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TRBboy

⭐Supporting Member⭐
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Everything posted by TRBboy

  1. Ah, Wayne! Just realised that you're the guy I text from Gumtree! For everyone else: It's natural with black hardware like mine. Put some pics up, you'll stand more chance of selling it!
  2. I love it when you've got the perfect sound dialled in, the whole band is REALLY feeling the song and rocking out, and you're all TIGHT as fook!
  3. Any chance of posting some pics? Could you tell us what colour it is and where you're based? Cheers.
  4. [quote name='MikanHannille' timestamp='1317755708' post='1394265'] If the venue is somewhere around Worcester and Birmingham, then count me in. (As long as it's on weekends) [/quote] It looks like it's going to be in Birmingham, and probably on a Sunday afternoon as things stand at the moment.
  5. Wow, suddenly it all seems to have come together! When do you think we're looking at?
  6. [quote name='simon1964' timestamp='1317712518' post='1393461'] It depends what you mean by good value! The Seymour Duncan Ceramic is very nice, with a lively MM tone. If its within the budget, the Delano hybrids are fantastic. The active twin coil option gets very close to the classic MM tone, and the coil tap gives you the option of passive single coil Jazz type tone. I've got one in my Shuker IMO they are outstanding pickups. Not cheap though. [/quote] I'm looking for something that doesn't cost the earth but sounds good I suppose. Not sure whether to go for Dual MMs or MM/P on this project at the moment....
  7. Opinions on Alnico vs Ceramic too please!
  8. [quote name='Darkstrike' timestamp='1317683137' post='1393394'] I think the Hipshot bridges are worth it, severely adjustable, very comfy to palm mute off of, and with the quick loading option, which I utterly love.[/quote] Interesting, I've never tried a hipshot! What sort of price are they?
  9. [quote name='Horizontalste' timestamp='1317678875' post='1393346']I'm in. Custard creams or Hob Nobs?[/quote] Awesome! Both.
  10. [quote name='dr Szelma' timestamp='1317677722' post='1393333']you have to apolgize me, I'm from different country. That's the reason sometimes it can be difficult to understand what I mean, but I'm doing my best! In my first language we describe an instrument as a "deaf" if it's rubbish, well, it's very difficult to explain, but you should know what I mean, like saying "jazz bass neck is fast" is very hard to explain but people know what that means. Anyway, depends on West Midlands Bass Bash date I may pop in with my gear We can have a small chat as well We'll (hopefully) come to the UK within first week of November. I don't dis EMG - they're OK, but you have to be aware what are they made for and when you want to use them, I would say 8/10 I'd rather be using passive pickups on Alnico magnets. When EMGs are better than my favourites? For example 1) double thumbing - Victor Wooten style (because of the dimension where they work), 2) playing in places where you have bad electricity - they will be better, 3) another one is adding J EMG pickup to passive P pickup and mixing it - usually I CANNOT STAND mixing them together, my point of view is the only one in a time - but it sounds more less ok mixed passive P with active EMG J. But when they're rubbish? Answer is very easy - every studio situation.[/quote] Well, glad that's all cleared up now......
  11. I'm looking for two good value MM pickups for a potential project, and just wondered if anyone had any suggestions? I've not really had any experience with MM pickups until I bought my Sandberg Basic earlier this year, so any input is appreciated! I don't want anything that sounds crap, but I don't want to spend too much either!
  12. [quote name='wez' timestamp='1317594737' post='1392275']All sounds great guys. Only looked in on this part of the of the forum because i saw the west mids mentioned, but after looking at some of the other bashes i'm interested.[/quote] Cool, another person interested! Where's everyone else gone!? COME ON!!!
  13. Congrats, what a lovely bass! Hope you enjoy it!
  14. @ Dr Szelma: Personally, I disagree that a P bass is at all versatile. The fact is that it sounds familiar and therefore pleasing. Most of us have probably heard p basses on about 90% of the records we've ever listened to! They sound great and sit well in a band mix, but offer very little flexibility really. We're all here to voice our opinions and share our experiences, but I think that you need to voice your opinions without trying to force everyone to believe that your opinion is the only correct one. I think that some people are finding your approach quite abrasive. Just one more thing, you keep talking about "deaf" basses; as far as I'm aware, basses are unable to hear anyway! Do you mean duff?
  15. [quote name='mentalextra' timestamp='1317671644' post='1393185']Could one of you great bass gods explain to a lowly member why, on this bass, and the "Pino Paladino signature precision", "Jaco Pastorious tribute" and "Reggie Hamilton signature" that Fender have chosen to select premium wood, upgraded electronics and pickups yet chosen to leave the bridge standard. Isnt this the one component that everyone changes. I cant believe that Pino's "exacting standards" never stretched to an upgraded bridge. Ok now beat me up! [/quote] I expect a Badass would take it over the £3k mark, and they want to keep it at a sensible price point I've tried quite a few different upgrade bridges and never noticed that much difference, especially for the price some of them are. In fact, one of the bridges I found most satisfying was a Wilkinson BBOT with brass saddles which cost £15! Whilst I can see what the advantages of fancy upgrade bridges should be, IMHO the benefits are not usually that noticeable, and these bridges are hugely overrated.
  16. [quote name='Bigwan' timestamp='1317644117' post='1392587']I'd add a Sandberg Ken Taylor to the list if I were you... just to confuse things further![/quote] +1000000! If we're looking outside of the three basses mentioned in the title, I would without a shadow of a doubt go for a Sandberg (personally). If I was in the market for a new 5, I would definitely go for a Sandberg! I did notice the other day that there was a black KT 5 in the FS forum for less than £600.......
  17. [quote name='AttitudeCastle' timestamp='1317462551' post='1390891']They all handle and sound different, it's a matter of getting them in your hands! My vote is the TRB BUT thats me, and i've played all three and i don't rate the Spector sound and the MM is great but don't like the neck and the sound was exactly what i wanted! Just go travel to play them [/quote] +1 pretty much! I had quite a tight budget and I just don't think you can beat the TRB for VFM. A TRB1004 was my main bass for many years so I knew what I was getting. I hadn't owned a 5 string for years, but it became apparent to me when I started trying different basses that I needed a 35" scale. The B just felt flappy and not responsive enough for me on all the 34" basses I tried. The TRB just ticked all the boxes for me; feel, sound and price. I've found it useful in almost every style from metal to disco. The only other bass I really liked was the lakland skyline 55-01 but the TRB edged it for me.
  18. Maple/Olympic White for me!
  19. I think that all sounds great guys, but I agree with Machines that perhaps we should look a bit further north, especially if we're potentially going to merge with the Nottingham guys (although I've not heard anything back yet). I'm just itching to have a bash! And hopefully try one of your basses Dave.....
  20. Is it still available?
  21. [quote name='Macko1968' timestamp='1317395973' post='1390363'] I like the neck, TRBboy. It's 1.6 inches at the nut, medium depth with a D profile & a modern, flat radius. It fills the hand nicely without being too clubby. As for reviews there's a short one from an owner on TB, other than that though it seems to be Harmony Central (where every piece of equipment ever made is 10/10) [url="http://www.talkbass.com/reviews/showproduct.php/product/1611/title/cort-rb4-a-k-a26quot-3belrick-26quot-3b-4-string/cat/13"]http://www.talkbass....4-string/cat/13[/url] [/quote] Thanks for that mate. I would love it, but my sensible side tells me it won't be as good as my Sandbergs and I'll end up selling it quite soon! It does look lovely though, and it'll be an absolute bargain for someone!
  22. Nice bass! Wish I lived near enough to come and try it! What's the neck like? Do you know of any decent reviews on the 'net you can point me towards?
  23. I know a few people on BC have done Warmoth basses, but I just wondered if anyone could tell me a bit more about doing it? It seems to me that it could work out pretty expensive! Is it good quality stuff? Is it a nightmare and expensive getting the stuff shipped over? I'd be grateful for any opinions and experiences people can share.
  24. [quote name='Darkstrike' timestamp='1317249451' post='1388781'] Aren't they Mayones's budget line? [/quote] I dunno..... These are made in Danzig, Germany, whereas Mayones are Polish. It looked also as if "Baphomet" is Fame's budget line. No idea really! They look quite nice though. I'm desperate for a nice white bass with black hardware so I was eyeing up the ltd ed one on page 2.......
  25. Only recently spotted these; they seem to be exceptionally good value for completely handbuilt basses made in Germany! [url="http://www.musicstore.de/is-bin/INTERSHOP.enfinity/WFS/MusicStore-MusicStoreShop-Site/en_EN/-/GBP/ViewParametricSearch-OfferPaging?SearchParameter=%26%40QueryTerm%3D*%26CategoryUUIDLevelX%252F6OTVqHzpu7YAAAEZ63gtK5qL%252FsUPVqHzpVKQAAAEZOApFop40%3DHhnVqHzpNRgAAAEZwwlFop40%26CategoryUUIDLevelX%252F6OTVqHzpu7YAAAEZ63gtK5qL%3DsUPVqHzpVKQAAAEZOApFop40%26CategoryUUIDLevelX%3D6OTVqHzpu7YAAAEZ63gtK5qL%26ManufacturerName%3DFame%26%40Sort.Ranking%3D0%26%40Page%3D1"]http://www.musicstor...0%26%40Page%3D1[/url] Has anyone here played one?
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