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JamesTun

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Everything posted by JamesTun

  1. Going to Fieldview Festival 5th of August in Wiltshire to see some buddies of mine in a math-pop band called "Mathletics". Then I'm going King Crimson in September in Aylesbury!
  2. Forgot to mention that the weight of this bass is 3.75kg, really light for a 5 string.
  3. [color=#1D2129][font=helvetica, arial, sans-serif][size=3]Price drop to £1650![/size][/font][/color]
  4. [quote name='Billy Apple' timestamp='1468772210' post='3093213'] Our very own Kev Hopper, especially from his Stump days. I was a big fan. Does the fish have chips? Yes, yes it does. [/quote] I love his playing, so refreshing and so different to everyone else.
  5. [quote name='cd_david' timestamp='1468750517' post='3093026'] No substitute for a big cab imho. [url="http://s519.photobucket.com/user/cd_david/media/Bass%20Chat%20PA%20Stuff/89198F17-8A6E-4FF9-B361-71EB9E3DFC75_zpslsgxpzu8.jpg.html"][/url] [/quote] Best cabs going, shame they weigh so much.
  6. Frankie Goes to Hollywood "Two Tribes" was always a good bass line, although it wasn't the actual bass player in the band actually playing it.
  7. Sunday bump, I am willing to listen to cash offers on this instrument.
  8. [quote name='JapanAxe' timestamp='1468597584' post='3092062'] I like it [/quote] Cheers mate! I think its very different to the original, obviously the vocals are extremely different. I played bass and did backing vocals on this, thought it came through really well.
  9. [color=#1D2129][font=helvetica, arial, sans-serif]Its not quite our own music but my band The Sky Moguls recorded a funk version of the 1983 David Bowie classic "Let's Dance" at the Old Pig Farm studios. Check it out! [/font][/color] [url="http://www.youtube.com/watch?v=4z9Z7b5zw7I&feature=youtu.be"]http://www.youtube.com/watch?v=4z9Z7b5zw7I&feature=youtu.be[/url]
  10. I've received a few inquiries about the serial number and the documentation. The serial number is now in the description of the item, its serial number is 1333 and I can send the documentation over email if need be.
  11. [quote name='fretmeister' timestamp='1468407054' post='3090684'] I'm crying. I haven't even seen it yet and I want it and cannot afford it. [/quote] This is a crying shame, pardon the pun. I have added pictures to rub salt into the wound. I've added as many as I can, if you want to see any more I have taken 15 in total which were too big for the Basschat page. [quote name='basscell' timestamp='1468410036' post='3090724'] Magma! [/quote] Kobaian!
  12. Hello, welcome to my auction of a Marleaux Betra Custom 5. Its with a heavy heart to say that I will be selling this instrument as I have to buy a car! I have had it since 2014, the condition is very good but there are a few tiny marks on the body which I have pictures. Some of these I haven't been able to upload to basschat as they're too big. This bass also comes with an Gator guitar case which this headless bass fits into. Also comes with original papers from the builders at Marleaux. As mentioned previously, I am not interested in any swap offers for this instrument but I am willing to listen to anyone who would offer a Pedulla Pentabuzz. If there are any questions about the instruments please do not hesitate to ask! Specifications: - 3 piece maple neck 5 string. - 6 point bolt-on neck. - Ebony fretboard with 24 frets. - 2 piece body with top with ergonomic contouring. - Wooden Electronic cavity and battery cavity covers. Circuit: - Marleaux 3 band active/passive. - 2 Delano humbucker pick ups. Hardware: - Black chrome from ETS and security locks. Finish: - Matte finish. Neck Measurements: - Scale: 864 mm/34". - Nut: 45 mm/1.77". - 12. Fret: 66 mm/2.66". - 24. Fret: 77 mm/3.03". - Bridge: 76 mm/2.99"/ 19 mm (0.75") each string. In terms of the condition the body is in very good condition apart from a few dings on the back and the top of the bass as can been seen in the pictures. Another thing also is that the active to passive switch is still operational but it is slightly damaged as the switch pushes down. This has no effect on the performance as I said but I don't want to lie and say its not there. This bass is based in Reading. Thanks for looking, James!
  13. [color=#282828][font=helvetica, arial, sans-serif]. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Hello,[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]This is my much beloved Warwick Thumb Bolt On fretless produced in 1997.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The condition of this instrument is well kept, not any marks on the body or neck.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]In addition to all of the necessity details around the instrument, this was originally a fretted thumb and I have only recently (February '15) got it transformed into a fretless. I believe that it does feel like an original fretless however, it was defretted by a top guitar technician.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The body wood is Ovangkol I believe, weighing 4 kilograms, containing 24 frets and finally the scale length is 864 mm.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]This does also come with a soft Warwick case.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]If anyone has any queries please message me and I will happily oblige to answering. The price is valued quite highly for a Warwick at this current time of the market because of the newly transformed fretted to fretless so that has to be taken into account when pricing. But I'm open to offers currently as I'm trying to sell this quite quickly, sensible offers only please. Not really interested in swap offers. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]This Warwick Thumb is based in Reading, Berkshire. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Regards,[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]James.[/font][/color]
  14. [quote name='TomRandles97' timestamp='1463918452' post='3054914'] Prog does seem to be making a come back, to a certain degree, though I couldn't pinpoint areas in the UK where there is a 'prog scene'. Like people have said, it's mainly progressive metal/djent which is a big step away from traditional prog, but then again that is what makes it progressive. Though saying that Steve Wilson and Opeth have both dabbled with classic camel-esque prog in the past, and newer prog metal bands (particularly BTBAM and Haken) are combining traditional prog elements with more modern stuff which I'm liking a lot. If anywhere, I would say around London would be the best place to set up a progressive band, most bands of the genre I can think of are from/based in London, such as Tesseract, Sikth and Haken. [/quote] Yer, Tesseract are from Reading, Sikth from Watford and Haken from London. So yeah you'd be right in saying that the South East is probably the most prominent area.
  15. The thing about Prog is that it filters into a variety of genres and the more modern prog stuff which I have been involved with before. Like Jazz, it does take a long time to get something so tight to perform live. Having just moved on from a prog project which I had been with for 4 years with nothing to show for it, suggests that the commitment to something like that is completely different to playing just normal rock.
  16. [quote name='Wolverinebass' timestamp='1463343920' post='3050674'] I find this really depressing. You would think in London that there would be people who could play progressive metal? To date, I've met one. He was one of the most phenomenal guitarists I've ever played with and a truly lovely man as well. The down side was that he lived across the other side of London from me and when we tried to do file sharing it didn't work very well as we weren't in the same room for the interaction. The definition of the genre was one of the main reasons for the fizzling out of one of my last bands. The guitarist's idea of "progressive" material was Rush, Kings X or Alter Bridge. Don't get me wrong, I love Rush and Kings X, but to me stuff that's for the most part in 4/4 just isn't progressive at all. I was writing songs which weren't in 4/4 and he couldn't be bothered with the effort and I found more conventional material boring. No falling out, but certainly musical differences. "Prog" in itself to me suggests people in capes playing garish keyboard solos in the 70's which I don't care for at all. Ironically, it's modern equivalent of that style a la Porcupine Tree is something I love. For me, trying to find a band that either sounds like Tesseract or Tool is just impossible even in London. I find that statement so profoundly depressing as I realise how it limits my options for doing anything except recording my own material. [/quote] It's bizarre that there isn't a scene for it in London. I'm originally from Reading where all the guys from Tesseract all worked in a guitar shop called Guitar Works. Even those two, Tool and Tesseract are kind of flirting with prog metal in a sense. There is not many bands like Steven Wilson/Porcupine Tree and Haken coming up these days. Perhaps there isn't market for this kind of thing even in the capital. [quote name='GarethFlatlands' timestamp='1463316296' post='3050381'] I don't really follow the old school prog bands any more but there's some decent music with prog influences happening in Sheffield. Not sure if that's what you're after but you might find something to enjoy out of these. Gilmore Trail - instrumental post rock with a traditional 4 piece band setup. Currently in need of a drummer. [url="https://gilmoretrail.bandcamp.com/album/the-floating-world"]https://gilmoretrail...-floating-world[/url] Fly On Byrd Fly On - More instrumental post rock influences but with synths and samples. [url="https://soundcloud.com/flyonbyrdflyon"]https://soundcloud.com/flyonbyrdflyon[/url] Awooga - Contemporary, heavy take on prog. [url="https://awooga.bandcamp.com/"]https://awooga.bandcamp.com/[/url] inFictions - More contemporary again but mellower than Awooga. I played bass/synths/glockenspeil/vibraphone/mandolin on this (not at the same time). [url="https://infictions.bandcamp.com/album/maps-of-revenge-and-forgiveness"]https://infictions.b...and-forgiveness[/url] [/quote] This first band is great, thanks for linking me these. Would they be described as prog or math or post-rock? Whatever each genre means.
  17. [quote name='Wooks79' timestamp='1463250316' post='3049993'] I tend to see most stuff on Facebook groups really, things like one called 'The Math Rock/Instrumental/Post Rock exchange' or on pages and websites for relevant festivals such as ArcTangent Festival. I don't know where exactly Yorkshire you are, but check out a band called Order of Voices, they touch on the Tool-esque. They are from Barnsley/Sheffield type way. Played some gigs with them and have stayed in touch. Top blokes. Where are you based? EDIT: ArcTangent mentioned whilst I was typing my response - Great minds eh [/quote] Order of Voices, I'll check them out. Yes, I'm situated in Sheffield currently. There is a few math bands knocking around which is cool, sounding like Foals etc. I'll join some of these groups, see if anything comes to fruition.
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