[quote name='thisnameistaken' post='774482' date='Mar 14 2010, 05:49 PM']Start with all the EQ knobs in the middle, all the push switches out, the suboctave knob off, tone controls on your bass centred if it's active, if it's passive bass leave the tone all the way up for now.
Try turning one of the EQ knobs down and see how it sounds, then turn it up and see how that sounds, then back to centre. Now do that with each of the other knobs.
Then try (with the EQ flat still) the "shape" knob (with the shape switch on) and the other switches, see how they sound.
Then you should be able to decide which frequencies are causing the horrible muddy sound you hate.[/quote]
Thanks for the advice, i will try that. As for the music i play. I have only been playing for four months, so i dont really play anthing yet, other than scales, chord tones etc, and the dozen or so old Stranglers, Public image Ltd, Buzzcocks or punk riffs i recall with affection, maybe the odd Nirvana RATM etc.
(although i do like to noodle away and try and make up my own riffs. Trouble is, im never sure if they are mine or riffs i have heard and forgot )
[quote name='Pete Academy' post='774439' date='Mar 14 2010, 04:53 PM']It looks like an Ashdown rif-off, especially with the Ultrabass control and VU meter. A good starting point is with the tone controls at 12 o'clock, as this is usually a 'flat' setting. Anti-clockwise should cut the tone and clockwise should boost.
Might be helpful if you specifiy what music you play and what sound you like.[/quote]
Indeed it does look like an Ashdown ripoff, but then im told by those who know that Behringer has a rep (A [i]reputation[/i] not a Representative in charge of rip offs Ho ho ) for ripping off other firms ideas. Not been into the game long enough to know either way personally.
ps: i feel a real idiot having to ask this, but when people say [i]leave[/i] the tone control all the way up, they do mean up as in clockwise and to the treble end of the spectrum ? The same direction as turning the Volume control up?