johnbiffa

Having decided to go down the complete software route in y studio I am reluctantly selling my collection of 3 Wampler pedals. Never gigged and very little used ! Ecstasy Paisley Faux Analogue Echo These all retail for £185 each and are only available in 2 dealers in UK. Mine are boxed and as new. From the Wampler web site [color=#ff0000]Ecstasy[/color] When Brian created the Ecstasy, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding "gritty" tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can't work with him dynamically, then he just can't use it. Out of this search, he developed the Ecstasy Drive. The Ecstasy is his take on that elusive "dumble" tone and feel - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other "dumble sounding" pedals. Very responsive tone controls that interact with the pedal - they don't just "color" the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp. If you love the sound of your clean tone, and just wish you could have more "hair" on the note... a little bit of grit without any change in tonality, the Ecstasy will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. This is reminiscent to the famous "dumble" tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down. The newest version is the same as the bigger box (older) version in a few of the videos on YouTube, it is just in a smaller, more compact, box. [color=#ff0000]Paisley[/color] Since late 2009, we discovered that [url="http://www.bradpaisley.com/"]Brad Paisley[/url] was using Wampler Pedals. He started with the [url="http://www.wamplerpedals.com/reverb-and-delay/analogecho.html"]AnalogEcho[/url], then got an [url="http://www.wamplerpedals.com/other-effects/ego-compressor.html"]Ego Compressor[/url] and then had the [url="http://www.wamplerpedals.com/discontinued.html"]Underdog[/url]overdrive. Everything was great until his tech, Chad, mentioned to Brian that Brad still was not quite settled on the overdrive sound he was getting from his live rig… could Wampler maybe look at making a pedal …?? Brads requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. I needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal...! Over a period of months, Brian made some prototypes and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when “proto #2” landed it went straight into the live rack and out on the H20 world tour. That prototype has now been made into the Brad Paisley signature “Paisley Drive” and goes with Brad wherever he goes. When you see Brad live, or performing live on the TV, and you are blown away by his overdriven tone, it’s the Paisley Drive. The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned. In fact, we believe it might be the last one you ever buy... [b]Brad Paisley:- “...we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I've got and compared the sound of the distortion and it was very, very similar. And that's a very good test because any time a pedal can mimic a great overdriven amp then you're on to something...”[/b] [color=#ff0000]Faux Analogue Echo[/color] We’ve heard it said before that all delay pedals sound the same. “Surely they just make an echo don’t they, they just copy what has just happened, don’t they?” Well, theoretically, they do. But, if you take a few of them, and then listen to each one properly, you will quickly see that some sound cold, some sound dirty, some sound warm, others sound... well... you know. So, if you wanted a delay pedal, just a normal one (not one that does everything yet in reality, nothing that actually sounds good), what do you want? You want a an accurate replication of your tone, one that you can sparkle up if you want, or maybe cool down to give an older analog sounding warmth. You want enough delay time to give you loads of echo, yet you want it sharp enough to give you a fast, accurate slap back. Basically, you want something that you can use and lets you still sound great. Enter the Wampler Pedals Faux AnalogEcho. Quite possible, the best sounding delay pedal available today. Just ask Brad Paisley. Or James Burton, Oli Brown or maybe Brent Mason. People who know a good pedal when they hear one. The Faux AnalogEcho is based around the industry leading pt2399 chip. The industry standard for delay pedals. We treat the signal path in such a way that the dry path and the core signal are completely unaltered, we only use the chip to make a digital replication. With this, the sound remains exactly as you want it. No coloration. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for the most amazing analog warmth. Looking for £125 each including postage or all 3 for £335 Tell your guitarists !

[b][b] Bought in a flush of enthusiasm while in the US and thought I may go out and do some open mic nights on acoustic........flight of fancy ![/b] Brilliant pedal however and this is unused and boxed. From the web site: [b] TC Helicon VoiceTone Harmony-G XT Vocal / Guitar Processor[/b] — The TC Helicon Voicetone Harmony-G XT features improved harmony technology and reverb from its big brother VoiceLive 2. Harmony-G XT will improve your tone and surround your voice with pro effects and vocal harmony.[/b] [b]More Details:[/b] TC Helicon Harmony G XT has new features such as improved NaturalPlay guitar-controlled harmony algorithm, front-of-house quality reverb algorithm and selection of styles from VoiceLive 2. Also USB connection for easy software updates, tips, and preset backup using the included VoiceSupport applet. Harmony-G XT has a good ear for music. It listens to your performance and decides what harmony notes would sound best with your song. Connect your guitar and a mic, choose one of the presets, play guitar and sing. No special guitar pickups, pre-programming, or extensive musical knowledge are required in order to use Harmony-G XT In a recording you can layer your lead melody to create extra thickness. Live, it's not so easy. The Double button on Harmony-G XT activates a realistic, overdub style doubling effect on your voice that you can use alone or in tandem with the harmony voices. In a recording you can layer your lead melody to create extra thickness. Live, it's not so easy. The Double button on Harmony-G XT activates a realistic, overdub style doubling effect on your voice that you can use alone or in tandem with the harmony voices. [url="http://www.tc-helicon.com/products/voicetone-harmony-g-xt/"]http://www.tc-helico...e-harmony-g-xt/[/url] Now selling for £235 but you can have this baby for £185 posted.

Anybody out there bump!

Hi Joe You have a PM John

Please send me a PM to discuss cash sale Thanks John

Still want to buy this.............if you log in send me a PM please John

I will take cash with me if you want to sell Thursday evening in Leeds. You can get me on 07920284993 If not, good luck with the sale and I'll buy something else with my readies Cheers John

You have a PM

What cash price are you interested in for a fellow Yorkshire BCer with collection on 9th Jan?

Pm me I may have a cash offer and I am in Yorkshire !

PM sent Happy Christmas

How about a mid 60's EB3 which had the fretboard thinned by about 1/4 in in 60's and a refinish at same time. No neck breaks and sounds fantastic but I have another and an EB2. VGC and looked after by BassDoc on this forum for me who recently put a new nut in, alson SG reissue shaped Gibson case.

Slightly off topic bump..........which gig bag fits?

If you would like it back let me know! I've just moved on to genz Benz and its not being used at all John Have a bump as well

Nice Steel, I have a Sho-Bud Maverick, which is a student model........but they are all difficult to play ! Good luck as these are fantastic instruments.

You have a PM and a bump !

Slightly off topic.......how about a valve preamp Meas Boogie Walkabout......was back up to my Marshall Super Bass and sounded very old school valve to everyone who commented into 2 4x12 cabs. 350w at 8ohm............ +cash from me and I live in Yorkshire !

Off to Chicago so no movement until 5th.............time to save up or fall out of love with your Thunderbird John

It's classic Gibson shortscale Will post pictures when I get home from gigs in NE on Monday Great bass at bargain price John

No Thunderbirds out there?.....

Could be in Essex on Thursday ! John

Delivery possible NE this weekend, NW Monday, M6 Corridor Tuesday or SE Wednesday...........and no I don't drive for a living ! John