paul_5

Made of Stone - Stone roses. Double bubble!

Custard Pie - The Zepps

You can but electronic copies through the kindle app - that’s where I got mine. I know it’s not the same, but better than nothing.

You can only copyright the layout design apparently, so designing a pcb with the same circuit but different traces is ok. 

I played 5s almost exclusively for a few years and they were great, but I’ve gone back to 4s as the strings are 20% cheaper 😄

great sounding pedal (and playing too)!

I've been dipping a toe in the murky waters of 'Anasthaesia' from 'tallica's first album. Lots of fun to be had!

Dolphin - 0+>

I really rate the Wilkinson stuff, just put one on my P bass 'bitsa' and I love it!

I think we’re fast approaching the point at which there won’t be any more new basses on Blighty’s shores ever again, we’ve just got to perpetuate the ‘Merry-go-round’ that is the BC approach to bass ownership!

22 minutes ago, stewblack said:

I replaced my knobs straight away! Green ones to give it a Trace Elliot vibe.

I still use green as the default colour for bass tracks in Pro Tools and Cubase for this reason!

Wigan work it out - the Beatless 

Neither option is without risk, but even discarding the risk of theft, most instruments would prefer being left indoors without too many temperature fluctuations.

I'd never leave an instrument in a car for any length of time for this reason, insurance companies get a bit shirty when you leave valuable stuff in an unattended vehicle too, but a hotel room is looked upon more favourably.

KZ ZS10 Pro are incredible for the money - they're also great IEMs if you ever need them to be.

Take The Power Back - RATM

Dakota many colours - Dolly Parton

Valley Girl - Zappa

4 hours ago, Stub Mandrel said:

 

What I want to know is, why have they got XLR cables up their noses instead of the usual ants and coke?

For balance.

Sorry, I'll get my robe.

Sorted now (I think) 🤞

It’s yer money I’m after baby - the Wonderstuff

Swallowed - Bush

Stollen Moments - trad.

I've tried all sort fo flats on my fretted and fretless jazz basses over a period of a couple of years, but went back to rounds for the extra top end bite - mostly for overdrive and slap tones. 

I've got a P bass at home with flats on, but that's more of an economical choice. I've only ever gigged with that bass once, and the others have had plenty of airings.

Could you not just use the SM58 to beat your drummer into submission - those things are bomb-proof?