dave_bass5

Neither of my CV's have had any issues with pots or wiring (that i haven't caused). In fact my 7 year old CV Jazz has the smoothest pots ive ever used.

[quote name='Lazybirdpete' timestamp='1421760641' post='2664617'] No I'm giving up with Thomann, getting a refund. They seem to have all the dodgy Squier stock! Yes they ship from Germany. I might go to a local shop instead but this experience has put me off F/S so I'm having a rethink. [/quote] Would it be worth opening it up and seeing if its just a lose wire? I know you shouldn't have to, and principles being what they are i can understand your feelings, but if its an easy fix then it saves the hassle of getting refund and going off to the shops.

[font=arial,helvetica,sans-serif]When we supported Showaddywaddy a few years ago we were very surprised to see they had a rack of Squiers.[/font] [font=arial,helvetica,sans-serif]Not sure what to make of that but there's a joke in there somewhere i expect.[/font]

That happend to me late last year. Went form a white 4 string Jazz to a brown 5 string Yamaha, only the drummer noticed.

I got rid of my Fenders and Laklands a few years ago, and stuck with my two CV's until it got a Vm PJ (which I never really got on with). I also got a Yamaha 5 string (that I'm going to get do of soon) a few months ago but that's a totally different bass so doesn't really count. I had a bad time trying to get a perfect (to me) finished MIA a few years ago. In fact I started off with a MIM 70's Classic, went on to 2 MIA jazz basses and finished with a Highway-one. Every one of these basses had quality issues (first and last had raised frets). During this time I had a perfect CV Jazz but thought getting a MIA or a MIm would get me something a bit more. It never happend, although I would have been very happy with the MIA if the build quality had matched the price. For me though it's the CV necks. These are slim, have vintage frets and just feel so comfortable. The CV Jazz neck has been on 3 different basses, I love it that much. I can appreciate the better features on the MIA's, but these aren't must haves IMO, just icing on the cake.

[quote name='fretmeister' timestamp='1420395874' post='2648849'] It's not as "wonky" as there is only 1.5 inches different in scale from the sides. 35.5 to 34 A Dingwall is either 37 to 34 or 35 to 32 depending on model. [/quote] Yeah, less Wonkyness = less money lol.

[quote name='Cosmo Valdemar' timestamp='1420394573' post='2648806'] Looks great. I loved the feel of the Dingwall I tried at the bass show a couple of years ago (and had a good old chat with the affable Mr D himself) but the basic tone of the bass did nothing for me sadly. [/quote] I felt the same about a Super (?) Jazz bass i played a couple of years ago at a gig. The bass felt very nice, but the tone sounded flat and bland to my eyes. I felt it was more aimed at finger playing than my pick playing though.

[quote name='discreet' timestamp='1420394159' post='2648800'] Very interesting! I assume you mean 'nice and cheap' as in 'nice and cheaper than a Dingwall' - all things being relative? [/quote] Actually i meant cheaper AND nicer than the Dingwalls ive seen. For some reason it doesnt look as wonky to me ;-) Oh, and i suppose almost £800 still isnt that cheap, but it is for this type of bass.

Sorry if these have already been discussed, i did a quick search and couldn't find anything. I just came across this (also a 6 string version). Looks like a nice cheap way to try out fanned frets. Ok, its not got the Dingwall 37" neck but maybe this wont make much difference to most people (obviously it will to some, same as 34 vs 35" i guess) http://www.richtonemusic.co.uk/products/ibanez_srff805-bks_sr_fanned_fret_bass_5_string_black_stain.asp

I too prefered the feel of my DJ5 over my MIA P5 (same neck as the Jazz 5), but not the tone. The MIA Jazz basses I had were much more "jazz bass" to my ears.

For me it's the fact that I dont need a 5 string, in fact I don't need any specific bass. My lot never notice when I change basses (luckily neither does the GF). If I continue with 5 stings and feel like a change a 5 string Jazz is the only thing I would look at. I'd love a 5 string jazz but one with vintage frets, so it's more likely to be something like a Lakland JO5 rather than a Fender. I had a MIA P5 when they first came out and this has the same neck as the jazz, and although It felt comfortable my DJ5 that replaced it was so much easier to play.

Indded. Bet it comes in handy for something though 8-)

Nah, you're stuck with an oversized thumb rest now :-).

Same here. Im now used to my 5 string and I find going back to my jazz quite uncomfortable to play.

Yes, i got two in the post today. I tried one out at work and it really gripped the desks in the office well. The rubber is quite soft, not hard rubber.

I saw this the other night and thought I'd take a chance. What a brilliant idea. I'm forever having to rest my bass against things at home, this is going to be a god send. http://www.stringsdirect.co.uk/accessories-c2/stands-and-hangers-c70/planet-waves-guitar-rest-p6963

I normally have my E set to 2mm at the 12th fret. At the moment my current bass wont quite accommodate this but its still close. I find i get a lot more fret buzz caused by heavy handed picking. Playing finger style seems to work much better for me. Unfortunately im not very good at it at gigs. Ive never taken a measurement at the 17th fret, but i do tend to shim my necks so that the action above the 12 fret doesn't get any higher.

All my previous Yamaha encounters were either Keyboards or drum machines. I'd never played a Yamaha bass before this one. Before seeing the TRBX range I had looked briefly at thier other basses in this sort of price range, but most had that horrible pickup surround that makes them look like a Woolworths bass from the 70's.

I was all set to get ether black or white. In the end I went for the brown one. Normally I'd go for black, and it looked rather nice in the shop, but the White also looked stunning in the flesh. I couldn't decide so I went for a colour I'd never normally go for.

Nice one, I almost got one a couple of months ago. I ended up with a TRBX505 instead, which for me offered things the 305 doesn't, but played the same. I was going to sell mine as I'm not sure I really need 5 strings, and I do prefer Jazz basses, but everytime I pick it up I change my mind. I'll never love mine completely, but I do enjoy playing it, and even more looking at it.

Another vote for the Scarlett (mines the 212). It's been rock solid since I got it, and in fact it's my only audio interface now. Handles system sounds as well as DAW stuff.

I work in Hatton Garden and see them filming this quite a bit. We are just a few doors down from them. Nothing more to add really :-)

There seems to be a lot of ugly (to me) basses around that for some reason people have orgasmns over. These seem to be mianly boutique bass, where it looks like someone is trying way to hard to reinvent the bass.

[quote name='stingrayPete1977' timestamp='1418239183' post='2628378'] I just dont see visual things like bindings, blocks etc as making a bass "110% better", fwiw I would buy one but not with any belief of it being any better during a gig than my others, my worst quality Ray is my black and white one, its also my favourite, go figure, lol [/quote] Rubbish. If it looks the part then it's worth every penny over any other perfectly playable bass ;-).

I do agree with the topic of this thread, but I really don't care if someone does spend over the odds, and think they are getting value for money by doing it. It's thier money and if it makes them happy good for them. If I had loads of spare cash I'd buy expensive basses, but be under no illusion why I'm doing it. Its a want, pure and simple. The Emperor didn't just have new clothes, he also got a new rig and some basses as well :-).