kwmlondon

9 hours ago, Boodang said:

Is it worth getting a professional to install a new nut and do a setup? Might make all the difference. 

High end Ibanez SR's are very nice tho!

Well, it got a very good setup not long ago so I'm reluctant to shell out another £35 on it for a setup plus £40 to fit a nut plus the cost of the nut plus a new set of strings (because if it's getting all that attention I'd put new strings on) - I may do but not for a while yet.

Thinking about it more objectively it's likely to be the neck because if it was the nut I'd have noticed it before now - I tend to doubt myself and think "why didn't I notice this before, I can't have been playing this bass enough" rather than "this used to be fine, what's changed?"

Also, I'd like to try more 5-strings now I'm getting more of a feel for this one. I don't mind spending proper money if it something I really know I'll like and that I'll play but at the moment I'm still working that out. 

6 hours ago, Boodang said:

If the  neck is sublime and it's comfortable to play,  I would say you've found a keeper. I'm a big believer in tweaking basses to get them where you want for your needs. 

Sounds like time to have a Graph Tec nut installed (I get them put on all my basses) and at the same time getting a setup done. If you don't like the eq then change it out. Many options, my current favs being East and Audere. 

Might sound like a lot but if you end up with a bass that plays well and sounds well then you're onto a winner.

This has a lot to say for it but I think I’m going to try tweaking the truss rod first. If this sorts it I’ll just stick with it as is. I’d like to try a higher end Ibanez some time though. 

18 minutes ago, uk_lefty said:

Seconded! If you love the neck and feel of the bass, you don't use the active, why not supercharge the passive? I've got one of these genius looms in a very "cheap" but still good quality bass and it has taken it to an entirely different level. The electronics were weedy, really thin, and just upgrading the loom has made it a monster. A very musical monster.

 

Sounds like you like the bass enough to rescue it. If it does only one sound, but you love that one sound, sort out the choking and keep loving the bass! No guarantee you will feel the same about any other bass.

True, true.

1 hour ago, fingerz said:

As I say, if it's happening when you're fretting the neck, I wouldn't expect your nut to be a factor in this problem, in this instance.

 

 

Good luck with the truss rod, I'm hopeful that will make a big difference. Let us know.

Yep, starting to sound like it. Especially as, now I think about it, the issue's only really come up recently. I just didn't think the problem that close to the nut would be a truss rod thing.

1 hour ago, bassman7755 said:

 

You probably need something thinner that that, a bit of thin paper as an experiment. If that is the problem I then it should be a very easy fix to raise the nut slightly: heat gun or iron to release the glue, glue a thin wooden shim underneath and re glue nut. You can even build up an individual string height using superglue and some filler like cotton wool. Theres loads of youtube vids on both.

Honestly, I don't like messing about with that stuff. I can tweak things but the idea of going at my bass with a heat gun, na-ahh. I know my limits! Cheers for the advice tho.

10 minutes ago, PaulThePlug said:

Which String or All Strings?

Start by just a thin bit of waxy card or plastic shim, yogurt pot? just to rest in the bottom of the nut slot...

See if that fixes it, if so lots of Youtube stuff about building up the nut with super glue and baking soda. I'd start there as its a free fix to the bass you've got.

I love the Ibby SR shape and it is all about the neck...

Bin the EQ and go passive with a @KiOgon loom.

 

Thanks, very helpful - will have a go. It's the first string, 3rd and 4th.

In terms of the sound, I do actually quite like the active tone I just don't really like the eq. It'd be nice to have a passive option, I think the newer ones have that. Honestly though, I'm not going to go messing around ripping out the electronics! I've had a KiOgon loom before though, his stuff is excellent.

7 minutes ago, fingerz said:

 

You really should it's probably a big/sole reason for your problem. It's what it's there for. Get the correct and well fitting tool for whatever the head of the truss rod is, and back it off a touch. It may take a little time to settle, but usually it's instant. It's that time of year when necks do some moving anyway.

 

If it's reassuring, consider how a luthier could possibly do it any differently to you...?! Just go very slowly. It's what it's there for. 

 

You want to back it off, and I would start with just a fraction of a turn A) For your confidence and B) Why not. Slow and steady wins the race!

Cool, thanks - will do. It could just be due to going into winter, heating on etc.

2 minutes ago, fingerz said:

Have you tried letting off some tension in your truss rod?

Nop. I really don't like messing with a truss rod. I know it's a cheap bass but I still don't like fiddling around with the truss rod, tend to go to it as a last resort!

Also, I really find I don't ever use the active eq on the bass or deviate from the middle blend of the pickups. It may as well just have an off/on button really.

8 minutes ago, Reggaebass said:

I’m no expert btw, but have you tried packing the strings up at the nut to see if it’s that 🙂

I thought of this, considered cutting some of the inside of a biro to make some sleeve for the strings to go above the nut. If anyone's got any better suggestions for a quick-fix then I'd give it a go.

11 minutes ago, BassAdder27 said:

Personally on a low to mid priced bass I would sell and move on 

 

Perhaps look at Yamaha or Sterling Sub as a similar priced bass and decent too.

 

My personal fav is MIM Player Series PBass ( perfect bass for me ) 

Yep, I've been very taken with Dingwall basses. I found the fan-fretting a bit odd but the sound is amazing and I recon I could get my head around the whole multiscale thing. I've already got a Musicman Stingray and a bitsa-Jazz so I love that the Ibanez does clean, HiFi modern sounds that the other two don't. Yes, I'd love a precision but I can get close-enough with the 'ray with its LaBella flats or a bit of messing about with the Jazz.

11 minutes ago, thodrik said:

If you are getting choking on the first fret then it potentially calls into question the initial set up.

 

Without seeing the bass, the choking could relate to the neck relief (or lack thereof) or the string height not being high enough, both of which can be cured by a revised set up. Failing that it might be a high fret rather than a badly cut nut. It might be the but I definitely wouldn't buy a new nut until I absolutely thought it was required. 

I would initially try raising the string height slightly to see if that cures the choking problem. If if does then you will have solved the problem without it costing you any money. 

Yeah, I tried that but it didn't sort the problem out, fine after the first fret - you're right, the second fret could need attention but I don't want to shell out for a full on dressing on what's really a cheap bass. I could just tighten the neck a bit, I guess, I'm just very wary about messing with the tension.

Morning the basschat.

About a year ago I wanted to try out a 5-string, got myself an Ibanez SR505 from a fellow basschatter. It was cheap and I've taken my time getting to grips with it but I've found I really like the extra range it gives me and I treat it very much like a different instrument to a 4-string.

It got a cheap set of gear4music strings (I didn't want to spend a lot of money on something I may not like) and invested in £35 on a setup and ended up with a pretty good bass.

I really like some things about it - the neck is sublime, the sound is lovely, it's light and comfortable but on the downside I find I only ever use one tone - I don't like the eq much. Also, you get some choking on the first fret - I think it needs a new nut. Now, a decent set of strings, a new nut, getting someone who knows what they're doing to fit it, we're talking about £125 all-in on an instrument that cost me £260. Would I be better off selling it and investing in something better?

I don't have much experience of 5-strings but I love the thin neck on the SR505 and the modern sound it has. Seeing how much I like this one would a higher-end Ibanez be a good way to go?

What would you do? Spend the money and impvoe a bass you like already or put the money towards an alltogether better instrument.

Bought an EBS microbes 2 of Roger. He posted it the morning I paid and it arrived the next day, perfectly packaged, exactly what was listed in the advert. Perfect sale,  I could not ask for more - many thanks!

Hi. PM sent. Cheers!

I played in bands throughout my teenage years and but life just happened and I stopped making music. A hand injury a few years ago meant my old technique didn’t work (self taught and really bad anyway). A jam session with friends a couple of years ago brought back to me how much I loved making music so I’ve used the pandemic to relearn the bass. 

Now I’m looking to do some jamming, either live or recording. Open to covers or helping with writing. I’m up for funk/soul and play rock and pop. I’m in my mid 40s with a full time job so I’m not looking to take on any serious commitment.

Based in London SE14 with a portable rig. 

On 29/06/2021 at 16:49, wateroftyne said:

...and Joni asked him out to lunch, so he's basically better than any of us at anything.

Yep. 

Also, check out his breakdown of Mayor Of Simpleton by XTC. His love for the song, the band and his understanding of what they are doing musically really inspired me to learn the bassline (try to learn the bassline...) AND the band share the track files with him so he's actually able to dive into the instruments one-by-one. A really excellent video, one of his best IMO.

32 minutes ago, bloke_zero said:

There is nothing like a really good set up.

And we all love it when a bitsa comes togther! There is something magic about when the bits of wood work together.

Glad you got a good result!

By someone who knows what they're doing! I'm fine tweaking, I can sort the intonation or make an adjustment, but it's such a pleasure to start from a good setup in the first place.

On 23/06/2021 at 13:15, bloke_zero said:

Good call - let us know how it comes out!

I. Am. In. Shock. I don't know the name of their luthier but he's a sodding miracle worker - my bits-jazz is just amazing! It plays so, so nicely. The cheap Squier body is LIGHT and the neck and body combo is perfect. It has a very slight dead spot but nothing like the USA Pro I used to have. Thank you Bass Gallery! £45 well spent indeed....

This one:

https://thebassgallery.com/collections/bass/products/enfield-eye-ex-demo

I mean, it's a beautiful piece of work. Looks and feels amazing, can't fault it and I'm sure I could play anything at all on it with those pickups, but I didn't feel like I wanted to.

Mind you, I really don't like lacquered necks so maybe that put me off a bit. I don't know why...

On 01/05/2021 at 22:19, jassbass said:

These look good

Anyone owned a Enfield avenger 

Thanks 

Just tried an Enfield out in the Bass Gallery earlier today. It left me cold. Oh, a superb instrument, without a doubt, but it struck me that it was very much a professional tool to get the job done, any job at all. I didn't get any kind of vibe off it so while I'm sure it was worth the £3,000 asking price I was very happy to hand it back to the nice man in the shop to hang on the wall. For me, a Dingwall has that "modern" feel and style, just as versatile but seems to have mojo. 

36 minutes ago, ezbass said:

Their work is absolutely top drawer, you won't be disappointed. While you're there, you can browse their rather wonderful stock - it'd be rude not to.

They're not bad, very nice team in there. My local dude is Graham Park, he's very good but rather pricey and too busy at the moment. I'll certainly let you know the outcome.

44 minutes ago, bloke_zero said:

It's pretty important to get the neck relief right before doing anything else, probably before shimming the neck? It's not that hard but it helps to have the feeler guages. I found this series really helpful:

Or there is no shame taking it to a tech! Some people can set up a bass like butter!

Yeah, I'm going to take it to a luthier for a proper setup. I'm going over to The Bass Gallery on Friday.

I did a very tidy job with my needle files, never went near the ones from Amazon so they're going back. However, I'm hot happy with the end results and rather than go too low I'm gonna take the bass for a setup. I've shimmed the neck and I'm convinced in more experienced hands the action can be taken lower but I'm reluctant to mess too much with the truss rod. 

8 hours ago, Dov65 said:

Clean & Clear bud, 

Cheers. I'm gonna do some work on my FrankenJazz this weekend, if I end up not ruining it then I may be back in touch. Cheers!

Hi. I've just looked these up and they came as either “warm and wooly” or “clean and clear” wind. Do you know which these are? Cheers!