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Supernaut

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Posts posted by Supernaut

  1. 19 hours ago, Alfie said:

    I gigged a lot in my 20s, then family happened. The lost years. I reckon I went months, maybe years not touching a bass except to move it the get to something else. Encouraged by the pupils I teach, who had unearthed one of my old bands, I restarted in my late 30s with a talented originals band, just done our first recording and have some promising gigs lined up, but everything has just imploded because of an argument over an album cover, the band is apparantly dead. 

     

    I'm 40, probably too old to be in an originals band treading the unsigned indie circuit, but I have never had any interest in being in a covers band. I don't want to give up, but I can't see how I can continue.

    Keep doing originals. Invest in a home recording set-up? I was in exactly the same predicament. Playing covers fills me with dread and IMO you're basically saying you are done with creating new music or can't do it anymore. The thought of punters screaming Wonderwall or Mustang Sally... *shudder*
     

    There are musos who still want to play originals. Just much harder to find the older you get. 

  2. 20 hours ago, peteb said:

     

    For some reason, all too often the advice on here is to threaten to walk every time there is an issue. If the the other guy is a founder member and the OP is by his own admission 'not the greatest bassist the world', there is only going to be one winner and the band will be looking for a new bass player. 

     

    A better idea would be after playing a song in rehearsal where he particularly struggles with the BVs, say to the singer or BL (NOT the guy you have an issue with) that you're not sure whether the harmonies in a particular section of the song are working and get them to go over and over the vocals that he is struggling with. At no time are you having a go at the founding member, you are just trying to work on the vocal arrangement. Once you have gone repeatedly over a section that he is not singing properly (preferably a cappella, i.e. just the vocals), then see if he is so keen on calling out every minor mistake that you make? 

     

    So be passive aggressive instead? 

    • Like 1
  3. 39 minutes ago, SteveXFR said:

    After a busy year with the band, writing, recording and our first few gigs including a support slot with a thrash metal legend, I've come to realise gigging isn't for me.

    I enjoy the actual gig but get stressed out for a couple weeks before and I've decided it's not worth the stress. We've got two more gigs in January and then I'm out of the band and selling my gear. I'm not much of a home noodler and don't really enjoy playing along to songs so I guess that's it.

    I don't understand 'stressed out'? You mean nerves? 

  4. On 22/12/2023 at 18:23, zrbass said:

    What does it all mean? In my old school world its a superbly written iconic pop tune but is that the reason it's there or is something else going on...Surely kids today want something from there own scene making the top for xmas...Wheres Ed Sheeran, Adele, et al?

    But you told the kids that music today is rubbish, listen to the old stuff, that's better. 

  5. It's amazing how many players believe that going from Thomastik flats to heavy gauge drop tuning rounds won't have much effect on the neck. 
     

    I find even switching brands, still the same gauge, will require a truss rod tweak. 

    • Like 2
    • Thanks 1
  6. Difficult situation now... I like the Spark and Beta MKII in different ways. The Spark is more neutral and organic sounding but the Beta gain and break-up sounds more valve like... sigh! Beta reminded me a lot of the Bearfoot Blueberry. 

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