sixdegrees Posted January 21, 2015 Share Posted January 21, 2015 I run a Fender P through an Ampeg head, and MB cab. It's articulate, punchy, and great in the mix (even up against a heavily scooped Mesa guitar rig). The same bass through an Ashdown rig sounded horrid, unless I used extreme eq settings (which still sounded horrid, but at least I had some cut). However, a Jazz; neck pup, tone rolled off, sounded really thumpy and old school through the Ashdown. Absolutely useless for Geddy-esque burp and clank with the bridge pup though. Quote Link to comment Share on other sites More sharing options...
JapanAxe Posted January 21, 2015 Share Posted January 21, 2015 [quote name='zero9' timestamp='1421788498' post='2665112'] Probably the best combination, especially in the 80's, was a Status headless through a Trace stack. [/quote] ...whilst wearing a jacket with the sleeves rolled up, and a mullet... Quote Link to comment Share on other sites More sharing options...
VTypeV4 Posted January 22, 2015 Share Posted January 22, 2015 Another 'Warwick & Trace' +1 here.. Works great for me! I can't really think of many amps I plugged the Warwick into that wasn't at least useable. There's an old TNT 130 at the rehearsal studio and even that works to an extent. Quote Link to comment Share on other sites More sharing options...
Kiwi Posted January 22, 2015 Share Posted January 22, 2015 [quote name='JapanAxe' timestamp='1421878720' post='2666247'] ...whilst wearing a jacket with the sleeves rolled up, and a mullet... [/quote] and a mustache Quote Link to comment Share on other sites More sharing options...
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