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Quatschmacher

⭐Supporting Member⭐
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Everything posted by Quatschmacher

  1. I sold Ian my Q-Tron+ and it was a straightforward transaction with prompt, friendly communication. Many thanks.
  2. Nice and very tempting, (though I’m consider a Subsequent 37). Checked out a fair few in-depth videos of this last night and it sounds super fat. Wonder if it might’ve been better to get this instead of the Minitaur.
  3. Was it the tension that you couldn’t get on with? That’s a pretty heavy gauge of flat wound you bought and there are lighter sets available.
  4. Checking my bank balance (and my conscience) right now.
  5. I’m trying to clear the way for some imminent purchases (yes, yet more filters and hopefully a synth or two) so putting this up for grabs. In excellent condition. The loop on this envelope-controlled filter is particularly useful if putting distortion and/or octave down in front of it as your instrument’s original signal dynamics are used to drive the filter section. Comes with original instructions but without the box. Will be sent safely though.
  6. Does this come with the other neck plate?
  7. As said, the IR bass already has a “pluck detect” feature and so, in some ways, is a superior system.
  8. The Frettrax will not trigger on open strings. The triggering is done by the string making contact with the fret. By contrast, the industrial radio does trigger open strings. This is because (in one mode) the string touching the fret only gives the pitch information; the triggering comes from the sensor in the bridge which detects string movement. You might be able to use a zero fret on Frettraxx (only as a non-midi note) but only if that fret is not electrically wired up to the others (otherwise it’d be always on).
  9. Just found this one too:
  10. They used to do a 5-string version.
  11. This is what I get for reading and walking. I totally missed this post and came across the very same product by chance yesterday. Looks absolutely amazing! Browsing this site, it appears a basschatter sold one last year. Hopefully we can find out who has it now and ask very nicely if we might get to try it. If it does what it says it does then I’m totally getting one.
  12. It looks like this newer iteration has much less bulky hardware; on the bass body the only differences are the output jack and the LCD on the top horn.
  13. Apologies if this has already been covered but this invention (and totally unique way of creating MIDI from bass and guitar signals) just made me cream my pants. http://www.industrialradio.com.au/index.html
  14. Might be worth trying other types too as some are brighter than others. Eg, EB Cobalt flats are very bright, almost roundwound in tone.
  15. There’s a similar thing going on in the saxophone world with old Selmer Mark VI and SBA horns going for stupid money. Part of that is that lots of great players played and recorded on them (at the time they were the pinnacle of sax building) and so everyone has that sound in their head from all those golden age recordings. I too fell foul of the hype years ago and bought one for an extortionate amount. (Amazingly I managed to sell it at a big loss.) It did sound lovely but the tuning was ropey compared to newer horns. Undoubtedly there are gems out there from that era that will sound better than a lot of modern stuff. However, Selmers are still hand made (at least the annealing process of the bell section is) and so still vary from example to example. The trick to finding a good one is simply to test lots out side by side.
  16. It was very much a click bait story but quite interesting.
  17. The one in this story turned out to be a very good fake (as determined by an auctioneer from Christie’s after its owner took it there).
  18. Came across these just now and they are interesting. http://www.patchblocks.com/content/6-patchblock
  19. Sadly the wrong end of the country from me otherwise I’d be on this in a flash - been after one for a while.
  20. Good price on the Doom.
  21. Yes, the control over the parameters via expression pedals and the possibilities for connecting to other gear is great on the Moog stuff. I’m sure I’ll probably regret taking them back soon enough and buy them again! I’d really like to try it with the control processor unit to see what else it can do. With that it is possible to alter the shape of the envelope via the attenuator. The filter paired with the phaser was a great sound. Congratulations on the Matryoshka, it sounds cool. If you fancy posting some clips that’d be appreciated. I’m looking at getting a Moog synth as I’m really into these sounds now.
  22. It’s a great sounding filter, the envelope control wasn’t as sensitive as I would’ve liked and there’s no down sweep.
  23. I’ve been using 50-105 Chromes on my Sterling for years and love the sound.
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