bassbiscuits Posted May 31 Posted May 31 (edited) Courtesy of FB marketplace I picked this up locally last week. I gig a fair bit with either an old Crafter DE7 or an equally old Yamaha FG512SJ but always have an eye for another good acoustic in my life. So this is a 1998 Simon and Patrick, made in Canada by the same group of makers responsible for Godin, Seagull, Art & Lutherie et al. Solid cedar top, laminated cherry sides and back. It was filthy and dusty, so I immediately gave it a clean, some lemon oil and a new set of Martin 12-54 strings. What can I say - it’s really really loud! Perfectly placed between bright and warm with solid punchy low end (similar to my Crafter, which is also cedar). Really articulate. Dropped D tunings work a treat too. Feels like it hasn’t been played very much at all (apart from some strumming marks on the body’s ultra-thin finish) so for the next few weeks I’m just gonna play and play it and see how it settles. But so far so good. Edited 17 hours ago by bassbiscuits 6 Quote
bassbiscuits Posted 17 hours ago Author Posted 17 hours ago (edited) Update: five months and a handful of gigs later, and crikey the finish on these things doesn’t take much punishment. It’s an astounding guitar - easy to play, rich and sonorous (perhaps thanks to its thin finish?) but the poor thing already looks like it’s been in the wars. Anyone else with one of these had similar experiences? I don’t particularly mind - just a bit surprised as none of my other guitars (including a well-gigged Crafter I’ve been playing for 20 years) have a mark on them. Edited 16 hours ago by bassbiscuits 1 Quote
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