Leonard Smalls

I went to see Ginger Baker once with Jonas Hellborg on bass. Jonas was amazing, but Ginger was painful - he even stopped a song halfway through to tune his snare!

I'm currently really enjoying a tone from my Parker bass on "slap" tone, going through a Yamaha FX770 with compression and a tiny touch of down octaving, into a Roctron Utopia on "Bass Ballz" setting (with some of the distortion dialled out), then all of that going through the FX loop on my Marshall into a Qtron. It's a seriously dirty Bootsy noise, which only gets crazier if I configure the Rocktron pedal to act as a bass wah.

On certain floor types isolation will make a big difference to the sound of a bass cab (or any speaker!). The air within a hollow stage or floor can resonate, causing boom which will swamp other notes. If anyone ever played at the Greyhound on Fulham Palace Road they'll know how bad it could be if not isolated. Another cheap'n'cheerful way of doing it is to get a sheet of mdf, and glue half a squash ball into each corner...

The bass I'd least like to own is a Hofner violin bass... Horrible to play and a terrible sound. And I can't get on with P basses with the thumb guard/rest thingy and metal bridge that sits right in the way. And I'm not a fan of Rickenbackers either.

We've got a venue locally where they insist even the PA, which is 10kW goes through the limiter, which is set at 92dB, c weighted, and the mic is right by the stage! The real problem is that the limiter itself is only rated at 13amps - i.e. a max of about 3kW. So it's possible to fry the limiter with the PA and a Kw of backline plugged into it -these sort of things worry me being an electrician! And being c weighted means it's biased toward bass frequencies, so it's very easy to set off. And if it does go off, that's the whole PA plus backline to be damaged when they come back on again... However, there just happens to be a large supply on stage designed for lighting which isn't through the limiter, so we use that... Unofficially of course.

I've had my Marshall Jubilee amp with EV cab for 20+ years now. Can't see me changing it unless it explodes!

What a choice! Boy band that saw the light, or crap band that did one good song (Live and Let Die)? Out of those 2 I'll go for Parliament...

The Parker is a bit "beauty is in the eye of the beholder", but brand new old stock for £500 is something I couldn't argue with for something so rare! And it's most excellent for both slapping and metal soloing...

Cracking! Funnily enough I was just listening to Spectrum this morning - synchronicity man!

Just saw this Parker in spalted maple, and had to buy it - wonderfully easy to play!

P Funk by Parliament... Chorus bit is easy and proper groovy!

[quote name='Spike Vincent' timestamp='1330526226' post='1558850'] 82 posts and no one has answered "nothing" yet? [/quote] Small pants and a very tight ladies top, plus my old Kawai Sleekline!

[quote name='discreet' timestamp='1330436964' post='1557420'] Did anyone attempt to bash the bishop at that gig? [/quote] Not with the Holy Father Himself on drums! May The Funk Be With You...

I prefer Labella Slappers (who wouldn't!) or Hard Rockin' Steel in a standard gauge. Saying that I've just bought some Newtones as I'd never heard of them...

I never wanted to look like anyone in the audience at a gig... More recently, with a different band

I'm enjoying my Sandberg too - I play it as much as my Wal!

Lawks! £9995... I think I'll get 3 Alembics instead!

No! I've met him though - I booked Wilko Johnson for our village hall once... Off to ebay now for a look!

Only gigged once in France - took 2.5 weeks over it, ferried to Spain, gig near Montpelier then bimbling around France with no room in the car boot for anything but bass gear! Bass heroes, btw, are Bootsy, Norman Watt-Roy and Larry Graham... And no, I'm not really a slap bass player.

Not sure if I've introduced myself before, but here goes: I've been playing since about 1983, in various bands from punk to funk to rock to jazz. As far as I'm concerned - if it grooves heavily I'm in! I'm in shropshire, and currently in a funkrock band whose members are spread as far afield as France, Leeds and Shropshire so we don't rehearse very much at all. And the other band is a free jazz improv thingy, where we improvise in a free jazz sort of way Basses are a Wall Custom 2, Sandberg Basic and emergency fallback Kawai Sleekline, playing through Rocktron Utopia and Qtron, via Yamaha FX770 FX into Marshall Jubilee amp and PD cab. And I'm an electrician when not playing bass or riding bikes (mountain and '74 Guzzi!)

May the Funk be with you! An under-strength Badass Weeds suplemented by Bang Bang Romeo...

I've owned 3 in the 26 years I've been playing: Kawai Sleekline with EMGs (currently hanging on the wall) And a Sandberg basic, and Wal Custom 2 as below:

[quote name='silverfoxnik' post='419641' date='Feb 25 2009, 09:29 PM'] You're the first person I've ever heard mention Andy Warren on a bass forum and it's great to hear him get a mention!! I used to know him many years ago from the early Ants days and he had such a great stage persona, it almost didn't matter what he played. Certainly got a clanking great sound out of his Rickenbacker.. The first Monochrome Set (Strange Boutique) album was/is fantastic...[/quote] Aye - loved early Adam and the Ants (Xerox, Whip in my Valise, Dirk Wears White Sox etc), and love Monochrome Set even more... Here's their myspace page - check Eine Symphonie and He's Frank for those who don't know them! [url="http://www.myspace.com/themonochromeset"]http://www.myspace.com/themonochromeset[/url]

Andy Warren -of Adam and the Ants, and more impressively The Monochrome Set.. Interesting and musical player and I'll hear no wrong said of him, poor fella..

Norman Watt-Roy.. And Bootsy.