SteveXFR

Blood and Thunder - Mastadon

Dreaming of Dead girls - Doyle

I know some punk bassists don't actually pick hard at all. They use a thin, flexible pick and pick through the strings for a consistent tone while playing fast. I'm not sure if they all play like that but some certainly do. I do because it's easy on the hand and sounds good.

Ring finger - Nine Inch Nails

My favourite punk bassist, Klaus Flouride of Dead Kennedys uses a Jazz bass. He was using the same 60's jazz from 1978 to 2013 when it was lost by a South American airline. He's replaced it with another jazz. His bass sound is brilliantly disgusting.

For whom the bell tolls - Metallica

It's impossible to identify the first ever punk song but MC5 and Stooges had songs the could be described as punk in the early 70's and maybe even late 60's. The label "punk" originated with a couple young lads who wrote a fanzine to sell at CBGB

@bigjimmyc Traynor look pretty apealing. I guess it's the YBA100 or YBA300 that would suit me best. it looks like they don't have a UK seller buy it looks like they come up used occasionally.

Malcolm McLaren made a lot of wild claims which were completely untrue. He claimed to have invented punk and he claimed the first punk song was God Save The Queen. Both those were untrue.

Klaus from Dead Kennedys plays a Jazz bass. The bassist in The Members uses a hollow body Epiphone. Paul from The Damned uses something different every time I've seen them. The bassist in Vice Squad uses an old Ibanez SR800 and there's several who use Thunderbirds. There's also Gerry Only from Misfits who makes his own bases and they sound awful.

As mentioned above, plenty of treble but also plenty of dirt. Isolated bass tracks from early punk are hard to find but ones I've heard sounded really dirty in isolation with not an awful lot of bottom end.

Surely for 70's punk it should be whatever bass you either find in a skip or steal from a crusty in a squat. If the tone isn't quite right, hit a few people in the face with it, the blood and skin should condition the strings. To be honest, I don't think they actually went for a specific tone back then. They just used whatever gear they could steal or borrow, put on a long strap and hit it hard with a pick and generally abused it.

I'll agree with that. If we all liked the same things everyone would listen to Coldplay & Maroon 5 and the world would be a terrible, terrible place.

I did photoshop a tort pickguard on it and didn't like it. I think the burst was too light for it to work. It fades in from dark red rather than black.

On a plane - Nirvana

People = S**t - Slipknot

I have been looking at SVT's and in my price range it seems to be mk3 and mk7 which just have a single valve in the preamp and a solid state power amp.

Nearly there......

Ship is sinking - Ye Banished Privateers

I don't know why but I always thought I didn't like The Cure. Turns out I was wrong so this afternoon I listened to their performance at Glastonbury. I was at the festival but I have no idea where I was during this performance.

South of heaven - Slayer

Eyes of the South - Down

Kill the rich - Anti Flag

I get that but going as far as copying knob layout, pickguard shape, pickup type and position and even headstock shape is not necessary. Some manufacturers (Ibanez for example) seem to manage to make something different that works.

I find it a bit of an odd thing that guitar manufacturers make clones of each others products rather than developing their own styling and tone. It wouldn't be accepted if Kia were to make a clone of the Ford Mustang so why does it happen with instruments?