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Trace Elliot 8x10 AH1084 - £395 **SOLD**
£395
Mansfield

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Mint Condition Trace Elliot 8x10 AH1084

This has spent it's life in our studio since purchase. (No Smoking & No Pets !!)

Comes with TE Cover

Features 

1600 watts rms, 4 ohms (2 x 8 ohms if used in stereo); eight 10" (254mm) special design celestion speakers; high frequency horn with variable attenuation;Two neutrik® combination speakon® / 1/4" (6.35mm) jack connectors (8 ohms); one neutrik® switching speakon® (for connecting mono at 4 ohms); infinite baffle type cabinet with 4 separate chambers split between left and right;Lightweight plywood construction; original classy black 'pimple' covering, metal grill;Metal handles and protective corners;Additional rear handles and castors for easier manoeuvrability; 

Product information 

Product Dimensions130.2 x 51.4 x 67.3 cmItem model number15500230 Country Produced InUSA Output Wattage1600 

Additional Information 

ASIN: B0053GP5JW Shipping Weight: 73 Kg Date First Available: 19 Jun 2012 
 

Meet within 30 miles of Mansfield

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That’s got to be the ultimate TE Rig 🤗

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Hi Yes it is. I've somebody saying they wanted it after payday on the 8th Nov but I've had similar deals in the past not happen so it's a first come first served basis .....

Colin

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    • By VTypeV4
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      Overview:
      As the decade of the yuppy, Boy George, questionable fashion styles and many other cliches associated with the 1980s was coming to a close, Trace Elliot were riding on the wave of their success of their (then) highly sophisticated and high powered range of bass amplifiers. Noted for their unique sound and unmistakable aesthetics which included a large graphic EQ, green facia paint and a glowing UV strip, Trace amps were seen behind many of the great players of the time. The then current 'Series 6' range introduced in around '88 was still hip, modern and built on the reputation of the previous 'Mark V' series with a notable extension of the 11-band range now up to twelve which were coupled to improved and more powerful (up to 600w) solid state output stages. There was also a range of valve amplifiers with brushed steel panels which had modified versions of the GP7 and GP12 pre-amplifiers and multi-tube output stages up to 380w which were known as the 'Twin Valve', 'Quattra Valve' and 'Hexa Valve' models. These were developed from the equally sought after VA models - high times, indeed.
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      Features:
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      In terms of build, I can't really criticize it on any level. On the outside, the green 'rat furr' (as many call it?) is bobble free and accurately upholstered, the riveted stainless steel corners are precisely fitted and the flip handles are highly over-spec'd. Looking to the front control panel, the black and bright green contrast each other very well with the writing having a very clean and defined edge - even with the UV light off. All the sliders, control knobs, switches and sockets have a 'solid feel' with just the right amount of damping to feel neither cheap or stiff.
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      It's very difficult for me to accept that production of these things ceased more than twenty years ago - they were the pinnacle of design and something that 15 year old me aspired to one day own along with a Warwick bass. As mentioned on this forum - often at great length, many times over - the world has since moved on and modern amplifiers are now smaller, weigh less; are more capable than ever plus their accompanying speaker cabinets are made from lighter woods plus the drivers contained within can play louder and lower with less distortion than those of even 10 years ago. Mauling 120 Kg worth of heavyweights is now optional!
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      Smx art biyang by VTypeV4, on Flickr
       
       
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