4-string-thing

[quote name='thepurpleblob' post='691410' date='Dec 22 2009, 12:20 PM']The last time I tried to audition a female singer the guitarist's psycho girlfriend told him he wasn't allowed to play in a band with a woman in it. I've heard a very similar story a number of times since too.[/quote] Hmmm, when I was trying to find a girl singer for a folk-rock band, I found a likely candidate on Bandmix only for my girlfriend to say "you're not having anyone that pretty in your band"

Prime Mover by Zodiac Mindwarp and The Love Reaction.....

[quote name='fatgoogle' post='684367' date='Dec 14 2009, 07:42 PM']A wouldnt you have to have the transformer changed to compensate for 230/240v of the uk.[/quote] More than likely, unless they have those fancy power supplies that work on any input voltage. I work for an electrical wholesaler, so I suppose getting a transformer like they use on building sites would be fairly easy. Carrying around a yellow box to gigs would be a small price to pay for the chance of having 600w of Acoustic magic though!

Being an Acoustic enthusiast (some might say nut) I'm really keen on getting hold of one of the new heads from the states, either a B200h or B600h. Has anyone tried these? It seems that the only chance I would have of getting one is through Music123.com. It looks like they will ship to the UK, but I've never imported anything before and I don't really know the score. I'm guessing the is VAT to pay and probably import duty? Also, has anyone bought from Music123 and whats the service like? Cheers, Mark Kinton.

There is a cab on ebay at the minute which I am sure is a 402 (2x15) It has no blue strip but other than this it looks identical to mine. The drivers have been replaced with Fanes and its rated at 300w. Its in the Leeds area, and I think its the second time its been listed within a week. Might be a bargain for someone? Here's the item number: 230408829503

[quote name='thebuckets' post='676167' date='Dec 6 2009, 09:32 PM']Many Many thanks to all who responded, not one condesending remark and lots of helpfull ideas- i love this forum! Despite playing bass for the last 16 years in 'the buckets' I still consider myself somewhat of a novice having had no formal music training, my sight reading is still slow and i dont fully understand my way round my EQ! But man I do like to rock out with my bass and am finding a new found love of funk (wanting to slap and pop at every opportunity) so its great to have questions answered in an encouraging and inclusive way (what else could i expect Bass players are the gentlemen/ladies of the music world) I think what most of you are saying is right, after gassing for another P in the past I might regret getting shot, I also have to echo others on the forums in that I Ithink the new USA Fenders are quality instruments. I dont think i will mod my P as I I like instruments to stay stock, they are what they are and I like em for that. If i want a j pick up at the bridge sound i will have to go for a J bass. But i have to concede Warickhunt's modded P has a lot of charm and looks to have been modded expertly. 4 string thing- strange you say that yours only sounded bad twice and once was through a peavey tnt (the amp i have used for the last 15 years!) so I think looking at a new amp might be a good idea-any sugestions folks? OTPJ my strings are quite new they are the original rounds supplied on it just replaced, i switched to flats immediately after purchase hoping to get that Jamerson sound, so i dont think they are the source of my poor sound. indeed acoustically it is bright and resonant with lots of sustain. I having been in the same band with two extremely loud guitarists coupled with standing next to the drummers ride cymbal for the last 16 years so like you probably have lost a little top end! this might be why to me the stingray seems to cut through the mix rather well. anyway think i will keep the P look at some new amplification (suggestions please) whilst saving for a J Many thanks to all who responded Bri[/quote] Hmmm, I did say bad, didn't I... I should perhaps say, not so good. We used to use a rehearsal room that had a large TNT combo, it sounded ok through that, but we switched rooms and the new place had a smaller one, which didn't sound too good at all. The Behringer just sounded bad, really bad! I would try it through a couple of amps, both old and new, but hang on to it, you won't regret it.

Yup, once again have found myself without a band, so here goes.... Bass player, wrong side of 40, East Midlands based, looking for interesting band (no HM, run-of-the-mill blues or funk) Good gear, transport, contacts etc. Mark. 07799326158

I would also say go and try a few amps out, I've had a P for 30 years (the strings have been on it for at least 15) and it has only sounded rubbish twice. Once through some poxy Behringer amp, and once through A Peavey TNT combo (both rehearsal room amps) In fact, when I tried it through a Markbass stack, our drummer declared it the best sounding bass he'd ever heard, and spent the next week telling anyone he met just that! I may even try some new strings at some point, but am worried that it will just sound twangy!

[quote name='Mr. Foxen' post='674847' date='Dec 5 2009, 11:49 AM']When I said 'kinda poor' I meant in comparison to modern drivers, seeing as this is the Barefaced thread and all, the Eminence kappalites pull pretty far ahead of trad stuff. I'm fairly frustrated that I can't fault them. Further research has told me its a square magnet Eminence in there.[/quote] some of those old Acoustic cabs were designed to "throw" the sound further, thus making them seem louder 20 feet away than close up. I'm no expert (clearly) but I suspect this is what they called a "W" design. Again, the Acoustic forum is full of people who know an awful lot more than me... One things for sure, I'd love to know how those old cab designs would sound with modern drivers.

[quote name='Mr. Foxen' post='643993' date='Nov 2 2009, 11:12 PM']Think its same idea as the Schroeder cabs with the sideways speaker. Cuts the highs from one, so you get a bassier balance, cause the speakers were kinda poor. Doubling up surface area, if they were all front facing, would give you more highs than you want. If you put modern speakers in, could probably block up the other hole, and port it.[/quote] not sure what speaker you have in your 126 to be classed as "kinda poor" but as far as I know, Acoustics came with either Eminence or JBL speakers. Neither of which could be described as anything other than top quality. My 220 head (175 watts) and 402 cab (2x15) are louder (and better sounding) than any modern amp I've tried, including Ampeg and Markbass!

I've finally got round to having someone look at the Acoustic 120 I bought (non working) a couple of years ago. They've had it over a week and haven't even looked at it yet. So, does anyone know of a decent tech in or around Leicester? As this would only be a spare amp and cost peanuts, I don't want to travel too far or pay too much! Cheers, Mark.

Original and best! I've owned mine for 30 years, and never, ever felt the urge to sell it. How many of you can say that about your fancy/exotic, 5 and 6 strings?

[quote name='WHUFC BASS' post='664903' date='Nov 25 2009, 11:53 AM']Ha ha! Sounds like our drummer....and our singer come to that. I f***ing love rehearsals. Its just one huge piss-take of each other in-between songs. Nothing is sacred, no holds barred. We're still productive but the piss-taking is merciless.[/quote] This sounds like my band, and to be honest it really pisses me off! The singer and guitarists spend more time insulting each other (and their wives, mothers etc) than we do rehearsing. At first it was mildly amusing, but you soon get fed up of hearing the c*** word shouted down a microphone. I'll be moving on soon, I think.

I bought a Corvette standard ash in August and I can say its lush! Why people say Warwicks have thick necks is beyond me, it feels like a matchstick compared to my precision, and its a lot lighter too. Passive j type pups are pretty versatile too. A good buy brand new at just over £600. Can't comment on your other options though

We're not gonna take it, Twisted Sister & Everything about you by Ugly Kid Joe.

[quote name='thisnameistaken' post='658576' date='Nov 18 2009, 09:16 PM'][/quote] Best looking and best sounding, I reckon. Probably not best for your back though!

[quote name='bumnote' post='652521' date='Nov 12 2009, 12:15 PM']This craigs list ad on the bottom line sums it all up for me Bass player needed for working folk-rock group gigging 5+ dates per month. MUST have the following: 1. Technically brilliant on the bass 2. Must have own transportation 3. Must own a PA system adequate for rooms up to 400 persons 4. Must transport PA to all gigs (see # 2) and set up and take down while the rest of the band schmoozes fans 5. Must provide 2,3 and 4 at no additional cost to the band 6. Must be capable of lead and harmony singing at perfect pitch 7. Must be willing to serve as booking and business manager for the band. Bass player is expected to secure most of the band's gigs. 8. Must be able to supply subsidized housing for band members. 9. Must be willing to buy instruments for band members (accordion, bagpipes, hand percussion etc.) so that the band can expand the sound 10. Must own field recording rig so live shows can be recorded and archived The band will conduct auditions and interviews. Please bring an inventory of the equipment we require to the audition and interview so we can determine if your gear will satisify our requirements. Successful candidate will earn an equal band share of gig payment, typically $50 minimum per 4 hour show. We have a gig Friday and another Sunday and 3 more beyond that in November, so move fast if you want this opportunity of a lifetime![/quote] Ha ha, I'd swear blind this is my old band if it wasn't for the pay being in dollars and more than I ever earned when I was with them!

[quote name='maxrossell' post='656578' date='Nov 16 2009, 11:55 PM']I suppose I'll be bucking some trends here, but honestly in my opinion anything other than a Fender Jazz or P-Bass is a waste of time. I also don't get having more than four strings. The lower B just gives you five extra notes that most people never have a need for at the expense of a reasonable-sized neck, and the higher strings on those gigantic six or sevens just sound piddly and weak. Again, just my opinion, but whenever I see a bass player with more than four strings on his bass I expect either some seriously boring overindulgent widdling, or just a shoddy performance by someone who hopes that people will assume he's really good because he has extra strings. I really, really dislike the look of these overdesigned luthier basses that are made of sixteen different types of contrasting wood, all of which would be better suited to veneering a French dresser, and they all have fourteen strings and fanned frets and weird body shapes and pickups at funny angles and generally look a bit like someone nailed a ladder to a goldfish. And you never actually see anyone playing them live, presumably because there aren't many bands out there where the guitarists have twelve-neck guitars and the drummers have a 400-piece kit. After having spent some serious time in studios recently, I don't actually see the need for bass amp heads. Speakers, sure. But every time we tracked bass, we'd go through the gear we had to find a match, and every time without fail we passed over Ampeg, Markbass, Peavey and Mesa bass heads in favour of an old Marshall guitar head. And you tend to pay a little bit more for bass amps ayway, and they're usually overdesigned to the point where if something goes wrong it's out of commission for ten weeks. I don't get bass effects, either. Put it this way: A bass player with a load of effects on the floor is either doing something radically new and different, or he's just forgotten what the bass is for in music. Usually it's the latter.[/quote] I'd second most of that, though I would also say that, I have just bought a Warwick and I love it almost as much as my Fender P. But I doubt it is any better than, or does anything a Jazz doesn't do. Also, you should try an Acoustic bass head!

[quote name='waynepunkdude' post='656283' date='Nov 16 2009, 07:27 PM']Indeed, according to this thread I have bought all the wrong stuff but the right stuff hasn't been made yet.[/quote] You're right, you know what they say "you can't please all of the people, all of the time" Lets face it, it would be a pretty boring world if we all liked the same things.

[quote name='waynepunkdude' post='655600' date='Nov 16 2009, 12:39 AM']Acoustic amps suck....[/quote] Ah, but not as much as Ampeg and Ashdown apparently!

My 220 is almost 30 years old and still going strong, never once let me down. I bought the non-working 120 a couple of years ago with a 2x15 cab for a massive 52 quid. I hope to get it fixed soon to use as a back-up. I'll only stop using them when either it, or my back, gives up the ghost!

It's official.....I own the best amp in the world， 34 pages and not one person has slagged of Acoustic amps! Thats the answer folks, sell all your expensive modern gear and scour ebay for cheap powerful 70's Acoustics!

The Ampeg SVT450 through 2 MarkBass 4x10's in the rehearsal studio that we use. Not loud enough and no decent bottom end! The Markbass head they used to have with a 1x15 and 4x10 was pretty good though.

I had one of these when I was a teenager, before I bought my Precision, so would be around 77 or 78. It was a red sunburst, and as I recall was a pretty good bass, just sounded a bit too thin through the Marshall superlead head I was using at the time (oh how I wish I had kept that!) But I reckon you got yourself a bargain. Do it up and keep it as a spare.

you mean you can polish a bass.....