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ShergoldSnickers

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Everything posted by ShergoldSnickers

  1. In the early 80s I was very briefly in a band with his brother Andy. He was a far better guitarist than I was bass player and I didn't last long.
  2. Will definitely be watching this. There are swathes of discoveries still to be made about the brain and mind, and how they relate to our perception and resulting actions. Excellent.
  3. [quote name='Dad3353' timestamp='1392569665' post='2370141'] I don't want to see pictures of this device in operation; even less any alternative uses to which it may be put. [/quote] I didn't wait in vain. I knew someone wouldn't be able to resist.
  4. [quote name='Maude' timestamp='1392486373' post='2369351'] That join is superb! I work with metal a lot and know how difficult it can be to get a join in a ring as tight as that. The logo as a whole looks fantastic . [/quote] Yep, the first join cracked and failed when I put the ring on a stretcher (shown below) to get it perfectly circular. I had to cut the join and resolder it, but this time it was fine.
  5. The ring is now fully formed, soldered and in the process of filing, smoothing etc. This shows the flattened underside, that will be flush with the headstock. If you look very carefully you can see the silver solder join at about 10 o'clock. And roughly how the finished logo will look:
  6. Ooooooo...... they look interesting. I have a Roqsolid chuck-over cover for my Eden WT550, but a proper zip-up bag would be better.
  7. Interested in trading for an Eden WT550? Manufactured in the US in 2006, so more sought after than the later ones made outside the US.
  8. The 5mm ring, fashioned from a virtually straight piece of 'wire'. After some initial hand bending — wearing leather gauntlets* to protect the fingers and wrists from accidental slippage — the wire was shaped to size using a ring mandrel and hide mallet, interspersed with annealing the silver wire. By bending so that the ends overlapped coil-wise, a straight cut through both ends mean that the ends will butt properly when pushed together. The discolouration is caused by the annealing. Once soldered, and made perfectly circular, the ring will be filed flat on the side to be soldered to the logo. This will create the outer rounded bevel to the logo. * I'll take any excuse to wear leather gauntlets.
  9. Logo tightened up and ready for soldering to the 5mm silver ring that surrounds it.
  10. Now ready for hallmarking. I've used a polishing wheel that imparts a slight texture and gives a high lustre:
  11. It might all be academic as I've just had the motor back from the MoT. Needs a bit of work. . Counting the pennies now. I think the fingerboard is original to the build, and it was intended as a 5 string from the outset. There is just too much of an acute radius on the G to E part really. The B fits in well with this if that's the radius you want. It needs to be a little flatter for me. I think this DB has been used orchestrally rather than for jazz or anything else non-classical.
  12. This post will self-bump in five seconds. 5... 4... 3... 2... Error #63: Fatal error on bump routine. Reverting to manual bump facility.
  13. Just recently done by the keyboard player of the band I'm in. Lots of fun. Clever git. [media]http://www.youtube.com/watch?v=PNJuOhcRFog[/media]
  14. [quote name='oggiesnr' timestamp='1389309124' post='2332822'] I had a carbon fibre tail piece added to my bass and it made a big difference. Steve [/quote] Hi Steve — Peter said it would make a real difference, so I'm happy to go along with that. As ubassman says, the fingerboard is profiled to allow for the larger amplitude of the low B, and has a flatter section under the B, that has been planed away from the radius to allow this extra room. It's this radius before the flattened section that is a bit too rounded, and it's a question of whether there is enough meat there to ease it out.
  15. I've booked my 5-stringer DB in for some work, namely: Quality adjustable bridge Carbon composite tailpiece Fingerboard reshaping or replacement if reshaping would thin it out too much. The adjustable bridge is to allow me to experiment with the action, and get a good balance between ease of playing and sound. The tailpiece already fitted is a bit of a heavyweight apparently, and the bass would benefit from a lightweight one. So I'm told anyway, and I've no reason to question this. The fingerboard is set up for someone very much into arco, and I could do with the profile flattening off a little. As usual, I'm off to the Beverly Music Centre and leaving Matilda under the craftsmanship of Peter Hall. Full report on completion, and barring any financial emergencies prior to dropping her off.
  16. [quote name='KiOgon' timestamp='1388746689' post='2325458'] I know nothing about Violins but isn't it a left handed model? Interesting restoration project [/quote] Nearly. It's an Antipodean inverted model. There is a gyroscopic azimuth mount that takes into account your latitude with regard to the equator, but I'll be keeping that for use with my biscuit-tower building skills. Beating the record of 271 vertically stacked custard creams is on the cards. The restoration required is cosmetic, and shouldn't trouble any luthier/violin maker. As promised, transcript of some correspondence: Buyer to maker, 5/6/45 [indent=1]Dear Mr Gurnsey,[/indent] [indent=1]The violin arrived safely and I have tried it. It is a good instrument, 6 oz heavier than mine and a little better tone. I did not expect a new instrument, as I told Mr Wolfe I was looking for an old mellow violin, but I hope to find time to make a decision this week end.[/indent] [indent=1]As a modern violin, it is a credit to the maker, shape, wood and balance being first order.[/indent] [indent=1]Yours sincerely, A.F. Sergeant[/indent] (Alan served with the British Army at some point, and in their infinite wisdom, they actually made him a Sergeant. He worked for Friths Postcards as a photographer for some time as well)
  17. Forgot to mention... there is some correspondence between the maker and purchaser, all dated 1945, which gives a bit more background to the original sale. If I get time I'll transcribe the relevant parts.
  18. Not exactly a violin player here. I've had one tucked away for years now, but never got round to learning to play. Now it's time for it to go alas: [url="http://basschat.co.uk/topic/225808-violin-c-j-gurnsey-dated-1929/"]Violin, C J Gurnsey, dated 1929[/url] I did manage to get some pizzicato notes out of it, but not having a bow proved a bit of a handicap really. I'd love this instrument to go to a home where it will get used. Proceeds to fund further improvements to it's big sister, [url="http://basschat.co.uk/topic/217463-matilda-is-back-home/page__view__findpost__p__2215416"]Matilda[/url].
  19. [quote name='RandomBass' timestamp='1388510018' post='2322882'] Happiness and Karma is restored to the Good Ship Basschat. Also, Norwegian Spruces are the best. I never have anything else. [/quote] Mate of mine inspected the Norwegian tree destined for Trafalgar Square off the ship. Has to be checked as free of any diseases/bugs on the import quarantine list. As usual, it was. Splendid tradition is the sending of that tree.
  20. [quote name='Thunderbird' timestamp='1388488983' post='2322507'] Wow that would of been a very expensive instrument when new £35 was a serious wedge of cash back then GLWTS mate [/quote] Thanks Thunderbird. I don't play it, and it's just been lying around doing nothing for the last few decades. It needs someone to take it on and get using it. Using an online inflation calculator, £35 in 1945 would be worth just over £1000 today apparently.
  21. I's prefer a straight sale rather than any trade, but if you think you might have anything interesting, I'd be open to suggestions. Amati, the violin auction house has valued this instrument in the 'mid hundreds, possibly more'. Made in 1929 by a C J Gurnsey, an amateur maker working from Harrow, it was sold to a relative of mine in 1945, and comes complete with the invoice and related correspondence from that sale. This instrument desperately needs someone able to play it, nurture it and restore it cosmetically. There is the original case, but no bow, and the Amati valuation takes this into consideration, as well as the cosmetic and playing condition. There is one small area of damage to the lower bout, but this has no impact on the tone, and it has one string missing at the moment. A friend who plays violin for the Kuopio Symphony Orchestra in Finland, has played the instrument and commented on the tone, which compared favourably with his working instrument worth many times more. The damage:
  22. Just started a replacement Hayman logo for a Hayman 4040 bass that Discreet has bought. The headstock is currently without a logo, and this should supply an unusual bespoke replacement. The first top disc, containing the roughly hand-cut Hayman 'H' is done. More careful filing and use of various emery grades next. The disc in these photos will be 25.5mm in diameter when finished.
  23. Verger on the ridiculous? Don't bother, I brought my own groan with me.
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