Roadybus Posted 7 hours ago Posted 7 hours ago i know that the height needs to be the same. not a big deal, i guess. yet somebody (in the origin threat maybe) spoke of radius-issues. like i said: didn't get it here's another 50:50 type, sent by a gentleman in the equal-bassic-threat. Quote
Hellzero Posted 7 hours ago Posted 7 hours ago 7 minutes ago, Basvarken said: And the question was ? Ask @Roadybus as he's going in all directions now... Quote
Roadybus Posted 5 hours ago Posted 5 hours ago ...? conclusion so far: i was simply hoping to find someone who experienced/build an vertical defretted bass. pro' & con's, ideas etc to hold on to the thought of only ONE instrument offering all bass sounds & expressions. -doubleneck via -fr/fl on one neck via -etc pp Quote
Maude Posted 3 hours ago Posted 3 hours ago 19 hours ago, Hellzero said: This is exactly the principle of a sitar saddle just as I mentioned it in my post above. 😉 Well have been down a deep rabbit hole. Sitar bridge design, javari, the gotoh buzz bridge, mohan veenas. All very interesting. And to think some folks complain about the complexities of setting up a bass bridge. 1 Quote
Maude Posted 3 hours ago Posted 3 hours ago 13 hours ago, Roadybus said: .. and in the end we'll have a '1,5 in 1' instead of 2in1, but nevertheless we're gettin' closer... what do you think of the vertical defretting from 5th fret on a 5str ? someone spoke of difficulties due to radius for the fretted, flat fretboard on the mmwah side...but i don't see the point. stupid i am? flat fretboard for both = solved ? I can't see that radius should have any bearing on anything (other than personal preference) as the strings plane along the neck will be the same regardless. A typical upright bass has a much tighter radius and still produces that characteristic mwah if adjusted properly. 1 Quote
godathunder Posted 33 minutes ago Posted 33 minutes ago well, just to wander further off the point (whatever it was), have a different take on the fretted/fretless combo bass. I've always admired the sensitivity and taste of cronos' fretless playing If memory serves, Lee Sklar had mandolin frets fitted to one of his basses so he could emulate fretless style sounds Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.