benh Posted Monday at 18:47 Posted Monday at 18:47 Well - after a rather lengthy hiatus due to work/family/mental health and all that jazz, had the wood kicking around for this for ages so decided it needs doing. Decided to go full DIY (sans hardware) - winding my own pickups and making a preamp! Doing this as more of a "proof of concept" than anything else, as I've never built a multiscale bass before, or indeed put a preamp together. Bit late posting as most of the process is done now, but hopefully is of interest to someone! First of all, as always I spent a good few evenings designing in Inkscape, here were the results: 4 Quote
benh Posted Monday at 18:49 Author Posted Monday at 18:49 Woods chosen were a big slab of flamed ash for the body, flamed maple and ovangkol for the neck (7 piece laminate) and wenge for the fretboard. Usual glue up pics! 3 Quote
SpondonBassed Posted Monday at 19:00 Posted Monday at 19:00 5 minutes ago, benh said: hopefully is of interest to someone Me, for one. I have been collecting timber and hardware for one of these myself. I'm wondering what strings you will use. 33-35.5in scale length suggests a standard set might fit with the possible exception of the low B. 1 Quote
benh Posted Monday at 19:50 Author Posted Monday at 19:50 48 minutes ago, SpondonBassed said: Me, for one. I have been collecting timber and hardware for one of these myself. I'm wondering what strings you will use. 33-35.5in scale length suggests a standard set might fit with the possible exception of the low B. I just got a Dingwall nickel set for ease - reasonably priced and they fit well 1 Quote
benh Posted Monday at 21:12 Author Posted Monday at 21:12 Marked out the fretboard for cutting slots - basically made a small mark for each fret using both scale lengths, from the parallel fret (in this case I settled on the 9th). Then joined those marks up very carefully using a 0.5mm pencil. Used a planed offcut of the body clamped to the top as a guide for each slot as a precaution, which worked really well! 3 Quote
benh Posted Monday at 23:53 Author Posted Monday at 23:53 Fretboard "binding" was done by layering 1.5mm ash veneer with the offcuts of the wenge planed down to 0.5mm. Also routed the channels for the truss rod and the carbon rods, the latter of which I epoxied in place 3 Quote
benh Posted Tuesday at 15:27 Author Posted Tuesday at 15:27 Rough cut body shape, glued fretboard onto neck - plus obligatory mockup 2 Quote
benh Posted 4 hours ago Author Posted 4 hours ago (edited) Round overs done with 1/2in roundover bit, forearm contour with the trusty saw rasp and farrier's rasp. Neck carved the same way, then sanded, danish oiled and waxed. Ash headstock veneer to match the body and a denim blue stain started! Edited 4 hours ago by benh Pics 2 Quote
Silky999 Posted 4 hours ago Posted 4 hours ago (edited) How do you finding using the machine inserts instead of screws on the neck? I have a set and keep meaning to try them but worried the drilling even though I have a pillar drill lol that laminated neck is gorgeous BTW! Edited 4 hours ago by Silky999 1 Quote
benh Posted 4 hours ago Author Posted 4 hours ago Thank you! I really like them - to be honest if you're steady with a drill you can do it by hand relatively easily, although I used the pillar drill this time. Probably overkill but hey, I'm not a massive manufacturer just a hobbyist, and I prefer the look of the hex head machine screws 1 Quote
Silky999 Posted 4 hours ago Posted 4 hours ago (edited) Same as me….building basses is a hobby/side hustle which is good for my up and down mental health and something I am doing as a plan for some extra cash and keep my brain active when I finally retire lol. i haven’t summoned up the courage to do necks yet so just buy Chinese ones and modify/titivate them to bring them up to scratch. I will progress to doing them when I get a neck radius and fret slotting jig but as they say….Rome wasn’t built in a day! Edited 4 hours ago by Silky999 1 Quote
Silky999 Posted 4 hours ago Posted 4 hours ago Oh, I have also now realised, like you, that you can never have too many clamps. Quote
SpondonBassed Posted 4 hours ago Posted 4 hours ago I'll add a vote for inserts. I see photos of vintage basses where the neck comes off for inspection of manufacturing codes. I always think that eventually a thread will get stripped. Also, I think you get a better coupling between neck and body if you use machine screws. They're easier to torque evenly. Quote
Silky999 Posted 2 hours ago Posted 2 hours ago (edited) 1 hour ago, SpondonBassed said: I'll add a vote for inserts. I see photos of vintage basses where the neck comes off for inspection of manufacturing codes. I always think that eventually a thread will get stripped. Also, I think you get a better coupling between neck and body if you use machine screws. They're easier to torque evenly. I will give them a go. Can you use them with neck plates or do they need ferrules? I normally drill a hole in the middle of the neck pocket to mount the bodies to a painting jig handle and cover with a neck plate. Edited 2 hours ago by Silky999 1 Quote
SpondonBassed Posted 1 hour ago Posted 1 hour ago 57 minutes ago, Silky999 said: I will give them a go. Can you use them with neck plates or do they need ferrules? I normally drill a hole in the middle of the neck pocket to mount the bodies to a painting jig handle and cover with a neck plate. I can't see why it wouldn't work with a neck plate. Countersunk allen heads in stainless are good. Quote
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