This is informative on the tragedy.
http://kilburnwesthampstead.blogspot.com/2019/10/the-tragedy-at-olive-road.html
I can recall Andy Fraser saying what a great player and influence Binky was when I interviewed him.
Re Alan Hull: I thought there was a telling comment from Ray Jackson about only the songwriter making enough money that crosses over with another thread on the forum…
That said, hats off to Rod Clements - the bassist, no less - for penning the breakthrough single!
Great book just published by the man who pioneered the Southern rock genre. Gritty, first hand stories that’ll make your hair curl!
Cover price £14.95, yours for £10 posted!
No real argument here. It’s unusual, minimal with a pick. Hence when Mr Harvie weighs in fingerstyle, the foundation to the music suddenly changes. Maybe only us bassists would appreciate the difference, but the sound man should too!
Funnily enough, @bumnote(my biggest fan) was at the first gig I played this fretless at.
Unfortunately, i slammed the car door on my left indexfinger. Not advised... three years later its tip is still numb!
Vocals, vocal/guitar, vocal/bass
Unlined. And yes, I attempt vibrato.
There’s only one song we do that lets me ‘show off’ by sliding into notes, tho. A Graceland-style ditty.
Ta for comments so far!
Amusingly, I guess their big hit here is Nothing Ever Happens and in the US Roll To Me. The latter gets dashed off live at breakneck speed, as they clearly don’t care for it!
I once saw Procol Harum and they refused to play A Whiter Shade of Pale. Have never forgiven em!😂