Ben Jamin

The L-series basses are so good, if you can get your hands on one. In particular the MFD pick-ups, really flexible pre-amp and the saddle-lock bridge are uniquely G&L. I haven't tried them but the Fallout (beefy short scale) and Kiloton (Stingray/Pbass mix?) are meant to be ace. 'Vintage' models like the El Toro are ace, and on the guitar side there are some really great designs like the Espada or Comanche. Such a massive shame to see G&L go. I'll be holding onto my L2500!

Hope Fender can integrate staff and keep producing some of the models. The L-series could replace their Dimension bass, and guitar models like the Comanche or Espada could do really well under Fender.

I'm saying this to hopefully be helpful and constructive, but I think this is an overreaction. You're asking the question, so I imagine you might think so too. It sounds like your singer reached out to say that he's in a seriously bad place, and it seems that your initial response to him is framed around how this might inconvenience your holiday. There are likely a number of reasons why he's struggled to communicate or find a prompt time to talk, but he's probably not trying to mess with your time off. We often assume bad intention towards us that just isn't there. Hanlon's Razor helps me out a lot. If you want to resolve the band situation, don't take it personally (because it almost certainly isn't), give him space and help him to feel that he isn't being a burden. Being frustrated with him and leaving the chat is only going to push him away.

That is funky!! Good competition as the Tye Zamora model has no Fender DNA, but looks like a pretty conventional set-up for a bass of it's type - whereas this Adrian Younge thing looks 100% Fender but is completely unconventional 😂

Really like the pick-guard as a mix of '52 P-bass and Marcus Miller Jazz! I could see it doing pretty well as a body/pick-up concept in a MIM model if they committed to either fretted/fretless and put a passive tone circuit in there instead, with a more regular set of finishes. Those pick-ups would work great for a warm fretless tone. But then that would just make it another boring Fender? Another thought, is there a good reason why we don't see more effects in basses? There are plenty of 9V or 18V active basses that only power a 3-band EQ. It'd be cool to see something like a compressor and SansAmp in a body, which everyone could find useful. Maybe even a tuner? Could even be clever with an XLR output and phantom power?

Looks like Fender CS are doing a limited run of an Adrian Younge signature bass, which has got to be one of the quirkiest designs I've seen for a while! Seems like it would be a bunch of fun to play, and clearly works for Adrian! But definitely a niche instrument! Jazz body with 50% fretted, 50% fretless jazz neck Precision middle pick-up Curtis Novak bisonic neck pick-up Built-in fuzz and tremolo effects https://www.fendercustomshop.com/basses/jazz-bass/limited-edition-masterbuilt-adrian-younge-jazz-bass/

Bought a Tech21 Bass FlyRig from Clarky. Great to deal with, thanks!

Thanks for the encouragement folks and sorry for the slow response! It's arrived and it's glorious! I haven't played a Jack Casady model before, the impedance switch is really neat! Plenty of sonic variety between that and the volume/tone/playing style. ` Hardware feels solid and the pickup sounds really punchy. Plenty of thump and warmth, with great resonance, but very articulate still. The satin finish looks great and it has a lovely vintage vibe. The neck feels really nice and I think I'm slowly getting used to the lack of frets! It sounds just like I'd hoped a fretless would, and neat touch that it ships with Chromes. Thanks loads for all of the tips, the muscle memory's there, just need to keep playing to get confident. Here's a short vid giving a spin after unboxing it at the office, using some open notes to get around! Please excuse the very timid left-hand technique 😂 https://www.instagram.com/p/DIwu7DRqQif/ I'll get some proper photos up shortly! Cheers!

Thanks! Just hope the ears don't disagree 😅

Wow that's much higher stakes than our home studio! Really nice bass line, can see why the fretless was the only one for that song. Going to have to pick up a chorus pedal now (and maybe some post-its)!

Thanks that's a very helpful mindset to go in with! It's pretty daunting as my band's in the process of recording right now, but I have no idea how soon I'll be able to play with reliable intonation! Also thanks for the excuse to check the Effects For Sale section 😂

Melodyne is a great and likely necessary shout 😅 Juggling all those scale lengths sounds like a feat! I'm not brave enough for upright yet, luckily everything I have is standard scale. Thanks for the fretting tip! Muscle memory is a beautiful thing, guessing it'll take a good bunch of playing to get cosy with it!

Got the last one from Andertons arriving on Tuesday 🥳 A wee bit nervous as it's my first fretless! Any tips??

Don't suppose this is still available?? I have a pal who would love this, I could collect in a couple weeks time??

I don't know about aggressive but I've always felt that the MFDs accentuate some nice punchy mids that always seem to fit well in a wall-of-sound kind of mix. Probably the pick-up placement as much as anything too, quite close together in the sweet spot of a Precision/Stingray. Would be interesting to compare it to a 55-02!