Mikey R Posted May 13, 2010 Share Posted May 13, 2010 [quote name='OldGit' post='833711' date='May 10 2010, 10:14 PM']I'd not make any major decisions before trying it in a band situation. [/quote] I totally agree. My plan is to get Andy to overwind them with a coil tap where they are now, then wire in an "awesome" switch for when extra thump is needed. I know I should wait, but the temptation to tinker is almost overpowering... Quote Link to comment Share on other sites More sharing options...
lonestar Posted May 13, 2010 Share Posted May 13, 2010 [quote name='Mr Fudge' post='830057' date='May 6 2010, 09:25 PM']I have my markbass SA450 flat. You can hear everything. Might give the mids a whirl though as ther are the extra ones? I wonder what they would do?[/quote] I find that I have everything pretty much flat (12o'clock) on my markbass combo and boosting the Low mid a little really cuts through. Haven't found much use for the high mid knob yet though Quote Link to comment Share on other sites More sharing options...
Heathy Posted May 19, 2010 Share Posted May 19, 2010 I have had my EQ in a big smile for years. At last night's rehearsal I turned it upside down. I'm really loving my sound now, and what's more the rest of the band love it too! Quote Link to comment Share on other sites More sharing options...
mep Posted May 19, 2010 Share Posted May 19, 2010 I have been using the smile eq setting with my TE AH200 for years. I changed the eq for a practice and a gig to boosting the lower mids and then trailing the eg off back to 0. What a difference. I've been dubvious before of using too much mid eq as it tends to sound nasally, but in a band situation it really worked and cut through. I could cleary hear every note I played and reports from out front were very favourable. Another satisfied customer. Quote Link to comment Share on other sites More sharing options...
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