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simondee

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Everything posted by simondee

  1. simondee
    Hey guys, I'm selling this for a friend of mine. We never had the patience to learn Logic properly Here's some blurb: M-Audio ProjectMix [quote]Today, more professional music is produced at home than ever before—and the new ProjectMix I/O delivers what you need to take your computer-based studio and productions to the next level. Seamless integration with all major DAW software. The ability to record directly into industry-standard Pro Tools sessions. Faders so you can feel the mix with your fingertips instead of dragging a mouse. On-board display of critical parameters for intuitive operation. Motorized control to craft more accurate mixes. And professional multi-channel I/O including mic/instrument preamps, Lightpipe and S/PDIF. ProjectMix I/O is the universal solution that combines the best of the hardware and software worlds for a new standard in streamlined production. Compatible with Pro Tools M-Powered 7^, Ableton Live 5^, Logic*, Cubase*, Digital Performer*^ and SONAR*^. Features: Record audio directly into Pro Tools M-Powered (not included) -- industry-standard format Use with Pro Tools M-Powered, Live, Logic, Cubase, Digital Performer and SONAR -- total compatibility 10-bit touch-sensitive motorized faders -- totally intuitive mixing and editing Built-in 18 x 14 FireWire audio interface -- no additional hardware required 8 phantom-powered mic/line preamps -- pro input right on board Assignable rotary encoders -- control mixes, effects and synths LCD display -- full track and parameter readout Dedicated transport controls and jog/scrub wheel -- seamless session flow ADAT Lightpipe, S/PDIF and word clock I/O -- total digital connectivity Complete Production Experience Easy to Use M-Audio's design team gave a great deal of consideration as to what features would provide the most value in an affordable package. They knew that cutting-edge features like high-resolution 10-bit touch-sensitive moving faders, large LCD display and mic/line switches on all channels were important. They also found that much of the expense of other units on the market owed to a dizzying number of controls that many users find daunting. Our engineers opted for a streamlined design that places some functions under the control of the keyboard and mouse, where they are best suited. The result is a controller that doesn't have much of a learning curve, is much more intuitive to use and comes in at an unbeatable price. Check out ProjectMix I/O for yourself at your local M-Audio dealer. We think you'll agree. 10-bit Touch-Sensitive Moving Faders The motorized touch-sensitive faders on each of ProjectMix I/O's 8 channel strips and master strip record and playback your changes, making for seamless mix automation. And touch sensitivity means that when you touch a fader in motion, it immediately disengages for manual control and re-engages automation when you release. This provides for both smoother operation and the elimination of motor burnout prevalent in older technologies. ProjectMix's faders also feature higher resolution than other control surfaces in its price range. Channel Strip ProjectMix I/O's 8 channel strips can map to as many channels as your project by simply pressing the bank +/- and channel +/- controls. Each channel strip features all of the functions you'd expect to help you zip through sessions, including buttons for mic/line, record enable, mute, solo, and select. In addition to a touch-sensitive motorized fader, each strip has an endless rotary encoder knob whose function is assigned by one of 15 dedicated buttons for EQ, aux send and more. Related information is displayed in the LCD window directly above each encoder. The encoders and LCD double to control assigned plug-in parameters as well.[/quote] It's literally been used TWICE so is in super mint condition. North London location, offers in the region of £700 due to its mintiness, but offers definitely considered. comes with carry bag. PM me for more. [attachment=16115:photo_1.jpg] [attachment=16116:photo.jpg]
  2. simondee
    yep it is or I'd probably be keeping it!
  3. simondee
    ... and again! trades people! watcha got? I'm on tour at the end of next week and I want NEW TOYS!
  4. simondee
    sunday bump. really keen on trades now since I'm rapidly falling out of love with my SWR 750x....
  5. simondee
    [quote name='bassoctopus' post='321845' date='Nov 4 2008, 02:56 PM']Which WT was it and what was it running into, if you don't mind me asking.[/quote] It was the WT-400 Traveler going into a 4ohm Eden XLT 4x10. I discovered afterwards it was the limiter circuit kicking in and shutting down the amp cos it was overheating. totally embarrassing at the time cos we were only two songs into the set.
  6. simondee
    Dude I grew up in Berkhamsted and now live near Wendover. Used to buy gear in London, and now I buy gear on here! woo!
  7. simondee
    I had a WT Traveler a few years back. It clipped too much and died on me at a gig once. But the tone was silky smooth, I have to say.
  8. simondee
    November bump! Still on the lookout for FX folks... Will also entertain offers...
  9. simondee
    Saturday bump!
  10. simondee
    whoa we have practically the same gear *high-five* can't justify at the moment but good luck with it! awesome pair.
  11. simondee
    Price drop! [size=6]£400![/size]
  12. simondee
    Monday Bump! Will consider sensible offers on this now. Damn you credit crunch! *shakes fist*
  13. simondee
    Ordered! Thanks guys
  14. simondee
    weekend bumpage!
  15. simondee
    oooh I've got one of these. I really hate the jack lead it comes with - does anyone know where I can get a right-angle one instead?
  16. simondee
    102HF has gone today, thanks Gary! 104HF needs a nice new home.
  17. simondee
    Monday bump!
  18. simondee
    102HF sold pending payment. 104HF needs a good home!
  19. simondee
    Bump! 6 cones of flexible yellow goodness all still available
  20. simondee
    Hey guys, So my large venue days are looking like they're over with the demise of one of my bands. I'm currently using an EBS 2x12 which is enough for the moment. So I've got one MarkBass cab left, currently sitting near Kings Cross, up for sale. [i](warwicks/rack/marshall etc. not included )[/i] I've done about four gigs with them, and purchased both from fellow 'chatters over the summer, so you can buy with confidence I'm looking for [b]£375[/b] for the 104HF. I'm open for trades for: - EBS Microbass II or Sansamp drivers - good overdrive pedals - amps! P to the M!
  21. simondee
    yes totally. However I really hate the way that drummers can forget the ENTIRE setlist after a break, often within hours!
  22. simondee
    [quote name='escholl' post='269082' date='Aug 24 2008, 08:20 PM']that's a really nice head there, but where's the cab?[/quote] SWR blue series is amazing, but my drummer would have that lot for breakfast
  23. simondee
    Hey guys, I've been thinking about this alot recently so thought I'd put it out there. When I started learning bass I was really thrown in at the deep end by playing jazz, learning to read, learning fingerstyle before pick - basically all the things that are considered 'good' to do when starting out. I ended up a pretty quick reader and got pretty good at improvising from chord charts and locking in with drummers. Thing is, this was ten years ago when I was still at school. I got to play with some great big bands with some very talented musicians, and I really had a sense after every good gig and long rehearsal, that I was genuinely getting [i]better[/i] as a bassist. It wasn't just the technicalities either, like 3 or 4 finger style, layering harmonics in and generally getting [i]faster[/i], it was more rounded and satisfying than that. I felt solid and confident and could do things month on month that I couldn't do previously. I also got more respect from much older and much more experienced musicans that I was playing with. It was good times. Which leads me on to the following: At the moment I play in two bands, and technically, neither of them push me whatsoever. One is a poppy rock band, one is a metal band and they're both lots of fun. Thing is I worry that the basslines that I come up with now aren't as [i]good[/i] as they were when I was younger. The musicians I play with now don't have a shred of the talent of those I've played with in the past and I'm really starting to worry that as a consequence I'm stagnating as a player. So my question to you guys is: how do you stay sharp and how do you keep on improving? What can I do to keep getting better as a bassist and a musician in general?
  24. simondee
    Encore P-bass. In cream. With a white scratchplate. fail.
  25. simondee
    meeee from last night's gig at the Peel in Kingston:
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