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hiram.k.hackenbacker

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Posts posted by hiram.k.hackenbacker

  1. So, I only use this bass for one band who I dep with occasionally. I've been brushing up on my Ska over the past few days in preparation for a gig this Saturday and I've been leaving the bass out on a Hercules stand when I'm not using it.

    I came down stairs this morning and picked it up for a quick noodle after breakfast and found that something had happened to the neck overnight. I like a nice low action and this bass gave that to me, but when I picked it up this morning, I found it was now unplayable. The string height shown in the picture is about 7 to 8mm from the top of the frets. I don't know much about truss rods, but could it be that it's failed? Anyone with one of these basses will testify that it's a right PITA to adjust as you have to take the neck off to do it. I haven't had a chance to do that yet as I'm out of the door in 10 minutes.

    Bought new from Kenny's 2 years ago. What are the options with this if it's the truss rod that's shot? Obviously I'll try and adjust it, but I'm not holding my breath.

  2. Well, this was an interesting and extremely time consuming video (for a numpty like me) to pull together. The reason that it exists at all is that we wanted to record something for Paul, our keys player, as this was his final gig with us before moving to Spain.

    There was nowhere to place my Zoom other than at the far left or right side of the stage (more on that later) and it wasn't possible to get any audio mix from the desk. The footage from the Zoom was OK and I have used segments of it in the video, but as it was a festival and half the joy of performing there was the large crowd, I knew it wouldn't serve the video very well by just having that footage alone. I decided that Life on Mars? would be a good opportunity to grab some stage to crowd perspective on my phone camera. I only play on the last section of the song anyway and I thought it would also be nice to get Paul's piano solo on camera from up close as well. As Nat also wasn't singing on the song, she did the same.

    On reviewing the recording from the Zoom, the video was as well as could be expected from the poor camera position, but the audio was dreadful. On hearing it, I remembered that I hadn't even raised the mic's on the camera, let alone placed them in XY position. I'm blaming the very quick turnaround we had between bands, but ultimately that faux pas was on me 🙄. The Zoom audio was extremely bassy with a bit of keyboards and drums with very little in the way of main/backing vocals or any guitars. At that point I didn't think I would be able to do anything with any of it as I was relying on the audio from the Zoom, which is normally excellent, to be the audio over which I would edit the video.

    All those times I've moaned about the audience taking videos with their phones rather than watching the band - well it turned out to be a blessing in this case. A couple of videos turned up on Facebook of Life on Mars? and as a result I was able to create an audio file for this track that was just about usable. It's still not great, but it's loads better than I had to start with. So, all I had to do now was stitch the video together.

    After finding the audience videos I also found that there was a selection of pro-shot photographs of us that I didn't know existed. I've wanted to incorporate still photo's in an edit as I hadn't tried that before. This seemed to be the perfect opportunity. 

    So here we have it, Life on Mars? from Witney Music Festival, Oxfordshire on 17/8. The video that almost didn't happen.

     

    • Like 3
  3. 23 minutes ago, gapiro said:

    This, I was formerly in a Ska Band doing similar sort of set

    It does get a bit bloody boring after 2 years of playing the same 30-40 songs every week though!

    Always a lot of fun though, and messing around with lyrics to songs like Sally Brown 

    You could be right there, but all the gigs I’ve done have been well attended with a crowd that are well into the music and scene. 

    There are also quite a few songs in there that would keep me on my toes even if I was playing them regularly (Too Much Too Young/Baggy Trousers/Night Boat).

    I'm a bit gutted they’ve dropped Poison Ivy as I really like playing that one, even though I have to detune for it.

  4. 1 hour ago, FinnDave said:

    I must have driven past the place it's going to be (the Less) on Wednesday bringing my wife home from work.

    I went to the festival on a Saturday afternoon a few years ago, and didn't see any bands I found interesting, but I might give it another go today. Do we need Basschat badges or something in case we run into each other? :)

    Ha ha. I did have a Basschat polo shirt once, but I’m not sure where it is now. 

    I’ll keep a look out for someone wearing a Grateful Dead shirt. I have got that right haven’t I? Apologies if not 😀

  5. Just now, FinnDave said:

    I am gigging tomorrow, might wander down this evening, unless it looks crowded - I don't do crowds if I can avoid them. 

    I’ve played there before and it does get busy, but that was on a Saturday. They’ve never had the main stage running on a Friday before, so I really don’t know what it’s going to be like today.

  6. Our long time keys player is emigrating to Spain in the near future and Total 80’s are looking for a permanent replacement. 

    We have managed to cover some of the gigs we have in our diary with deps, but we have been unable to find someone suitable that can permanently commit to the band.

    As the name suggests, we are an 80’s tribute band of some experience and have an agent who sends us far and wide.

    There are well paid gigs that we need to cover in Derbyshire (Sat 22 Sep), Sheffield (Fri 9 Nov), Stroud (Sat 10 Nov), Hartlepool (Fri 16 Nov) and Bedworth (Sat 17 Nov).

    You will need your own transport and equipment capable of dealing with a fairly complex sounding 80’s set.

    We rehearse at Mushroom Studios, Rayleigh and you will be required to put some decent studio time in prior to these gigs.

    Given the distance of some of these venues, it is essential that the Friday night gigs are not an issue as load in’s are quite often mid-afternoon.

    Message me or ring me for further details on 07841-104409.

    Warren.

  7. This is an oddity (excuse the pun) in that I can't imagine many, if any, Bowie tributes would bother with it. David used to do this song in several different ways, but I don't recall him using this format himself, although I believe Lulu still uses it in her set.

    We usually use the 'Bowie at The Beeb' version as a template, but it was quite refreshing to do it this way for a change.

    What do you think?

     

    • Like 3
  8. 20 minutes ago, SpondonBassed said:

    Actually, this video captures the feel of the venue very well.

    The quality is secondary to the content which, in this case, shines.  If you dispersed some higher definition glimpses from the stage like in previous clips you'd have summat special.

    Yes, I think you’re right. Unfortunately we just didn’t have the gear to get that done at this gig. I’ve not inserted still images into a video before, so I might give that a go and see what it turns out like. There’s an effect called ‘Ken Burns’ which pans across a video clip or still frame to give it a sense of movement, so I might try that as well at some point.

    • Like 1
  9. 1 hour ago, Chiliwailer said:

    As if my GAS wasn't bad enough already...

    https://www.talkbass.com/threads/the-2018-stingray-special-color-poll-w-pics.1352598/

    Post 12 has pics of all the 4-string colours too.

    There’s a couple of colours there I really like - Ivory White/~Maple, Jet Black/Rosewood, Burnt Apple, Dropped Copper, but the one I like best is Charcoal Sparkle which is unfortunately a bit too close to two I already have i.e. the Sledge and Starry Night 😬

    • Like 1
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