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Chienmortbb

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Everything posted by Chienmortbb

  1. Chienmortbb
    I am listening to that now and will comment later.
  2. Chienmortbb
    Encore was the own brand name of basses and guitars from JHS. Formerly known as John Hornby Skewes, they are based in Leeds. I know Trev Wilkinson had some design input at some point, but maybe a bit later? https://www.jhs.co.uk/search?type=product&options[prefix]=last&q=Encore
  3. Chienmortbb
    REW may be the way to go. I use software allied to the Picotech range of PC oscilloscopes. This is versatile but expensive for just viewing the frequency responses of amplifiers.
  4. Chienmortbb
    Using ready-made 3.5mm cables and cutting them in half is the easiest way, but I am always wary of moulded plugs. They can hide a multitude of sins, even on the big brands. Also braided cables bring their own problems. I agree that the Rean plugs are some of the best, especially with the Neutrik brand behind them.
  5. Chienmortbb
    Thank you Sir.
  6. Chienmortbb
    I will do that next time I visit @stevie. It won't be soon as I have Covid 😁
  7. Chienmortbb
    There was a lot of different things in the quiet room so interest was spread around.
  8. Chienmortbb
    Number 28 chienmortbb
  9. Chienmortbb
    The RM500 was measured with the EQ off.
  10. Chienmortbb
    Having revied the graphs, I think the readings we took on Sunday are valid.
  11. Chienmortbb
    This is the Bugera Veyron 1001M measured at speaker output: THis is the response of the preamp only
  12. Chienmortbb
    This is the Ashdown RM500: Thjis is the Ashdown MiBass 550 The Ashdown RetroGlide 800 The AShdown Mibass 2.0, this was measured from input to line out, so preamp only:
  13. Chienmortbb
    This is the Warwick Gnome with all controls at 12 o'clock And with the controls set to achieve a flatish response. Ignore the red line, this is the response with the controls set in the pictutre above.
  14. Chienmortbb
    Please ignore the dB scale. I am still getting to grips with the software. Trace Elliot Elf
  15. Chienmortbb
    It was not in the PA, but I was thinking of using IEMs myself at that gig which would entail taking everything through the PA. That can be done. We usually use the singer's Behringer powered mixer, but I have a Soundcraft UI16 with up to 6 AUX buses. As there are 5 of us, we can have a mix each and one for luck.
  16. Chienmortbb
    This is a DI pedal for Acoustic Guitar works extremely well for bass. I bought it directly from Ashdown and they described it as an Acoustic/Bass Pre-Amp. It seems to work well for both, and would probably work well with Double Bass. The Ashdown Acoustic Preamp Pedal has a very simple but effective layout utilizing many of the features of the classic Ashdown Acoustic preamp. It includes a notch filter, high and low EQ rotary controls as well as the Ashdown pre-shape feature. There is also a very useful balanced DI out on the back of the pedal allowing the user to run their signal straight into the PA for ease of use and will keep any sound guy happy, no need for a DI box. Powered by either a 9V battery or a usual 9V pedal power supply. Will Post for £5
  17. Chienmortbb
    This Zoom B1ON has served me well but I now have the Zoom B1 Four. it includes a basic drium machine lid a looper as well as a lot of effects. Zoom say: ”With the Zoom B1on, your bass will never have to take a back seat. 100 powerful bass effects and amp models—5 can be used simultaneously, chained together in any order—allow you to deliver the kind of solid foundation your music deserves. You can even construct CD-quality bass loops, perfectly synchronized to the onboard rhythm machine, and there's a built-in tuner too.” You can download the User Manual and effect list from https://zoomcorp.com/en/gb/multi-effects/bass-effects/b1on/b1on-support/ Can be powered by 4AA BATTERIES or the usual 9V pedal power supply centre -ve. Can post for £5 more.
  18. Chienmortbb
    This was my first thought.
  19. Chienmortbb
    I once accidentally followed a series wiring diagram for my DiMarzio P/J set (both humbuckers). The sound was so thin it was unusable for bass.
  20. Chienmortbb
    A thought occurred to me that there is terra firma at the side of the stage, so I might put my LFSys cab there and use a smaller amp/IEM for on-stage monitoring,
  21. Chienmortbb
    Has anyone a solution to boomy stages. I have thought of using some 50 mm foam, but will that solve it? I have another gig there on NYE.
  22. Chienmortbb
  23. Chienmortbb
    It's crazy that this cab would not have been made that shape if it were not designed to go with my Combo.
  24. Chienmortbb
    It uses the Fane 8-225, A speaker I wanted to try and then one came up on here. I must say it worked out better than I thought. My need was for a matching can to the After Eight, although the cube shape is not ideal. I suspect @Phil Starrmay finesse the shape if he does an easy build.
  25. Chienmortbb
    To be fair, the development since the BC112 MK3 was all down to @stevie.
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