Linus27

[quote name='dave_bass5' post='319566' date='Nov 1 2008, 12:22 PM']Ive got a first gen Wine red HW-1. The neck is fantastic. In fact ive had this neck on two differnt basses. I got a HW-one P last year and that to was nice but i didnt get on too well with the neck so the Jazz neck went on while i had it. When i went to get it (my first Jazz) it played the best in the shop, including the USA ones they had. And of course it was the cheapest. I never use it these days as i fell out with the jazz tone but i kept it as im sure ill need a Jazz at some point. I would offer to sell it but to be honest it looks a bit of a state due to the finish falling off. Its been very well looked after but it looks about 30 years old. Quality wise im not too sure whats the best but i really like the finish on the HW-one so that would get my vote.[/quote] Do you have any piccies you could post or send me. I have read lots about the paint flaking off and I would love to see to what extent it does and how it looks.

[quote name='bassbloke' post='319540' date='Nov 1 2008, 11:29 AM']Quality wise - probably not a patch on your ESP 400 [/quote] HAHA good one. My ESP is in need of a little attention or the neck is so she has been put to sleep for a while. I want a bass that can be my workhorse and I can use and abuse

Looks like I am having no luck getting a Teal Musicman for my budget, plus my budget has shrunk a little so I am looking at maybe getting a Fender Jazz bass for now. I am looking at the following, Fender Jazz Highway One in wine red £489 Fender Standard Jazz in wine red £350 Squire Vintage Modified Jazz £225 The Highway one might be a little bit over my budget but I may get a second hand one if I can find one in wine red. Just wondering what peoples opinions are of these basses and how they compare to each other in quality and sound. Thanks for any advice.

Listening Start Your Journey right now and man that sounds superb. What an amazing groove and a bass sound to die for. What bass you playing? A tad too loud in the mix and the guitars too quite but still great. Just listened to Or Maybe Later and what a superb tune. Love the band name also.

Nice sound and a very full bass sound. Sounds a bit like Reef/Maroon 5. Elementary has a nice chord structure especially the chorus. My only criticism, which may not be valid is unless the singer is American then he should stop singing with an American accent. Apart from that, all good stuff.

I had some superb basses. A Musicman 3 EQ, a 1976 Fender Precision, a 1973 Fender Telecaster bass and an ESP 400 Jazz bass. Ended up selling all but the ESP as my band had ended, we had no record deal, I was fed up with the music industry and I needed money. Biggest regret is selling my Musicman as it was the nicest bass to play. Did not sound the best, that was the Fender Precision which I recorded most the album with but the Musicman had something special and I miss it like crazy. Now move on 7 years and I now have an amazing Squire Vintage Modified Fretless Jazz which plays as nice as my Musicman did and sounds superb. I also have a Stagg EUB which is wonderful. Plus I have my ESP still which is a wonderful bass. However, not a day passes where I wish I had my Musicman and I can't shake that monkey off my back. So I have decided that I am going to buy one. Its bugging me to much and I need to get rid of this guilt. Its just a case of deciding to get a Trans Teal like I used to own or go for a newer colour.

We have done some great gigs with some total arseholes. Jocasta were one band who were total tossers. Turned up late, did not speak to us, took the piss with soundcheck and stage space. However, as it was our local venue, we had all our fans with us and knew the sound guy. We had a full venue for us and Jocaasta had an empty venue hehehehe. Miserable gits before the gig and miserable gits after the gig. On the other hand, we met some great bands/musicians on our travels. Twister, Keeler, Samurai 7 to name a few. In fact most if not all big name artists were friendly. It seemed more of the up and coming bands who seemed to develop an arsehole attitude. We were no angels though and did steal Sidi Bou Said beer rider at the Allycat in Reading :) I'm sure somebody somewhere is saying we were arseholes.

WOW, scary stuff but very pleased you are ok. I have played bass for around 20 years, 10 of those years giging and I have never owned an RCD. Very scary thinking about some of the dodgy venues I have played in. I think its now time to buy one. I never liked doing backing vocals so this could be a good excuse to not do them

[quote name='joe_bass' post='316269' date='Oct 27 2008, 10:57 PM']Should bump it up a bit yeah. Why you ask? Got your eye on one?[/quote] I am looking for one to buy and looking at all my options. How much would a year old Trans Teal 3 eq be worth?

Would these prices be correct if the Black Cherry Burst or Pacific Blue Burt had matching coloured heads or would this bump the price up a little more?

How much would a mint condition 2004/5 4 string 3eq Musicman be worth secondhand? Colour is probably Pacific Blue Burst, Black Cherry Burst or one of the translucent Teal or Red colours?? Thanks

My GAS is killing me at the moment. It's a simple GAS aswell. All I want is a Musicman Stingray in either Black Cherryburst or Pacific Blueburst with maple neck. Failing that, Teal with maple neck would do. I would sooner have 2EQ but would settle for 3EQ. Second hand they go from £600 to £800. Not a lot of money but money I just don't have at the moment. One day maybe.

Hey, there is a Stagg EUB for sale in the For Sale section. Grab it before it goes and it will sell very quickly. [url="http://basschat.co.uk/index.php?showtopic=21139"]http://basschat.co.uk/index.php?showtopic=21139[/url]

[quote name='endorka' post='214530' date='Jun 7 2008, 06:27 PM']I have a suspicion that those who make this claim are playing the NS Wav in "pizz" mode, which is designed to sound like a big fretless bass. With the pickup switch in "arco" mode it sounds more like a real DB, even when plucked. I have some examples here; [url="http://www.jenniferclarkbass.com/audio/Leana_Medley.mp3"]http://www.jenniferclarkbass.com/audio/Leana_Medley.mp3[/url] [url="http://www.jenniferclarkbass.com/audio/BassSolo.mp3"]http://www.jenniferclarkbass.com/audio/BassSolo.mp3[/url] Those recordings were straight DI'd from the instrument. I've had the better results through Trace Elliot amps and speakers, where in certain situations you'd be hard pushed to tell the difference between the WAV and an amplified real DB. I've played both the NS and the Stagg, and in my opinion the NS is the better instrument in most respects by a significant margin; however, for the price, the Stagg is exceptional value. Jennifer[/quote] Hi Jennifer, hope you didn't think I was saying the Stagg is better than the NS Wav?? I was just saying that as an entry model to try the world of EUB, the Stagg is ideal as its so much cheaper than the Stagg. However, not sure I would agree on the sound. After reading through the massive thread over at Talk Bass and hearing in person some NS Wav's, there does seem to be a general feeling that the stock NS Wav sounds similar to a fretless. However, changing the strings I beleive can improve on this. As a point, when I can afford it, I will probably move up to an NS Wav from my Stagg.

Well I tried an Alesis SR16 at Andertons and I was a little disapointed. The guy in Andertons was as useless as possible because I was not interested in spending £250 on the latest model of drum machine. So he was not interested in showing me the Alesis SR16 but he did show me how to scoll through the drum patterns and then just walked away So I had a play but I just found the machine to limited. It only had about 4 jazz beats and lots of rock beats. I guess I could programme some but at this stage I wanted to avoid this. Thanks for the help so far but I think I am going to keep looking. I may just go with a metronome at the moment as something to play along to.

The West End Centre in Aldershot might be a good place. I have done lots of gigs there and they have lots of rooms or areas. They also have a bar, lots of parking out the back and close to a mainline train station. If I am free I might be able to make it. I could bring my Stagg EUB along.

I can't recommend the Stagg highly enough and I am sure others on here will feel the same. I have wanted to dip my toes in the world of EUB for the last 10 years or so but they have always been to expensive. Then the NS Wav 4 came out and it looked like a realistic option at £700 so I started saving up for a year. However, I heard about this Stagg EUB that came out at £350 and one came up for sale on here for £200 and I grabbed it. For the money, it is an amazing piece of kit. You really can't fault it for that price. It also sounds superb, some say more like a double bass than the NS Wav 4 which has been compared to sounding like like a electric fretless. The action may be a little high but this can be solved by filing away at the nut a little so the strings sit lower down. I had to do this a fair bit to my E and A string and now it is a dream to play. Also, some of the intonation cane be a bit out but once you learn where the correct places to fret are, then it makes no difference. It certainly has not been a problem for me. I also recommend lessons to get you heading in the right direction. I have been playing electric for 20 years and it is a totally different beast. jakesbass on here will sort you with lessons. Drop him a PM. I am sure he will be able to help you out or point you in the right direction. Either, way just do it. One of the best things I have ever done. Get yourself a Stagg EUB, get some lessons so you have something to work towards and your love every minute of it.

Have to say, I totally agree with everything Terry says. I think I am on my 4th or 5th lesson with Jake next week and I have enjoyed every one of them.