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Posts posted by CameronJ
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10 hours ago, Friskydingo said:
Don't you be coming round these parts with your fancy 6 strings! We're a simple folk, with low end needs.
I’ll be gone for a while to self-flagellate -
9 hours ago, cascanicoff said:
I’ve been intrigued by these Sadowsky Moderns myself lately! There was a lovely green one for sale here recently but it didn’t hang around long. I really love the shape. -
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1 hour ago, pete.young said:
Yamaha BB435 might be worth a look, or a BB735 if you can find a used one.
I’d strongly recommend checking out a Yamaha BB735a. Very well made and great pickups/preamp combo. Obviously quite different from both the Spector and the Sadowsky you were looking at @Bilbo, but definitely worth a look nonetheless.
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Didn’t last long…!
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These basses will sound very different…is the sound in your head more of a single coil or a humbucker vibe?
Also, both have 2 band EQs and no passive tone controls - presumably you’re fine with that?
Personally I’d get down to BassDirect and try both basses in person.
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Dare I ask what the guitar is that you’re thinking of parting ways with?
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3 minutes ago, SumOne said:
I had a quick waza!
All seems good. It's now got me straight onto the next bit of GAS though - a 5 string active Bass with front mounted jack socket (without the ££ of a Fodera or Alembic or tight string spacing of an Ibanez SR doesn't leave many options).
First thing that comes to mind is a Jazz bass with a John East J-Retro (not the deluxe)
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Very tempted to go for that deal myself. Although (and I realise this is blasphemy) I’m strongly considering getting myself an electric guitar, so maybe best to get the original WAZA Air as that is probably a better choice for both guitar and bass compared to the WAZA Bass which won’t be that great for electric guitar? Arghhh…
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7 minutes ago, fretmeister said:
Scan are fine - well known PC company and they do other electricals these days too.
I'd have no probs buying from them.
Agreed!
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4 hours ago, ChrisLovatt said:
Few mistakes and the only recording I got of my jazz before I fell out of love with it
That is 🔥
Definitely making me wanna learn this line!
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I’m sure they’ll sort it out quickly - my experience has always been very positive with them. Most notably a situation in which I had purchased (and activated) the wrong software and they bent over backwards to help me deactivate my license in order to allow me to return & refund the purchase...which was entirely my fault in the first place.
They’re easily in my personal top 3 music retailers of choice.
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27 minutes ago, Mickyk said:
Lovely tones my Friend,? what make are the flats bud.
Thanks! They are La Bella LTF (Low Tension Flats)
They have become my favourite flatwounds!
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I may have missed it somewhere in the thread but does anyone have any issues with the transmitter in active basses? I know some “bug” type wireless transmitters don’t behave well with active electronics!
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Can’t wait to read more of your thoughts! That compact Darkglass setup looks very tasty by the way!
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He hasn’t been online since April. I would imagine this is either sold or no longer for sale…
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These are really good cases. There’s a reason so many drummers use Protection Racket gear. It’s rock solid!
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These are insanely gorgeous. I have no need for a 4 string but I’m lusting hard for this!
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I’m a huge fan of Dingwall basses - I’ve had three in total and currently just own one. Phenomenal quality, innovation and attention to detail.
In more recent times I’ve discovered Xotic basses and am a serious lover of them. I currently have two of their “XJ” five string jazzes and absolutely love them. Made in Japan, flawlessly built, a neck profile that is perfect for my hands and proper “sound in my head” jazz tones.
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For me it’s pretty much a combination of what suits the music and what frequencies I require to be able to hear myself clearly in the mix. If I’m playing at home I more heavily favour the former. If playing live I tend to more heavily favour the latter.
Having said that, on my passive basses I usually have the tone wide open as a starting point - my Dingwall Super PJ is a good example of this - but I rarely change strings and don’t typically favour a ton of high end in my sound as a rule. Unless of course the style demands it.
On my active basses, such as my Xotic XJs, I find myself tweaking the onboard preamp controls and the passive tone control on almost a constant basis from song to song. The tonal options on these basses are incredibly broad which I’m sure puts people off (“how many knobs?!”) - but the passive tone knob and the 3 band preamp controls interact in a really intuitive way. It’s pretty much impossible to produce a “bad” sound out of them, crazy though that may sound to some.
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A wise decision @Tripehound!
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I believe @Musashimonkey has owned one of these before…?
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I think this is a V7 “Vintage” - identifiable by the maple board with black blocks. Maybe worth adding to the title?
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I’ve had their nickel rounds and really enjoyed them. Very reasonably priced, good feel, good tone. Zero complaints from me! I’ve been curious to try their flats for a while actually.
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New Ibanez Headless basses
in Bass Guitars
Posted
Bloody hell. You’d expect better from the likes of Martin and (perhaps to a lesser extent) Gibson. I’d be pretty devastated in your position with those instruments too!