johnbiffa

Don t be that drastic although it would be worth it !

To avoid confusion this is not the BFG Model currently available for under £1k, this was a limited edition between 2000- 2001 in limited numbers. PM's responded to Any trial welcome

Happy to entertain offers type bump !

Original B Bender in Butterscotch with maple neck and the Clarence White B Bender system factory installed. The B Bender is operated by pulling down on the neck as the mechanism is attached to the strap button on the upper bout and has the effect of bending the b string one whole tone (2 frets) Little use and very unusual but ideal for all the would be country guitar players who want to capture the essence of a pedal steel sound without learning how to play one (Trust me I am trying) Comes with original case and can be delivered in North of England or SE and London. A realistic £800 for a very rare Fender

Outstanding ungigged Custom Shop Eric Clapton Stratocaster with original Tweed Case and all case candy and COA. Rare Mercedes Blue to match his Mercedes SL500 AMG apparently. Fabulous maple neck, no scratches, dings or knocks and is in showroom condition. Has the vintage noiseless pick ups and the Clapton TBX circuit. Can deliver in North of England or SE and London and elsewhere by arrangement or collect from Yorkshire. £1600 (saving over £1k from current price).

Fabulous condition, home use only Gary Moore signature Gibson Les Paul with original case with autographed shroud and unused/uninstalled signed pickguard. Rare and collectable these days and a bargain at £1600 to some lucky guitar player. The Zebra Burstbucker pick ups give that distinctive Gary Moore tone........why be one of the pack with a Les Paul standard when you can have this Lemon Burst Beauty. Can deliver in N of England and SE and London by arrangement or pick up from Yorkshire.

My custom order 51 Precision in a vintage correct era off white, with black pick guard and outstanding maple neck. Seymour Duncan meaty pick up and period accurate machine heads and bridge. Great playing and sounding bass with equal volume across all strings and no fret wear, dings, scratches dents or knocks. As you know John makes outstanding basses and this one is in his gallery on the website. Not playing it enough and my Gibson basses are always taken to The Proper Boys gigs ( www.theproperboys.co.uk or YouTube) Why wait a minimum of 12 months and you can have mine with a serviceable Fender Tweed Gig Bag. I can probably deliver personally if you live in North of England or SE and London or you can come to Yorkshire to collect. Price drop to £795 including delivery and no trades please.

Was just doing it when you responded, great minds etc !

Yes, sold and bought a Thunderbird Sorry

Very little used, fantastic mobile or studio recording solution, boxed with cables etc. From the website: The CEntrance MicPort Pro is the easiest way to capture a professional-quality vocal take, communicate with clarity over Skype or record studio-grade instrument samples. Much more than a simple XLR to USB adapter, the MicPort Pro is the only portable mic preamp with a built-in, 24bit/96kHz, broadcast-quality A/D converter - a CEntrance exclusive. It captures the cleanest signal, making it an ideal choice for professional recordings. The built-in loud headphone amp and studio-grade knobs make it both useful and convenient on the road. MicPort Pro is used by the BBC, CNN, NBC, CBS, ABC, NPR, Harpo Studios, Warner Brothers, and professional musicians and voiceover artists worldwide. MicPort Pro is instantly compatible with Windows XP/Vista/7, Mac OS X 10.4 and above, and Linux Features Lowest-noise mic preamp with 24-bit/96kHz A/D converter for extra clarity in recordings 103.5dB dynamic range, perfect complement to high-end condenser and ribbon mics 48V phantom power — compatible with all professional mics Loud headphone amp for zero latency monitoring - works with any headphones Studio-grade control knobs for Preamp Gain and Headphone Volume Stereo capability — record in stereo with twoMicPort Pro/AxePort Pro units (Mac & PC Stylish and sturdy aluminum body that's only 4.5 inches (11.5 cm) long These retail at between £148 and £159 and this is as new with less than 1 hr usage. Only selling as I have gone NI Guitar Rig 5. BCers can pick up a bargain at £80, inc postage (compared to my ebay sale).

Very little used, fantastic mobile or studio recording solution, boxed with cables etc. From the website: The CEntrance AxePort Pro is the smallest professional USB preamp and recording interface for guitar and bass. Using AxePort Pro is quite simply the easiest way to lay down a high quality guitar or bass track using virtually any computer's USB port. Featuring plug 'n play digital recording with no complicated software installation or setup, the AxePort Pro packs a ton of features into its 4-inch long and 1-inch wide rugged aircraft aluminum tube. Easily record high quality bass and guitar tracks on the go. Replace stomp boxes and pedals with computer-generated effects. Practice along with iTunes and other pre-recorded music using zero-latency monitoring. Lay down clean tracks and experiment with different amp models. Key features include: Studio-grade 24-bit/96 kHz digital recording that far exceeds CD quality, as well as other competitive interfaces Warm and natural-sounding, Hi-Z instrument preamp with an extra-low noise floor and a super-wide frequency range A mixer with zero-latency monitoring lets you blend your performance with a pre-recorded track, iTunes or effects A stereo 1/8-inch headphone jack and premium headphone amp for high end clarity while monitoring Pro Studio in Your Pocket Good things come in small packages and the AxePort Pro is no exception. Carefully designed to fit into a 4-inch long and 1-inch wide rugged aircraft aluminum tube, the AxePort Pro includes the following components: Custom studio-grade instrument preamp with an extra-low noise floor, so your recording captures every detail of your performance Premium headphone amp that delivers high end clarity, perfect for even the most expensive studio headphones Internal mixer with zero-latency monitoring lets you blend your real-time performance with effects, a pre-recorded track, or iTunes music Convenient gain and volume knobs, which make precise adjustments a breeze beginner at home or on the go.Plug 'n Play Design Whether you are a seasoned professional recording tracks on the road, or someone who is just a beginner, you will appreciate how easy AxePort Pro is to use. Works with most computers—AxePort Pro simply plugs into virtually any computer's USB port—Mac, PC and Linux Works with major recording and effects software, so you can use the software you prefer to create your perfect sound Connects with any bass or guitar—AxePort Pro's Hi-Z instrument preamp will work with almost any electric instrument Crystal Clear Audio Quality Created by musicians for musicians, the AxePort Pro delivers unsurpassed digital audio clarity and transparency. Boasting a 24-bit, studio-grade instrument preamp with an extra-low noise floor and a super-wide frequency range (20 Hz to 40 kHz), the AxePort Pro significantly exceeds the competition. No one will know that your track wasn't recorded in an expensive studio. To learn more, please take a look at our specs. Use to Record or Play Perfect for recording instruments due to its exceptional sound quality and easy-to-use design, the AxePort Pro is also a great way to practice. Plug into the headphone jack and play along with pre-recorded music on iTunes or try out some effects. And at a fraction of the cost of a typical rig, AxePort Pro is the perfect recording and practice solution for a professional or a beginner at home or on the go. These retail at between £138 and £154 and this is as new with less than 1 hr usage. Only selling as I have gone NI Guitar Rig 5 as a present. Now on ebay but BCer's can have it for £75 inc postage

Guys Gigging today but will post pics on Saturday when I get back, thanks for the interest. John

Consider Musicman or Rick trades with cash adjustment

Built by Jon in 2010 to my specific order and featured on his web site. It is a 51 Precison slab body with fantastic maple neck, black pickguard, in a 50's off white with grain showing through and a Seymour Duncan Quarter Pounder. This bass is unmarked and only seen a few gigs as I tend to use my Gibsons !!!! No case but can provide an old T Bass gig bag and can probably deliver personally. Looking for £925..................better than waiting but it deserves to be played.

How about a Shuker 51 P Bass, you can see it on Jon's web site, Off white, black pickguard, maple neck and Seymour Duncan Quarter Pounder. It was completed at end of 2010 and is unmarked. John

Having decided to go down the complete software route in y studio I am reluctantly selling my collection of 3 Wampler pedals. Never gigged and very little used ! Ecstasy Paisley Faux Analogue Echo These all retail for £185 each and are only available in 2 dealers in UK. Mine are boxed and as new. From the Wampler web site [color=#ff0000]Ecstasy[/color] When Brian created the Ecstasy, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding "gritty" tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can't work with him dynamically, then he just can't use it. Out of this search, he developed the Ecstasy Drive. The Ecstasy is his take on that elusive "dumble" tone and feel - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other "dumble sounding" pedals. Very responsive tone controls that interact with the pedal - they don't just "color" the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp. If you love the sound of your clean tone, and just wish you could have more "hair" on the note... a little bit of grit without any change in tonality, the Ecstasy will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. This is reminiscent to the famous "dumble" tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down. The newest version is the same as the bigger box (older) version in a few of the videos on YouTube, it is just in a smaller, more compact, box. [color=#ff0000]Paisley[/color] Since late 2009, we discovered that [url="http://www.bradpaisley.com/"]Brad Paisley[/url] was using Wampler Pedals. He started with the [url="http://www.wamplerpedals.com/reverb-and-delay/analogecho.html"]AnalogEcho[/url], then got an [url="http://www.wamplerpedals.com/other-effects/ego-compressor.html"]Ego Compressor[/url] and then had the [url="http://www.wamplerpedals.com/discontinued.html"]Underdog[/url]overdrive. Everything was great until his tech, Chad, mentioned to Brian that Brad still was not quite settled on the overdrive sound he was getting from his live rig… could Wampler maybe look at making a pedal …?? Brads requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. I needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal...! Over a period of months, Brian made some prototypes and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when “proto #2” landed it went straight into the live rack and out on the H20 world tour. That prototype has now been made into the Brad Paisley signature “Paisley Drive” and goes with Brad wherever he goes. When you see Brad live, or performing live on the TV, and you are blown away by his overdriven tone, it’s the Paisley Drive. The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned. In fact, we believe it might be the last one you ever buy... [b]Brad Paisley:- “...we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I've got and compared the sound of the distortion and it was very, very similar. And that's a very good test because any time a pedal can mimic a great overdriven amp then you're on to something...”[/b] [color=#ff0000]Faux Analogue Echo[/color] We’ve heard it said before that all delay pedals sound the same. “Surely they just make an echo don’t they, they just copy what has just happened, don’t they?” Well, theoretically, they do. But, if you take a few of them, and then listen to each one properly, you will quickly see that some sound cold, some sound dirty, some sound warm, others sound... well... you know. So, if you wanted a delay pedal, just a normal one (not one that does everything yet in reality, nothing that actually sounds good), what do you want? You want a an accurate replication of your tone, one that you can sparkle up if you want, or maybe cool down to give an older analog sounding warmth. You want enough delay time to give you loads of echo, yet you want it sharp enough to give you a fast, accurate slap back. Basically, you want something that you can use and lets you still sound great. Enter the Wampler Pedals Faux AnalogEcho. Quite possible, the best sounding delay pedal available today. Just ask Brad Paisley. Or James Burton, Oli Brown or maybe Brent Mason. People who know a good pedal when they hear one. The Faux AnalogEcho is based around the industry leading pt2399 chip. The industry standard for delay pedals. We treat the signal path in such a way that the dry path and the core signal are completely unaltered, we only use the chip to make a digital replication. With this, the sound remains exactly as you want it. No coloration. With the addition of a tone knob, you can incorporate a little sparkle for digital crispness, or take it all the way out for the most amazing analog warmth. Looking for £125 each including postage or all 3 for £335 Tell your guitarists !

[b][b] Bought in a flush of enthusiasm while in the US and thought I may go out and do some open mic nights on acoustic........flight of fancy ![/b] Brilliant pedal however and this is unused and boxed. From the web site: [b] TC Helicon VoiceTone Harmony-G XT Vocal / Guitar Processor[/b] — The TC Helicon Voicetone Harmony-G XT features improved harmony technology and reverb from its big brother VoiceLive 2. Harmony-G XT will improve your tone and surround your voice with pro effects and vocal harmony.[/b] [b]More Details:[/b] TC Helicon Harmony G XT has new features such as improved NaturalPlay guitar-controlled harmony algorithm, front-of-house quality reverb algorithm and selection of styles from VoiceLive 2. Also USB connection for easy software updates, tips, and preset backup using the included VoiceSupport applet. Harmony-G XT has a good ear for music. It listens to your performance and decides what harmony notes would sound best with your song. Connect your guitar and a mic, choose one of the presets, play guitar and sing. No special guitar pickups, pre-programming, or extensive musical knowledge are required in order to use Harmony-G XT In a recording you can layer your lead melody to create extra thickness. Live, it's not so easy. The Double button on Harmony-G XT activates a realistic, overdub style doubling effect on your voice that you can use alone or in tandem with the harmony voices. In a recording you can layer your lead melody to create extra thickness. Live, it's not so easy. The Double button on Harmony-G XT activates a realistic, overdub style doubling effect on your voice that you can use alone or in tandem with the harmony voices. [url="http://www.tc-helicon.com/products/voicetone-harmony-g-xt/"]http://www.tc-helico...e-harmony-g-xt/[/url] Now selling for £235 but you can have this baby for £185 posted.

Anybody out there bump!

Hi Joe You have a PM John