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Bolo

⭐Supporting Member⭐
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Posts posted by Bolo

  1. 11 hours ago, RAY AGAINST THE MACHINE said:

    I was thinking of logos today, when I saw this . 
    I honestly can't make out the names of some of these bands . I saw a flyer in the London Astoria going back a few years promoting a death metal gig . Death may well have been on the bill, but really the standard is poor . I'm sure your logo will be much better ..

    IMG_0510.webp

     

    Lorna Shore is the only illegible logo there, and that's mainly because it's a nonsensical name.

    Anyone interested in going to that festival will be familiar with that kind of typography and have little trouble deciphering who's who.

     

    Much more difficult to read are these logos:

     

     

    image.thumb.png.91441fd308540c205054d8847f437de0.png

     

    image.png.23de8016ec4a3e49ddc3058546b21536.png

     

    image.thumb.png.317489779f2acdc68188c9e654df370a.png

    • Haha 4
  2. 13 minutes ago, snorkie635 said:

    In my world, it's always my deranged son. Can't leave my bass 'out' if there's a chance he'll appear and start playing some American-punk racket. Usually manages to break something. 🤬

    I like him already!

     

     

    About the chip: great how you immediately take yourself out of the equation and expect differently from everyone else. Perhaps the manufacturer produced a subpar product with a flaw beneath the clearcoat?

    • Like 1
    • Thanks 1
    • Haha 1
  3. 21 hours ago, OliverBlackman said:

    As an Alfa owner I don’t see this comparison. The Alfa is like a Warwick Thumb bass, beautiful, full of soul but some minor design faults that make it impractical. Stingrays are more like a BMW; good reputation, reliable, easy to use, does the job, but lacks the performance of alternatives. 

    In my experience there's absolutely no lack of performance in Stingrays. Wouldn't be found dead in a BMW though.

  4. 19 minutes ago, Bigwan said:

    . If it weren't for the stamped numbers on the headstock I would have said it's a homebrew effort.

    Even those numbers are hand punched, looking at the spacing. 

    Could be 1st of March 2004 instead of a serial but I suspect only the builder will know.

  5. The datasheet for the 8010 shows a roll off below ~130Hz with a minor peak at 80Hz, below which it drops off swiftly:

     

    image.png.a35c900b59087bcfc90c1513af6b14e8.png

     

    If you want to be able to judge the low end accurately I'd suggest a subwoofer with a crossover preferably around 120Hz but certainly above 76Hz.

     

    The 8010a give no sub information whatsoever, so there's no telling if the track has a low frequency hum, whoomp or no sub at all. These monitors simply can't relay that sort of information.

    So either very good headphones or a subwoofer seems critical for reliable mixes.

    • Like 3
  6. Regarding tinnitus: keep the volume sensible and take regular breaks. Fatigue is the enemy here.

     

    Why would you pick the genelec sub over something tried and tested like a second hand REL? Could be about half the outlay. 

     

    Small speakers like that do need a sub if you want to get the low end right.

    • Like 1
  7. They will absolutely do a check and setup before shipping when asked. If you treat them like a box shifting webshop, add to basket, pay, wait: that's what you get. 

    When you contact them before purchase and tell them what you want and how, they will almost always find a way to arrange it.

     

    Sorry to be on the defence here, I've not always been 100% happy but same applies to Bax, Anderson's and a few others.

     

    There needs to be less hearsay and conclusions from n=1

  8. Do you have any source at all for those numbers because they don't make much sense to me. Thomann is located in the south of Germany and supplies the majority of mainland Europe, mostly without the hassle of ferry/airfare and taxes.

    5 minutes ago, Aidan63 said:

    bet preBrexit the UK was 30%-40% of Thomann's sales and I bet it is now like 10%-15%

     

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