ossyrocks

Prices have increased a lot since I bought my '73 too, probably by about £1k in two and a half years. I actually really like the early 70's basses. I don't want to go much earlier as I don't like the wider nut width. Rob

NBD ! A 1970 Precision in very nice original condition. I mentioned earlier in this thread that I was sniffing around for another early 70's P bass, and someone on here got in touch. A very very smooth deal, lots of honesty and trust involved. It's more or less all original apart from a single pickguard screw and the pots are changed, but you wouldn't know unless you were told, as they are CTS pots from 1970. I spent some time yesterday with it, tweaking it to my liking. Now sporting La Bella Low Tension Flats with a very nice low action. It has more definition and a bit more top end than my '73 (which is the most mellow P I've ever heard), and they complement each other perfectly. The rosewood board on this one is particularly dark, smooth and tight grained compared with the '73 too. I'm a happy chappie. The upshot of this, is that I'll be selling my super lightweight '78 P bass soon if anyone is interested. Cheers, Rob

|Blimey.

I would like to ask about the light in the VU meter. I have a new RM800 EVO II, bought in their "last chance" sale. Some people on here seem to be saying that as well as a green flashing LED in the meter when levels are good, there's also a red flashing led when you push it too hard. Mine does not flash red at all. I just have to keep an eye on the needle to trim the input accordingly. So, should there be a red flashing LED in the meter? Rob

Thanks for that info, I didn't know that. 15% is fine, and it's what Richard Henry charges for guitar sales. Rob

Thanks Tony. Yes, it's very expensive, but I'm just looking around to see what's available. Do you know how Andy Baxter treats trade ins/part ex's? I have a bass I'd consider putting up in a deal, and also a guitar (he does sell vintage Gibsons, of which this is one). Rob

I sold a bass and and cab this week, and I'm starting to sniff around for another early 70's P bass with tort guard. I have spied this one on Andy Baxter's site. Looks nice, great weight, lots going for it (albeit expensive), but then I can't get past looking at the string/neck alignment. I know it's been apart for photos, that's obvious, but this looks more than just a neck loosen and push it up fix. What do you think? Rob Link to the bass: https://www.andybaxterbass.com/collections/fender-precision-bass/products/1971-fender-precision-bass-sunburst-4 Pic:

How was my gig last night?...............CANCELLED. Due to me testing positive for Covid on Wednesday after feeling crap all day Tuesday. No doubt picked up at the gig I did last Saturday at Morecambe Music Festival in a packed to capacity, hot and sweaty venue. We have our fingers and toes crossed for the gig next Saturday, but I'm still testing positive today and don't feel great. Soooo many people have Covid again right now. Rob

Not a 4x10, but a 3x10 here in Morecambe.

I've remembered another notable gig. I was in a tribute band for a while in the 2000's and we got booked to play "Rock Pissouri" in Cyprus. It wasn't really decent money, but it was flights and accommodation for band members AND PARTNERS for 5 nights. We all went on holiday! The gig was outdoors in an Amphitheatre and the backdrop for the band was the Mediterranean. That one was a highlight, but it wasn't on my bucket list at the time, but I doubt I'll ever play another like it. Rob

That is quite a list !

The band is called The Out And Out Blues Band - https://theoutandouts.com/

That reminds me of another, I have played The Cavern Club in Liverpool too!

My own thread here, and all your lists, has got me thinking about all the places I've played in the past, and I realise they add up to a pretty good tally of renowned venues. The most notable ones I can remember: The New Morning - Paris Islington Assembly Hall O2 Academy - Glasgow The Stables - Milton Keynes and the aforementioned Band On The Wall I'm not getting any younger (60 next birthday), and I thought my days of being in a great band and playing great places were behind me. But this chance of a gig at Matt & Phreds has me pinching myself and thinking there might be more yet to come, and I like it. Rob

12 years ago, I got to play Band On The Wall in Manchester. To me, this was about as good as it could realistically get, and it was a great experience. In those days, I was playing guitar. It wasn't about the size of the crowd, I have played to a couple of thousand people before at festivals, it was the venue, and the iconic status it holds. Since embracing the low end, I think I have become a much better musician, have more understanding of theory and harmony, and more importantly, I am having way more fun playing music than I ever thought possible. Today, the band leader has asked us about our availability for dates in January to play at Matt & Phreds in Manchester. I cannot tell you how chuffed I am about this. I have seen dozens of bands here. I was there when BB Kings horn section turned up after the show at the Bridgewater, just to drink and jam. Some of my musical heroes have played there. And now I might actually be playing it myself. It's unreal. Anyway, where are your venues, what have you played, where would you love to play, where would you recommend? Thanks for listening. Rob

Hindsight is a wonderful thing! I did the same with my 2x10. I'd have another 2x10 as well if one cropped up, super cabs. After my brief dalliance with the 12's I'm convinced the 10's are where it's at for me personally. But then I think and wonder when I might take a 2x10 out instead of the 3x10. The 3x10 is really easy to move around because of all the handle options plus the wheels. Either way, my Super Compact will be up in the classifieds soon, mint condition with official cover if any one is looking...... Rob

I would say no. I've had a Two10, and three One10's. The Two10 is an excellent cab (I'd have another one if it came up), and one would have done me fine on the gig last night, but the 3x10 is next level in terms of depth, tone and punch. I had this great big fat tone without being too loud. Rob

Well, the morning after the night before, and only 6 hours sleep because I have a plumber coming at 8am. I am blown away by how good this cab is. I didn't have to EQ my sound in, it's right there with everything set flat. It's got the right amount of everything, deep but not too deep, not boomy, not too toppy, lovely pushy mids and it's loud. I ran the Bergantino at around 9 - 10 o'clock on the volume and it was plenty, enough to control things from my bass. Also, I think every other member of the band commented on how good my bass sounded last night. It helped that we had a really good night musically. The band is really starting to cook. I'm a very very happy customer. Rob

I'm taking the 3x10 for it's first outing on a gig in Lancaster this evening. I'll be using my '73 P bass with flats through the Bergantino Forte D, that's it, nothing else. I'll let you know how I get on. Rob

Wow, that's tedious! Another of the reasons I have just left one of my bands is their propensity to rehearse a lot and gig very little. Since me joining in November 2022, there have been only 9 gigs, but 47 rehearsals!!!!

Our harmonica player has this and it seems to work well, with no conflicts with my wireless either.

Yes, I do. I've done the shared ownership twice before, when I was quite a bit younger, neither ended well. As musicians, we invest a lot in our own equipment. I'm fortunate to have built up quite a bit of valuable kit, and the musicians I play with have done the same. But I have met singers who think that they've spent a fortune on gear when all they've done is buy a nice microphone, and that they shouldn't have to buy their own PA to use it through.

Mine was also an artistic decision. Despite all of them being nice people, and some of them I now call friends, I just could not work with the drummer any longer on a musical level. ie, he's not musical ! I'm also a better guitarist than the guitarist! But, I could not bring myself to criticise their musical ability, it just felt cruel. So I'm "concentrating on my main blues band project".