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CyberBass

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Everything posted by CyberBass

  1. Up for sale is my pair (2 x) Yoga Electret Condenser Boundary Microphones BM-26D. I have used these effectively to record band rehearsal, and have produced great results. They are in absolutely immaculate condition. Although there are the 1.5v batteries inside each microphone, I would recommend replacing them. BM-26D SPECIFICATIONS SUMMARY TRANSDUCER PRINCIPLE: BACK ELECTRET CONDENSER FREQUENCY RESPONSE: 20Hz~16KHz 100Hz~12KHz PICK-UP PATTERN: OMNI/UNI Switchable SENSITIVITY: -65dB IMPEDANCE: 1000 ohm HOUSING: DIE-CAST ALLOY WEIGHT: 220g DIMENSIONS: 70mm¡Ñ100mm POWER SOUCE : DC 1.5V Price £35 inc postage. [attachment=50852:DSC00373.JPG] SOLD PENDING
  2. Shame it's not a black one or I would have been sorely tempted. Bristol as well. Good luck with the sale, bargain price.
  3. Ive bought several warwick own brand strap locks off of ebay, and can coulour match your hardware i.e. black etc. These have never let me down and are absolutely fine. :-)
  4. I'me in an Electro/Industrial/Rock/Pop band called jagged from Bristol. www.myspace.com/jaggedbanduk We've been going a couple of years and have played mainly up North or London, it's a bit rare for us to play our own fair city as there isn't a huge Alternative scene in Bristol. Our first album 'Autumn Fall' was released via rebco records in 2009, and sales to date have largely been from Italy, Germany, America and Japan. We are currently working on our second album and we are about 5 tracks in, release will be towards the end of the year. Hope you enjoy :-)
  5. Having a studio clear out on items I am not using, here are the items and descriptions: Behringer Composer Pro XL Whether you’re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor—plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality. Features: •Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics •Integrated de-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks •IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks •Switchable dynamic enhancer for brilliant, lively audio even with heavy compression •IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression •Switchable tube simulation for the extra warmth and transparency of classic tube circuitry •Automatically or manually adjustable attack and release times •Switchable low contour filter prevents "pumping" due to low-frequency dominated compression •Stereo couple function with independent output level settings •Switchable side chain input with side chain monitor function •Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT® VCA's •Separate 12-segment LED meters for input/output levels and gain reduction •Dedicated "traffic light" threshold and de-esser level displays •High-quality detented ALPS® potentiometers and illuminated switches •Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors •Relay-controlled hard bypass switch with auto bypass function in case of power failure •Manufactured under ISO9000 certified management system Price £40 plus £5 p+p - [b]NOW SOLD[/b] Behringer Ultragain Pro The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ’s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality. Features •Discrete mic/line input stages with soft mute +48 V phantom power •Ultra-wide bandwidth from 2 Hz to 200 kHz for open sound •Two fully parametric EQ’s with adjustable center frequency, bandwidth and level •Built-in high-quality vacuum tube for outstanding, ultra-musical tube sound •Fully tunable and switchable 12 dB high-pass filter •Phase reverse switch per channel •Level conversion (-10 dBV to +4 dBu) and DI box functionality Price £40 plus £5 p+p - [b]NOW SOLD[/b] I may also possibly sell this item: Behringer T1952 Tube Composer 2-Channel Vacuum Tube Compressor/Limiter - Expander/Gate - Peak Limiter 5 dynamic processing functions: compressor/limiter, gate/expander, peak limiter IKA program-adaptive compression circuitry, IRC expander/gate circuitry, IGC peak-limiting circuitry Selectable “Interactive Knee” or “Hard Knee” compression modes Switchable Auto function for automatic attack and release time adjustment Patented* “Warmth” control allows precise dosage of desired tube effect True RMS stereo link selectable Switchable side chain input, monitor and high-pass filter Highly accurate metering for input/output level and gain reduction Relay-controlled hard bypass with auto-bypass function in case of power failure Servo-balanced inputs and outputs on gold-plated XLR and TRS connectors for highest signal integrity Shielded toroidal power transformer for ultra-low noise performance High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Price if I were to sell would be £80 plus £8 p+p [attachment=46247:DSC00309.JPG] [attachment=46248:DSC00310.JPG]
  6. For sale is my as new condition Presonus Tubepre with upgraded Valve. I have only used it a couple of times, hence the sale. Details as follows: The Presonus TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus' award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes. Presonus TubePRE main features include: •Award-Winning Dual Servo Tube-Preamp •Low Price High Performance •Tube Drive and Gain Control •-20 dB Pad and Phase Reversal •+48V Phantom Power •80Hz Rumble Filter •Back-Lit VU Meter •XLR and 1/4in Output •Great as a Direct Box •Tube Drive 0dB to +20dB •Gain 3dB to +48dB •THD+Noise (Unweighted): 0.05% at 0dB Tube Drive, 10% at 30dB Tube Drive •Noise Floor: -98dB •Signal To Noise: >95dB •Power Supply Rejection: >98dB •Amplifier Type: Dual-Servo •Weight: 5lbs •Dimensions: 5.5 x 5.5 x 1.75 The Standard 12AX7 valve has been replaced by an Electro Harmonix 12AX7 Cryo valve here is the details: Cryogenically treated EH 12AX7 valves. The valves have been subjected to subzero temperatures for several days and then slowly elevated to room temp by a microprocessor controlled system. The treatment has been carried out by the worlds leading Cryogenic specialist lab. Tubes subjected to Cryo treatment undergo a molecular structural change within all the inner metal components which is known to relieve internal stresses and produce a more tactile, smooth and more rugged material. Great tubes made even better with the Cryo treatment. WHAT ABOUT THE TONE? These valves produce a very detailed tone with clear and emphasised highs yet somehow they seem able to produce that wonderful valvey fat tone. Even better tone than the normal tubes following the Cryo treatment. [attachment=46205:DSC00307.JPG] [attachment=46206:DSC00308.JPG] [b]NOW SOLD[/b]
  7. The Presonus TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus' award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes. Presonus TubePRE main features include: •Award-Winning Dual Servo Tube-Preamp •Low Price High Performance •Tube Drive and Gain Control •-20 dB Pad and Phase Reversal •+48V Phantom Power •80Hz Rumble Filter •Back-Lit VU Meter •XLR and 1/4in Output •Great as a Direct Box •Tube Drive 0dB to +20dB •Gain 3dB to +48dB •THD+Noise (Unweighted): 0.05% at 0dB Tube Drive, 10% at 30dB Tube Drive •Noise Floor: -98dB •Signal To Noise: >95dB •Power Supply Rejection: >98dB •Amplifier Type: Dual-Servo •Weight: 5lbs •Dimensions: 5.5 x 5.5 x 1.75 I have recently upgraded the standard 12AX7 Valve to an Electro Harmonix Cryo Valve. This is in prestine as new condition and has only been used a couple of times. Here is some info on the Valve: Cryogenically treated EH 12AX7 valves. The valves have been subjected to subzero temperatures for several days and then slowly elevated to room temp by a microprocessor controlled system. The treatment has been carried out by the worlds leading Cryogenic specialist lab. Tubes subjected to Cryo treatment undergo a molecular structural change within all the inner metal components which is known to relieve internal stresses and produce a more tactile, smooth and more rugged material. Great tubes made even better with the Cryo treatment. WHAT ABOUT THE TONE? These valves produce a very detailed tone with clear and emphasised highs yet somehow they seem able to produce that wonderful valvey fat tone. Even better tone than the normal tubes following the Cryo treatment. [attachment=46203:DSC00307.JPG] [attachment=46204:DSC00308.JPG] Price is £70 plus £5 p + p
  8. I must admit in the past I didn't mind kit sharing, but have stopped kit sharing having got fed up with f**k w**s who don't give a damn about the kit they borrow. Example 1: We headlined a local show and agreed to share our backline with the promoter for ease of change over timings etc, now I had golden rules for people who kit shared had to adhere too, that being respect the kit your using as if you probrably couldn't afford to replace it if you wreck it, secondly no drinks to be placed on top of the equipment and finally you plug and play, no adjusting any setting. Well, you can imagine how I felt when the support bands bassist after one number had a swig of his beer and then placed the beer on top of my amp!! Unfortunately for the support band the remainder of the show had a bassist miming to their music after I jumped onto the stage unplugged my amp, took his beer offstage and politely told him to go forth and multiply. Example 2: Another show, we supported a band from Italy, they kit shared, the same golden rules applied and I went through it with the bassist who could speak fluent english and seamed to really appreciate me lending my gear to him. This was a big london venue, so full p.a. rig plus onstage monitoring etc, so my bass amp was d.i.'d into the p.a., well during the headline acts set the guy started to turn up my amp and started changing my settings, I sh*t myself as he had my rig so loud I thought the speakers were going to blow. I ran onto the stage turned it down, and had a right go at him, for gods sake why the hell didn't he ask the engineer to turn his monitoring up?!! These are not uncommon occurrances and I bet it's happened to some of you guys, and thats why I won't lend my rig out. If a promoter insists then we don't play the show, simple as. Having said that most of our shows in the genre/scene we are in don't require kit share thankfully. The only time it tends to occurr is if we play local venues, which we don't often do.
  9. I could never part with my kubicki ime afraid, but am semi interested in the Axstar. I don't suppose you have any soundclips? I searched youtube but could only find Axstar 6 string guitars on there.
  10. How would you best describe its tone/sound?
  11. [quote name='EBS_freak' post='638105' date='Oct 27 2009, 04:18 PM']Uber small gig bag frendly Fender Guitar Stands. Bought them and never used them (kinda forgot I had them!) Great for photography work... Anyway, see attached pic. I'll sell these for £15 (for both) plus a couple of quid postage.[/quote] also pm'd
  12. I was changing the batteries on my kubicki Ex Factor this afternoon and started playing when then sound started to faff about and fade out bit like an amp makes when you switch it off. I opened the back to check connections and they were fine. I then swapped for another 2 batteries and it started to work for about a minute and then did the same thing. I turned the dial to passive and it plays fine, but when I select the active channels it doesn't work. I need to get this sorted as I am playing a festival on thursday and rely on my active settings. I live in Bristol, what could it be and more importantly is there someone in Bristol that could fix it at such short notice? Regards Ade 07970 719252
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