tegs07

walk the dinosaur- was(not was)

Some could argue that old dudes in Mali many generations ago sowed the seeds of rock music. It gestated in the USA under the guise of the blues, was combined with some European folk and C&W and was later re-invented in the UK in the mid to late 1960s before morphing further into different branches. It’s all just progression.

alright now - free

she’s not there - the zombies

Its been mentioned already but Gallops slot in The Cure. One of a small number of bands with a multi decade career, have played some huge gigs and festivals, have never been pawns of record labels or fickle fans and in their 60’s are still doing what they love doing.

It has just grown into a far larger, far more organised event that appeals to a very large demographic. So far I have watched Idles, Khruangbin, Roisin Murphy, Bonobo, St.Vincent,Big Thief, Billie Eillish and a bit of Leon Bridges.. something for everyone there. Its never going to be the same as the old days. I can remember wandering down to the local HMV about a week after the tickets were released, no one queuing and paid in cash. It’s just a very different festival. Still great that people are enjoying it and being exposed to music they may never otherwise listen to.

dust my broom - elmore james

Yep. I had a Stingray body made for me a while back and wanted it to be light. Basswood was out as I wanted a grain. I found a youtube video of someone trying to use the slurry method on Paulownia and he was having a total ‘mare. It is a very porous wood. I went for Ash in the end.

there’s a ghost in my house - the fall

Early JAMC gigs were chaotic and pretty decent. I last saw them at Brixton Academy and they seemed a bit bored an weary of the whole thing by then. I saw some of the Glastonbury set and they seemed underwhelming and dull. Other than Psychocandy which is still great the BRMC are probably the band the JAMC should have morphed into.

fire and rain - james taylor

never understand - the jesus and mary chain

Yep that’s what I was thinking of when I asked. I liked most of St Vincent set as well.

Fair enough. Visually I thought she was more of a cross between Robert Smith and a Manga comic character. Bearing in mind she is not a dancer and has to occupy a huge stage I thought it a clever bit of theatre but we all have different opinions.

Just to confirm you are taking about Billie Eillish? I must have been watching someone else. Saw the first half of her set and although not my bag thought she was remarkable. Is that her brother with her alongside the drummer? If so hugely talented holding it all together and playing some pretty neat licks at the same time.

pulse - the psychedelic furs

sweet baby james - james taylor

Im not sure I really agree. There are a number of serious collectors who are really discerning in what they buy and spend serious money. There is also a lot of of amateur enthusiasts that like the mojo and aesthetic of older instruments but can’t afford the top end stuff. As these things become more scarce but still attract buyers then they will increase in value. Not sure if it’s indicative of a society in decline. Nostalgia is just another quirk of the human condition.

Gold - Martin Harley

Finally watched Khruangbin and now St Vincent. Some nice funky bass going on there.

To be fair i get his drift. As a 50 plus Dad I should be outraged at the long haired hooligans and their decadent ways like all previous Dads since the days of Mozart. I feel cheated.

This. Plus take a look back through the archives the line up was never that great. Some real gems - the rest a bit meh. From my memories of festival days Reading generally had a better lineup but Glastonbury was still always the better festival in terms of having a great time.

I would think a plenty of these instruments won’t even get played. Just like old wines rarely get drunk. They have become another way of protecting cash value against inflation.