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Status Replies posted by borntohang
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My first gig with goth/post punk band The InSect is on Friday at the Dublin Castle in Camden. Onstage about 8pm. https://www.facebook.com/events/248170544468197
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This is a bit of a nuisance:
https://www.nhs.uk/conditions/shoulder-impingement-syndrome/
A couple of gigs are lined up for December as well. I could play BG, but have been asked specifically because I can play DB and I'd guess it's that which has caused the problem.
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I had longstanding issues with it that turned out to be due to my sleep posture - holding my arm under the pillow with my head on it was putting pressure on the nerves. I got physio exercises from a local sports therapist and made a habit of sleeping on two pillows with one behind my back so I was leaning backwards. Might seem an oddly specific cause, but you're asleep for 6-8 hours a day so it's worth checking!
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Elvis fan? Stewblack, if I'm right you're an Elvis Costello fan. In this case can you explain his receipt of an OBE? Not just why he got one but also why he accepted it, as I don't believe his "my mum told me to" story for a nanosecond, mainly because of his unfathomable ego.
I normally like to be positive but this bothers me somewhat.
Cheers
Davo
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He's written quite a bit about it on his blog which is worth a read.
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Outdoor festival gig tomorrow, 27 degrees .... am so looking forward to it
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Hello. Is there any studio/sideman bass player here? I want to ask what producers and engineers want from bass players today. I mean which basses, amps, effects and all king of gear is a must for session/studio player to provide the best demanding sounds and effortless quality in the stage/studio? Really need to change my gear to be most versatile for any scenario as possible. Many thanks!
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@jb90 P bass is always popular, but generally I'd recommend taking a passive or at least an active with passive defeat. You can always add a preamp to a track later but you can't take one off once it's recorded!
Apart from that turn up on time, be polite, don't take any gear you don't know inside and out, and don't get in the way. If they give you dots then stick to them; if they ask you to keep to the vibe then don't overplay; if they ask you to go wild then feel free.
Session bass can be a shaky gig cause so many producers can play enough to get through a pop session holding down root notes by themselves, so you've got to be confident of your ability to bring something more than that to the table.
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Eastwood are good guys. We went up to the open day at Sound City and they've lent us a bunch of kit for the summer, so I've got a Map Bass on the way and our guitarist got an Airline 59 and one of the Rivoltas. Think they put a few of us up on there too. How's the balance on V? I thought about asking for one but I'd look like a tit because it's nearly as big as me...
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