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tegs07

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tegs07 last won the day on September 4

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  1. Agree on both counts. Both bands clearly have something but whatever it is it’s lost on me
  2. Back in the day he was just an intellectual snob. He then moved up to being a bitter man about how the record label never did enough for him, then screwed over his band mates involving court battles, then released some truly dire records that didn’t sell for which he blamed the UK public, then got all BNP and a bit racist, then moved to the USA where he made an astronomical amount of money. I gave up on him when he was still bitter and twisted despite being wealthy beyond most peoples expectations and living in Clark Gables old house! Most of this information was gathered from his nicely written, but thoroughly irritating autobiography which should have been called: ’the world gave me the moon on a stick but it wasn’t bright enough’
  3. Anyone that gets up, gives something a try and puts themselves out there deserves respect, no matter what field they are in. That said Coldplay are still rubbish.
  4. I have heard really positive things about this: https://buskersbern.ch/en
  5. A lot of bass for the money. GLWTS.
  6. Personally I really like Birchwood-Casey Tru-Oil. Old pictures of bass before final buff and set up:
  7. It’s not necessarily an age thing. Some middle aged, middle class professionals will go regularly to gigs at random. I would not rely on them randomly stumbling across my band though if I was trying to make a living from music.
  8. Or weekends. Most of the time I have commitments and strangely enough getting in at gone midnight doesn’t gel well with getting in to work and doing a decent job. Your rant is not for me. If you don’t want to prostitute your self on the socials or want people to use streaming platforms that is up to you but as you said “no effer want to get off their fat one” So I guess it’s everyone else who is at fault for not knowing about you? I will continue going to see relatively unknown artists who I discovered in the digital space. I hope that I contribute in some small way to them making a living. As I have already said most of these bands have an audience no larger than The Fall in their early days and from what I gather previous members hardly made a fortune from record sales even in the good old days.
  9. I am in my mid 50s. The days of frequenting random gigs mid week are 30 years behind me. The generation that you need for that are teenagers to mid twenties and like it or not they get their information from the digital space.
  10. I do. I just tend not to blindly pay £25+ for tickets, £7+ plus a pint and £15 plus on transport on a whim. Like most people.
  11. This is getting very circular. How do I find these musicians? Talk to my middle aged IT mates? Ask my kids? How do they find the bands? Streaming and social media, they don’t read the NME or listen avidly to John Peel (largely because he is dead), they don’t join bands by taking the little serated number from the add in the local corner shop. Like it or not the world has changed and it’s digital. I don’t do social media as I genuinely have concerns about the political and social ambitions of the big tech companies so streaming is the least worst option.
  12. Do you think that you are missing the point? No is the answer. Do I think people are going to start buying records and CDs again and restricting their social lives to pubs and working man’s clubs? No So we can’t re write history. We can utilise technology. Even in the glory days I have read enough autobiography from people in smaller bands like The Fall, Spacemen 3 etc to know that they earned very very little from sales of recorded music.
  13. The key phrase is by recorded music. Musicians made money by selling records and CDs for probably about 40/50 years in several centuries. Musicians made money before the gramophone. They make money in the digital age. The important part of the debate is how. Not moaning about the change. Embracing the technology that is available to make a living. I would say that even in the glory days getting well known relied on getting a record deal, getting a promoter etc and unless bands were hugely successful they saw very little money. In many ways smaller bands are better off without the good old days.
  14. Not like the good old days! Things have changed though. The music industry has changed. People’s priorities have changed. How people spend money has changed. Their aspirations have changed. Taking advantage of these changes is far more constructive than moaning about the good old days. The propensity of the UK moaner is something to behold. No matter how much resistance we have the next generation will see things differently, they will use technology differently and they will spend their money and time differently. Musicians made money from recorded music for a very brief period in the big picture. Probably a couple of decades in hundreds of years. That era is over.
  15. I remember even in the late 80s early 90s pubs being rammed to capacity when the most established local bands were playing so can well believe it. It’s not something I witness now but I have limited exposure. It may well still be a ‘thing’?
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