bassbiscuits

Sorry yes good point. It’s the Elton John tribute band.

Just back from two shows at Bibi’s Italianissimo - sort of big 1920s-themed restaurant in Leeds. We do a matinee and evening gig there most times we play, as we did today. Really good vibe, nice crowd, up for singing and dancing. Took my Mustang bass along for its first gig this year - I’d put it up for sale, then withdrawn it, and thought I owed it another bash to see how it performed at a live gig. And the answer was “brilliantly!” Glad I hung on to it. The projection of a cosy winter hearth on the backdrop did make it look like our drummer was on fire when viewed front on…

I’ve got a couple of those Markbass Bass Keeper things so I just Velcro my spare bass to the side of my amp. Saves taking up space onstage with a spare in a stand. As I dep quite a lot I find I’m often left with the small space that’s left once everyone else is in place so it comes in quite handy!

Yeah i usually take two basses but touch wood have never needed back up. Ironically some of the biggest gigs I’ve done have been festivals, support slots and/or abroad where I’ve travelled light and only been able to take one bass anyway (a reliable one). But for my own gigs here I’ll also generally bring a spare amp head, spare cables and batteries etc. For a long time I was the only person in the band who thought to bring any spare bits.

I still don’t want to listen to Gary Glitter tho.

I’m pretty sure there was a white/tort/rosewood one of these in Bass Bros earlier in the year. I don’t know who the signature guy is but the bass looked ace.

Yeah totally. Basses have different character and different sounds and strings are as much a part of that. I’ve got D’Addario NYXLs on my active Yamahas, La Bella flatwounds on my precision, and D’Addario heavy nickel wounds on my Mustang. Each suits that bass perfectly.

I couldn’t move fast enough to stop Gary Glitter’s “Rock N Roll Christmas” piping up from the Christmas tunes CD I put on this morning. Not having that on thanks.

Worth seeing what the drummer / bandleader thinks of this. We are assuming he is supportive of her idea, but he might be tired of hearing about it too. I very much doubt she’d play bass as well as the actual bass player, so then it comes down to whether the bandleader/ husband /wife are happy for the music to be worse quality for the sake of appeasing her, in which case you’re better off out anyway. Hard to know from the OP how serious or determined she is about it, or whether it’s just a nice idea that’s come to mind etc. I’ve swapped with guitar/bass/vocals in bands before for one or two songs and it didn’t bother me as I was clearly the better bassist. Might as well try and sound out what she and her husband want from this, rather than assuming the worst and walking out. If they want you as the bassist I’m sure they’ll be able to say so. If they actually want to shoehorn her in on bass it’s best you find out straight. Hope it works out either way.

Playing what looks like a Mustang neck on a Westone Thunder 1A body. Thats sorted then.👌

Alan Rickman?

Likewise - a blue MIJ Mustang is normally a good thing, but not interested in celebrating either Budweiser or some bloke I've never heard of who works for them.

I've depped with I think five different cover/function bands over the last few years and I reckon there's a good 60% of songs which are common to all of those bands - the floor fillers you can't get away without playing.

If it's a decent payer, why not?

I ended up playing Chris de Burgh’s “A Spaceman Came Travelling” with my eldest lad for his guitar concert last night (I wasn’t the only parent to get up and play with their child luckily). It worked surprisingly well and lent itself to some nice harmonies in the chorus. Shakin’ Steven’s “merry Christmas everyone” and Wizard’s “I wish it could be Christmas every day” also made appearances via the other performers - both top tunes.

Best I would say are my second Yamaha BB604 - since buying it at the end of the summer, the two Yamahas have come to every gig I’ve done. Also my Markbass traveller 1x12 cab (so much so that I panicked and bought two!). And a TGI Extreme gig bag (for aforementioned Yamaha). It’s nice isn’t it when you buy stuff that immediately fits and becomes your go-to kit. Worst? Nothing really. It’s all been decent stuff.

Dare I say it but I've boiled all my bass need down to two identical active Yamaha BB604 basses - they sound like a four-string jazz on steroids and cover everything from thump to rasp stopping at all points in between. Stick a fork in me, I'm done.

I suppose it depends what bass it is @ricksterphil, and whether you'd buy it back as an investment or just for sentimental reasons. I've seen a few of my old basses around over the years, but I sold them back then and haven't missed them, so I doubt I'd use them again once the initial novelty of having them back had worn off.

I’ve gone full circle with this and currently have one of the 1x12s up for sale. The two together sound awesome but I find a 1x12 paired with a 2x10 is my perfect combination.

I've never felt the need to tilt a bass cab. Whether its quasi science or backed up by fact, I prefer mine to be sitting flat on the floor as there seems to be more low end. Not sure if that's due to the amount of contact with the ground/stage/floorboards etc, or if it just sounds less trebly because it's not pointing at my ears. Either way, un-tilted is where they will stay for now.