimsy, sounds good. Easy one handed carry for quite a distance too (about 150m at last gig including stairs). As with any 112, there are limitations for how big a venue it can cope with, 2 however should sort you out until you need PA support. I used the 2 cabs last week in a large conference room without PA support, was fine.

n.b. I moved the logo so it would look 'correct' on it's side, there are rubber feet on 2 sides to allow this.