Finally got my hands on one of these, since Duff inspired me to pick up the bass back from in 1992. Ideally I would have like a slightly earlier one (84 to 86 I think) that seem to have the back of the neck painted black, and obviously in pearl white like Duff’s (which he bought in 86, so guess it was an 85/86 model). My serial no starts ‘E7’ which I think is 1987.
Anyway, it’s in very good condition, with (unusually) the original Fender knobs. It has the original oversized Japanese pole pieces in both pickups. They’re about 6.5mm across, and I’ve compared them to the SD Quarterpounders I had fitted in my Fender Aerodyne, and they seem to be about 6.7mm. Feels quite heavy (4.2 kg) compared to the Aerodyne (3.8kg). Very solid. Love the jazz neck.
Duff apparently switched out the Jazz pickup in his model for an SD Hotstack - I don’t know why (in one video I saw he said “it came with Seymour Duncan pickups” when he bought it). So there’s a bit of confusion as to what’s gone on. It’s difficult to tell from the available photos. Who knows what was in place when Appetite was recorded. His signature models have a Hot Stack jazz pickup and a generic Fender P pickup with normal sized pole pieces in both.
Anyway, it could well be irrelevant as, to my ears, the magic is all the in the TBX rotary control (the one nearest the Jack) With all controls on max and the pickup selector set to both pickup, it’s instant Duff! And that’s even with the deadest strings I’ve ever experienced. There’s just a difficult to describe upper mid/top end character that comes through when the TBX is on full that is unmistakably that sound on the Gn’R albums. So I don’t I’ll be installing a Hot Stack.
Anyway, sacrilegious as it may be to strip the excellent condition red finish, my plan is to take to Bow Finishing near Godstone to get it refinished in pearl white and the back of the neck painted black.