GisserD

your ears are broken seriously though, a good compressor is in my opinion essential to a good clean punchy bass tone. when you find the one... you will know!

[quote name='Al Krow' timestamp='1509919023' post='3402649'] Excellent. If anyone else is interested in seeing if there is any benefit / additional convenience from a bulk purchase order of Iron Ether pedals (e.g. in terms of saved shipping or bulk discount) please give me a shout. We're up to a tally of 3 pedals so far, I'm guessing if we can get up to 5+ between us then that would start to make it interesting for them as manufacturers. [/quote] im in. i want one the tone at 7.39 in the demo is the synth tone ive been looking for fro years. sold

[quote name='Quatschmacher' timestamp='1509626185' post='3400388'] A way around those that don't is to use a Boss LS-2 in mix mode. [/quote] this is exactly how i do it

[quote name='Al Krow' timestamp='1509613263' post='3400223'] [color=#282828][font=helvetica, arial, sans-serif]@Gisser: you mentioned you were able to blend in some clean? But looking at the description of the Snowflake controls, it's not obvious to me how you are managing to do that? In particular, there is no explicit 'dry' on the Snowflake in the same way there is on the MXR:[/font][/color] [/quote] I run a paralell dry loop for use with various other effects including mastotron and Beta.

On another note....Anybody tried the mxr M188 auto q??

[quote name='Al Krow' timestamp='1509574636' post='3400080'] Good shout - indeed they do. They're[url="https://www.coda-music.com/solid-gold-fx-funk-lite-envelope-filter-sold-out-more-on-order.html"] selling them at £149[/url] Speaking of £149 pedals(!) you were going to tell us all about your new Mad Professor Snow White - how are you getting on with it? [/quote] The short version is that it's the funkiest quackiest filter I ever played. I absolutely. Punchy attack that sounds fat and retains the quality of the signal somehow. love the sound of this thing when blended with some clean. However, it's really sensitive on the controlls. Like really!! Especially the sensitivity. Really small movements make big differences to the sound. This makes it really hard to dial in. Especially if you move the nobs by accident by accident. But even with that. I'm definatley keeping it. If I find any time, I'll post a vid for you guys

[quote name='CameronJ' timestamp='1509558834' post='3399928'] I’m not sure any shop in the UK stocks SolidGoldFX stuff certainly nowhere in London to my knowledge! [/quote] Try coda music. I'm pretty sure they do

TBH its still an awesome bass for the money. just not for me because of the hole in the thing. you would probably make a few quid if you got it repaired it and sold it.

I went to see this today. It's in pretty good Nick except for a serious dent on the side-front corner. It needed a good clean and a setup and would benefit from some new strings. I was going to buy if it weren't for the damage.

i did exactly this with a BS2 and an LS2 it worked a treat!

[quote name='lee650' timestamp='1508280604' post='3391125'] Any news from Tom? Interested to know [/quote] had a reply from tom... [font=arial, sans-serif][size=3]Hello,[/size][/font] [font=arial, sans-serif][size=3] Sorry for the delay in my reply, very busy here at the minute [/size][/font] [font=arial, sans-serif][size=3] It's not the octave up, it's a byproduct of the down octave generation. At playing volumes it shouldn't be audible over the main voices though. [/size][/font] [font=arial, sans-serif][size=3] Thanks,[/size][/font][font=arial, sans-serif][size=3] Tom[/size][/font] [font=arial, sans-serif][size=3] so its confirmed. the pedal is designed like that. [/size][/font]