Wonky2

Guy, hoping for some quick advice if possible..... Ive spent a considerable amount of time shaping the feet for my new bridge, now im almost happy with the fit ive turned my attention to bridge hight and curve...... The bridge (adjustable) came with some brief fitting guidance, amongst which was a "jazz" and a "classical" template for radius. I would guess the jazz template more suitable to my requirments..... Heres what jve done so far... Ive fitted p/ shaped the feet to a very close match, just super fine finish to do... Ive then positioned the bridge to centre line of f hole notches and equidistant from left to right, ie, centralised. Adjusters wound fully down. Next ive used my steel meter rule sat flush on the finger board and allowed it to project onwards casting its angle onto the bridge front face. Ive marked the curviture of the finger board clearly. I then remived the adjustable feet and offered up the pencil lined curve to the finger board end to check the curviture was correct, it was spot on. Next i have added 10mm to that line with the intention of having a 10 mm string hight. I then offered up the jazz template to this +10mm line and marked out the jazz radius, the cnetre being at 10mm, the outer edges dipping slighlty lower. Im happy with that, thinking that this will, after string notching, give me and lowest possible string hight of approx G to E- 5,6,7,8 mm (low) but i should be able to raise this considerably with the bridge hight adjusters to well over 10,11,12,13 or maybe more...... The thing is..... Should i just be blindly using this "jazz" template, or is simply mirroring the radius of the finger board an option? After ive cut it down in hight, i intend to get it on the bench and try to thin it down too as it seems quite thick. Finally, the back edge is at 90 degrees , should i keep the 90 degree edge where the strungs meet the bridge top on this back edge or should i round it off where the strings meet. Same question for front face of bridge , rounded off or square finish ? So close to actually playing this bass now Thanks Guys Wonky

I cant seem to find a uk supplier anywhere ? Any ideas ?

Yes, i think my minds made up on the rev.... Cheers guys Has anyone considered a bead of super glue to one (just 1 side) of the bridge wing to secure it ? If carefully glued at one point it would allow for differing expansion rates of the two woods (bridge and pup) can see the it would interfere with pups ability to "breathe" it just fix on one leading edge ? Anyhoo, do any of you users of the rev use a pre amp ? Im using a lil mark 3 with balanced input ? ( impeadance is something i have yet to undrrstand !)

Anyone used the Upton pup?

Hi folks As i near the completion of my broken bass repair, my wandering mind has turned to pickups.... I initially set a faitly low budget but after reading many threads, reviews and opinions i came to the conclusion the most players seem to go on what looks like an expensive journey trying pick up after pick up to get a tone true to the bass and limit feed back issues, to name but a few issues.... So, i thought id up my budget. I have warmed to every review ive read on the upton rev solo pickup but cant seem to find a uk supplier ? Can anyone help ? Second option is, i have seen a barely used/ as new schertler set b set for sale.... This is an expensive set up but i have made a chance offer to the seller and he is considering it (considerably lower than his asking price) ....... If he agrees, it would be chance to go straight in with a peice of reputable kit at a low cost.....so i think its the bargain opportunity appealing to me here as much as anything ??? Any views on the two ? And any help with a uk supplier for the upton pup ?

For those who like the acoustic sound, watch Austin to Boston. Fantastic road trip film/ docu For those who like the urb, (no, not the upright bass) watch the culture high.

All about the exotic tone woods you say?...... Fender make a strat out of....... Card board!! https://m.youtube.com/watch?v=7Oo2H-W7d6A&feature=youtu.be

I thought that would likely be the case...... I prefer the unfinished look and id imagine it will have some degree of tonal influence, even if only minute... More sanding tonight...... Cant wait to get the thing strung up but must resist the urge to plough on with out care....

So tonight I've been at it again....... Another (I think) final coat of the sickens to the neck heel to get the finish just a tad darker.... I had wired wooded it flat again too as there were just a few specs that were not as I'd like..... Some tiny places just don't seem to be getting darker, possibly a bit of glue left in nooks I cannot sand too well ? Hardly noticeable but still ..... Also,my he finger board.... When I last worked on it (before the weekend) I had Danish oiled the neck...... I think some may have gotten onto the fingerboard and in places some finger prints on the finger board....well, it seemed to contaminate the finish and dull it down This was kind of a good thing though really as the high gloss finish that the laquer had given, although very good, I felt it should really be dulled somewhat as it seemed out of context with the rest of the bass....... So, decision was made for me, I had to remove the Danish oil contaminants now anyway.... I took some 0000 grade steel wool and flattened the finger board off again, this also provided good opportunity to blend and smooth the transition from neck to finger board on the edges of the neck. I didn't have any really fine wet n dry paper left to final finish it so i used some cutting polish (autosol !) it worked a treat. Removed the swirls the wire wool had left and gave a finish somewhere between dull/ Matt and gloss, much like the original finish. I've checked the finish now to see how it deals with finger grease/ sweat and it doesn't leave horrible marks like it did before.... So hopefully this finish will be good. A final buff with a clean cloth to make sure no contaminants will affect the strings and I think I can move on. (I'll get it strings up one day I promise!) After that I was back onto bridge fitting. Sand paper on the deck again and back and forth about ten million times. I now have the height right at the feet and it's time to go down a few grades on the paper and try to get a closer fit. This is very time consuming and labour intensive. The bridge will need thinning on the front side as it's quite thick and then I'll be onto marking up the night from the fret board and applying my radius template..... Can I ask, does anyone apply a finish to the bridge such as Danish oil or are they to be left bare.....

When im finished ill try and put pics up better from photobucket and maybe do a write up, im sure others may feel they have the skills to do the donkey work like i have and save on luthier costs.... Maybe taking it to a luthier for a final set up afterwards to keep costs down. Its just wood.

Yes, i have done a few decent bass/ guitar set ups beofre and i know just hiw important nut hight or string slot can be... Never done frettless though so new territory for wonky The heel varnish to neck finish on the pics on the web site (great site by the way) ive done it differently, most due to not seeing any before but also i doubt ill be venturing down that far for a while yet ! My finish..... Almost done.... Another 0000 grade wire wool session over the lot before final finish i think....

Thanks guys.... Thanks for the link .....

Great, thanks for that info.... If I'd have gone off what I "thought" I'd have been tryin to get a far lower action (ignorance is not bliss) The reason I asked was every bass I saw seemed to have an action of about what you have said,10mm, so I figured it should not be as low as I had originally thought..... It will take some getting used to ! Second coat of sickens has just gone on after wire wool flat down... Colour is a great match now...... Should be able to oil neck tomorrow then it's just the bridge.... (I've been putting it off Hahahah) I can't tell you how much I am dying to get it strung up !!!!!!!!!

If possible, can any uf you guys take some measurments of string hight on your bass at end of finger board to bottom of string ? I know they will all be different but an average would give me a rule of thumb starting point ....... If you could measure string hight at fb end to bottom of string and list : E= xx mm A=xx mm D=xx mm G=xx mm It woul be a great help. And for my own clarity, am i right to think in general the radius should be lower on e side ?

Great! Ill give it a go...

Good idea Ive got a guy local whi i kniw and another i dont know but is happy to have a chat.... Not sure either know much about repairs but both good players so some comparrisons wiill be good..

Ok, so tonight was colour refinish on the neck heel.... Ive used sikkens mahogany 045. The match is great! Bit more to do once its cured, wire wool and another coat should see a good colour matched gloss finish which makes the repair invisible, you simply cannot see it. Another coat should even it out and take it just that bit darker to match perfect... So a bit more tomorrow and then its onto danish oil for the neck....

Thanks for your kind and constructive comments The feet are quite thick and from looking at pics of bridges on basses i figured they need quite a bit coming off them, as much as the reasons you give (yes perfectly valid) i figure the thicker the feet are the less resonance will transfer from string through bridge to body... So yes, plenty to come off them as most i see are probably only aroun 4mm thick by sight.... One area i need advice on.... Cut bridge height. My intention is to set adjusters to mid point, then with bridge positioned correctly in respect of f hole notches and centred, use a straight edge lay on the neck to transfer its projected angle to the face of the bridge. I will then add appox 10mm too this line and use this eeference point to offer up the paper jazz radius template i have. This should give me a close/ rough line so the once cut shaped it should be close. After notching out for strings this 10mm difference will be reduced to perhaps 6mm, which hopfully should give s good action from which i can use the adjusters on the bridge to dial in or out as required. If any one see's any problems with my approach please do speak up before i end up having to but another bridge hahaha...

Final coat has given a finish which has made the reapair COMPLETLEY invisible .... I am so happy, i hooe the finish cures very hard and lasts a long long time Its likley the learning curve will continue long after the full repair is completed in terms of the longjevity of the repair but i see no reason it should fail in any way .... Again, this isnt a high value or crafted bass.... Its a stentor 1950 student bass, rrp)£1700 , cheapest i can find on line is b stock at £850.... The bag it came in cost more than i paid for it so i am deffinaitly winning here... Ive seen similar basses with repairs that dont look half as good going for £600/550 so i am very happy indeed. just cosmetics niw and the bridge and i can get to hear its voice fir the first time ! Pic below: they are reflections , the finish is flawless

Tonight i have been able to rw finish the finger board.... Its not an expensive ebony board, its possibly maple ? Anyhoo, the hole where the stud/bolt has been counter sunk was filled and flatted several times before a good overall key with some fine grade sand paper. Next i applied several coats of matt black enamel paint and left to cure... Once hardened i used wet n dry paper with water to flatten the finish further to what was a very pleasing finish with no evidence of said hole/ bolt/ filler..... I considered leaving it at this but feared the finish may wear or degrade strings, so i have opted to finish with several coats of clear hardened acyryllic laquer. The result is fantastic ! I am really pleased with the result! Next is restain and gloss neck heel and apply danish oil to back of neck.... Then its just the bridge..... "Just" he says..... I fear the bridge will take a very long time to get right. Cant tell you how much i have enjoyed this and whats more it has proved to be a succesful repair so far......

Cheers chard thats cured it Can't believe I didnt put the actual link in the original post ! Thats almost as bad as my log in fau par..... Maybe even worse ? Errr.....it was the two year old.....

Duarte, interested to know hiw this went in the end..... More so, what did you use to refinish ? Im midway through a fairly intensive repairwhich has meant a refinish on fingerboard is necesarry too. The bass, like yours is not a megs expensive one (stentor 1950 bass) and luckily i think the sound post has been glued in as its still in place after much man handling ! Im interested to know what you used to refinish the finger biard and if the rssult was good from a cosmetic point of veiw and also in stopping black rubb off ? Ive stripped my fb down using sand paper and foam block, came off quite easy too..... Inhave some matt black enamel paint which was closest match to what was on i think ? Any comments are helpful and welcomed

Forget to mention.... The top of the bridge seens to be quite thick ? Any suggestions what thickness it should be at the top where string notches will go ? I think it will need some sand here too to taper the thickness ? Also, silly question...it just occured to me looking at the picture..... Is the a front/ back side ? Still plenty of sanding to do, as the feet fit is still not right..... This is going to take a loooooong time