Old Man Riva

Inspired by Barking Spiders above I’ve been re-listening to Dare-era Human League. This was originally the B-side to Love Action. It used to get played in clubs at the time and sounded great up loud - meaty, beaty, big and bouncy!

This is worth a watch. Even if you’re not a fan of the particular tracks the insight from the musicians is really interesting (at least I thought it was!)…

Like many Basschatters I’m a big fan of Rick Beato, and like many Basschatters, I’m sure, a big fan of Bernard Purdie. This is a wonderful watch. They both appear to get a massive kick out of the whole experience, and Rick is grinning like a big kid when Bernard is grooving away. It’s a lengthy watch (and some of the things have been covered elsewhere before, like in the Aja documentary) but it’s fascinating to hear more on Bernard Purdie’s history and also (if you’re that way inclined) discussion around some of the more technical areas - technique and recording etc. Enjoy!

Great track, isn’t it!? I’ve become a bit of a fan in recent years - other than his vocal on Willie the Pimp I’d not really had much exposure to him previously.

Down in The Tube Station… “smiling beguiling” or “smiling big Eileen”?!

Thanks for posting. Hadn’t heard these. Really like the first track. It reminds me of this… (which is a good thing!)

Jeff Beck at the Albert Hall last night. It was a bit of a mixed bag - great to see Jeff Beck do his thing, and his band were excellent (though the sound/mix was massively dominated by the guitar, to the detriment of other instruments at times). On the flip side, he brought on Johnny Depp who, for me, added absolutely nothing to the gig (it was reminiscent at times of a Sunday lunchtime jam at the Dog & Duck where that one guy who always outstays his welcome still finds a way to shuffle back onto the stage). Really pleased I finally got to see Mr Beck, but can't see myself ever mustering up one iota of effort to witness the musical talents of Mr Depp in the future... "We love you Johnny!!"...

Hugely inflated, as per, but there's always room for negotiation/manoeuvre. It's a small closed-shop community and I get the sense they work together to set some of these prices. They certainly pass instruments around - a stack-knob Jazz appeared on Andy B's site for a few days a while back and then moved swiftly onto ATB, where it quickly sold. David Pym had a couple of Precision basses (a '66 and a '69) on his site for a few years (that, IMO, were overpriced) which are now on Andy Baxter's site (at the same price). The days of getting a genuine bargain (or even a fair price) are long gone...

Likewise, I was a big fan of A Secret Wish. Saw them live (with Derek Forbes on bass) which was good but it was the studio stuff that I was drawn to. I used to think Dream Within a Dream was composed on another planet!

Hadn’t realised they were back together until I saw a piece in today’s Guardian. Really like this…

This is where Hank’s error on a baking hot Californian June Thursday in 1976 is about to come back and haunt him - “I just stamped the 6 upside down for the year. It reads as a future 1979 bass! Ah, sod it. It’s not like anyone will give a damn in years to come…” You know it makes (Fender) sense!

I found this link helpful previously when trying to determine neck dates, hopefully it'll help you too... http://www.ggjaguar.com/neckcode.htm

At least you didn't spot the S&M-style gloves modeling the '68 Jazz!

Heard this today and thought it must be some modern hipster combo with an ear and eye on the 60s and also the 90s baggy scene. Shows how little I know. It’s Manfred Mann Chapter Three from 1969 (and I love it!)…

I’ll not hear a bad word against Tom and that track! Granted, Tim Hardin arguably wrote a better song about wood crafting with If I Were A Carpenter, Marvin Gaye (What’s Going On) with social injustice and the need for change, and Cabaret is right up there with songs about performance art, but what about a song that combines all three?! There are none, I hear you say. Well, my friend, that’s where you’re wrong. Enter Tom…

I missed out on OGWT due to it being “way past your bedtime”! (”But mum, I’m 27” etc.)

There were other tracks that were of interest, definitely; Lady Eleanor being one of them (I think there may have been a film of them rather than in the studio?). I also missed out Mouldy Old Dough by Coventry’s finest, Lieutenant Pigeon, and also a particular favourite of mine at the time, The Young New Mexican Puppeteer by Tom Jones - a song that, for many years after its release, I could recite the words to!

Early 70s ToTP was the gateway to the world of music for me. It was life changing. I was drawn to the singles that had a rockier sound, and in 1972 alone the following appeared on ToTP with singles that I liked: Slade, The Faces, T Rex, Argent, Colin Blunstone, Badfinger, Jo Jo Gunne, Ringo Starr, Rolling Stones, The Move, Hawkwind, Alice Cooper, Electric Light Orchestra, The Who, Blackfoot Sue, Mott the Hoople, Roxy Music, Family, Python Lee Jackson, The Osmonds, Wizzard, and of course Bowie. That was just in one year! After that it was recommendations from mates, their siblings and the like. I also had an uncle who later in the decade opened me up to the likes of Steely Dan, Joni Mitchell and Weather Report. But as a starting point to everything it was ToTP…

Grattan’s was seen as the posh one on our estate! We had Trafford (known as the ‘club book’, for some reason)…

Coventry’s finest! Gave us a huge sense of pride seeing one of them wear a green and black City away top on telly (ToTP maybe?) before football tops were a thing. I seem to remember Brian Johnson doing similar wearing a Newcastle top with Geordie on ToTP… Fair to say we drove the teachers made at the time with the chorus!

Spoilt for choice, lyrically! I also recall it being the first time I’d seen a video/film on Top of the Pops, rather than the artist in the studio or a Pans People interpretation (dread to think what Pans People would’ve come up with…).

I implore you to look into your heart and remove Ernie from that list. A simple (milk) man digs deep into his soul and wonderfully and poetically finds a way to tell of his love of and devotion to another, whilst battling a ne’er do well (with only one sordid thing on his mind, btw). He follows his heart with catastrophic and heart-wrenching consequences culminating in his own demise, and this doesn’t move you?! “Was that the trees a-rustling, or the hinges of the gate, or Ernie’s ghostly gold tops a-rattling in their crate? They won’t forget Ernie (Ernie)…” And neither should you, my friend. Neither should you… (My Ding-a-Ling, on the other hand…)

Indeed! “Just the facts, ma’am. Just the facts…”!

To this day, one of the few tracks I can recite (completely and accurately!) the lyrics to. High art, me! Re. The 70s. Not forgetting Monty Python’s The Lumberjack Song, and a number of Goodies singles. Amongst my dad’s 78s collection were a couple of Stan Freberg pieces I listened to and loved as a kid - St George & the Dragonet, and Little Blue Riding Hood. Felt quite the young hipster!