Ou7shined

As a cheapskate bodger with reasonable skills, I'd probably glue on a bit of oversized, carve-able plastic or wood then cunningly fashion it into the required 360 deg shaft with a sharp blade.

I don't come to the repairs and tech page too often unless I have questions so didn't see your post 'til now. I have the same rig as you and would be interested in seeing some pics of your chop job project. I made a rough diagram of mines innards using the same colour coding when I 1st got it if you'd like to compare. Mine are Sica drivers. I also have a newer ABM 410T with Celestions. It has 2 parallel 1/4" jack holes but no speakon. It's up against a wall just now with the Evo500 on top so I'd rather not shift it unless I need to (know what I mean) but if you want I could whip off the back plate and post a pic for you to check yours with.

LOL Four candles

That's one sexy lookin' bass.

[quote name='thedontcarebear' post='99359' date='Dec 5 2007, 09:05 AM']I really hope that I never get to the point of being in a covers band where I am doing it all for the money and worry about the pay, the day that happens is the day I never play an instrument again.[/quote] Dude it's not about the money. It's about fairness and not getting shafted by the man. I feel that talking money has a certain vulgarity but this in essence is what this thread is about and as such is unavoidable.

[quote name='16Again' post='98662' date='Dec 4 2007, 11:03 AM']aye that was us playing London Calling , i've seen your band in drummonds, really good![/quote] you played like SLF too or something of that ilk from my yoof - it was ace. [quote name='16Again' post='98662' date='Dec 4 2007, 11:03 AM']we only get an average of £50 for playing drummonds or anywhere else in aberdeen, so if you need a cheap support band gie's a shout, ha ha. [/quote] Aye nae probs... as long as I can get a shot o yer Rick Drummond's has been good for us. I think we gave our last support in there 130 (and they only played about 5 songs - 8 if you include the restarts coz the drummer kept starting different songs to the rest of the band ) admittedly that was the night we scooped over 500 though so we could afford it - they only expected about 60, you shoulda seen their wee faces.

[quote name='bremen' post='95167' date='Nov 27 2007, 04:25 PM']They are almost certainly log. If they're active pickups they're very likely 25k; if they're single coil passives more like 250k . If you want to send me one I'll measure it and tell you for sure.[/quote] Oops forgot about this thread. Thanks for you kind offer bremen. I ended up measuring them myself and they turned out to be 8k . After a massive amount of fecking about in Maplins (apparently they don't employ staff that either man the components counter or can even tell the difference between a capacitor and a potentiometer anymore - that includes the bloody manager!!! ) I got 10k ones and a new cap. The 10k's work well but it means that the first quarter turn doesn't do much. BTW I emailed your mate (using his info@... link) but he's never gotten back to me.

[quote name='cetera' post='98654' date='Dec 4 2007, 10:37 AM']Sounds a bad deal to me. I never do a door split for less than 70%band/30% venue. If you can't get that, then take a guarantee.[/quote] Ah so you've heard of this set up then. Cheers. On the other hand you're the first person to say so after nearly 250 thread views so maybe it is a rarity. Bring it on guys how do you usually work it?

[quote name='16Again' post='98602' date='Dec 4 2007, 08:46 AM']Have you had a gig at strathclyde uni? it is/was a cracking gig, dont know if they still do it but it a good way to get yer foot in the glasgow scene. Or the Renfrew ferry, it's a great place![/quote] No we've not tried these places but we will look into them for deffo, thanks for the tips man. [quote name='16Again' post='98602' date='Dec 4 2007, 08:46 AM']money wise i've always found glasgow to be slightly different to aberdeen, ie glasgow is more grippy and less willing to take a risk with an unknown[/quote] That's interesting. I wonder why. Is it that good bands are rare up here (although I can think of tons - yourselves included - Pete is a mate of mine from way back - Were you guys practising London's Burning a couple o weeks back in Musical Vision? I could hear it through the walls ) and they are 10 a penny in Glasgow. [quote name='16Again' post='98602' date='Dec 4 2007, 08:46 AM']Whats the name of your band?[/quote] [url="http://www.bebo.com/pearl-jammin"]Pearl jammin[/url]

[quote name='thedontcarebear' post='98617' date='Dec 4 2007, 09:24 AM']Getting half the door sounds fair to me.[/quote] Thanks for your reply. Is this a system you have worked before? Why do you feel it is fair?

[quote name='16Again' post='98325' date='Dec 3 2007, 06:40 PM']What night is your gig on? personally i'd do it for that if it's a thurs/friday/saturday night ....but then again i was in a band that went down to perth on a tuesday night for door money and got £20.[/quote] It's for Saturday 2nd of Feb. LOL We had an experience similar to your Perth job (only it was a Saturday night in Rosyth) but the afterparty more than made up for it.

[quote name='Paul Cooke' post='98292' date='Dec 3 2007, 05:55 PM']simple question, what's the official capacity of the venue? ie. what's on the fire certificate for the function room you'll be playing in... that times the ticket price, then divide it by two gives you the maximum possible that you'll be getting off them... and it's unlikely they'll be maxed out... that place doesn't look very big... it's only 30 feet from the stage to the bar and appears to be about 45 feet wide...... the stage is only about 10 feet across do you really want to go to this trouble for what could be peanuts each after deducting petrol and food costs...[/quote] The best we ever did was just over 500 quid on the door once (£2 a ticket) and we have a venue that always pays us 400 a set because we take along a good crowd - on the other hand we did a mates launch party for nowt and we're doing a 2 hour acoustic set in Jan for free too so I don't think that we really care if it's for peanuts or not (as long as we can cover the overheads) but I do care if it's [b]not fair[/b]. I know nothing about Barfly but the guys in the band reckon it's a good venue and a we are looking to get our foot in the door in Glasgow. What they'll take over the bar will be many times more than what we take at the door so I don't know why they want to dip into our bit. If they'd asked for 15% or something to cover advertising then fair enough but to take half seems to be pushing it. I've been gigging for years and have never come across this arrangement before but I might just have been lucky.

[quote name='Jean-Luc Pickguard' post='98245' date='Dec 3 2007, 04:45 PM']the direction of the stairs? [/quote] B-doom-doom-tschhh! Haay thankyah! C'mon guys is this 50/50 malarkey standard practice or are they trying to put one over on the tcheuchters[color="#FF0000"]*[/color]? [color="#FF0000"]*[/color]scottish for bumpkins (chyoo[color="#FF0000"]ch[/color]ters - '[color="#FF0000"]ch[/color]' as in lo[color="#FF0000"]ch[/color])

Just spoke to Suz (our manager) and she says it's downstairs.

I'm not sure the only hard info I have is the attached .doc - our "manager" is the one that's been in contact with them. What's the diff between up/downstairs?

We've been offered a gig in Barfly - Glasgow (which would be a 300 mile round trip for us) but they are asking for a what I consider to be a pretty hefty split of the door. excerpt from email - "Howz about we do £6 adv / £7 door? [b]Can we do a [color="#FF0000"]50/50 [/color]split with you guys[/b]?" This is a new one on me, we either work a set fee or take [b]all[/b] the door (minus the support's cut if we've laid them on). Is this normal or are we expected to haggle? Laughingly I told our manager that they can have 50% of the door if we get 50% of the bar.

I'm cleaning up my fretless J project and want to replace the old scratchy pots but thoughtfully they don't have any values written on them just the word "reflex". I have read on tinterweb that they are the same as EMG active pots therefore should be 25k logs. Can anyone confirm or dispel this convenient theory/rumour?

We did a gig in Edinburgh last week and 3 songs from the end of our 2 hour set my right index finger seized up in an excruciatingly tight "L" shape and a little dent appeared in my inner forearm. I thought "bloody hell that's weird" and plugged away using my middle finger instead until it freed itself up again. Then a couple of minutes later the exact same thing happened to my left index finger. I was like "eh?" then my right hand one joined in again and I thought to myself "f***ing hell I'm having a brain embolism right on the stage!" but even though I thought there was a slight possibility of death (I'm not a hypochondriac - I just watch too much CSI ) I soldiered on and got through the set (it's really hard to play without your left index finger) and happily it's not happened since. I think probably what had happened was that I'd just over done it that day. I'm known for my overly energetic performances and combined with the long drive down from Aberdeen, practically setting up the stage all by myself (removing all the furniture and cast iron tables, getting all the amps, cabs and monitors up) all because the lead guitar threw his rattle out of the pram coz the stage was too small (it was a joke of a stage) and not acoustically suitable for him so he just sat down and widdled about with his guitar ("warm up" he calls it but it usually gets him out of doing anything helpful) the drummer did his own stuff (fair enough) the singer was delayed at funeral (although he seems to think that as his instrument is his voice that he doesn't have any gear to set up anyway - Hello! PA!) and rhythm was pre-occupied with girlfriend and a bit inexperienced with setting up any way. To add insult to injury I had to pack the van away myself too (although the guys mucked in once they saw it was almost done ie. the singer took [b]a snare bag [/b]from said drummers hand and passed it into the van to me) and I almost passed out at one point when speaking to a satisfied punter. Rock 'n' roll eh? If I seem a bit bitter perhaps this'll put it into context - I'm the same age as both our guitarist's combined!

I've got stainless Fender flat 55-105's on my fretless, mainly because they were the only flat 105's that I could find at the time. Actually I wanted 110's but they were like hens teeth. The same set have been on this guitar in both fretted and fretless incarnations for over 4 or 5 years now (granted 3 of those years were spent tucked away in a case in the back room, unplayed - but they were still in tune after 3 years) and are still every bit as playable now.

Ha ha I was reading that for ages before it clicked. It's late ok. Anyway I ain't no lagger and that bass is me new mucker.

I was rather hoping that there were like lists of power hungry agents ready to make a buck out of us and do all that kinda work for us because we are but mere musicians and are therefore as much use as a trap door on a lifeboat when it comes to keeping appointments, making decisions or organising anything. I'll put an APB out on our webby anyway to the effect of what you said there Slaphappy. Cheers.